IMDb RATING
7.4/10
15K
YOUR RATING
After being shipwrecked with a magnificent horse off the coast of Africa in the 1940s, a boy bonds with the stallion, and trains him to race after their rescue.After being shipwrecked with a magnificent horse off the coast of Africa in the 1940s, a boy bonds with the stallion, and trains him to race after their rescue.After being shipwrecked with a magnificent horse off the coast of Africa in the 1940s, a boy bonds with the stallion, and trains him to race after their rescue.
- Nominated for 2 Oscars
- 8 wins & 6 nominations total
Larbi Doghmi
- Arab
- (as Dogmi Larbi)
John Karlsen
- Archeologist
- (as John Karlson)
Donald Hodson
- Taurog
- (as Don Hudson)
Featured reviews
This movie is a feast for the eyes with an ending that has you on the edge of your seat. It is really two movies in one. The first movie is all about a boy and a horse shipwreaked on an island and how they learn to survive by helping each other. The second movie is about how Alex saves the horse and gives it a purpose in the world with the help of Mickey Rooney. The photography and story are very strong and help make this movie a visual delight with a minimum of dialog. Isn't that what movies are all about?
The first thing that strikes you when you see "The Black Stallion" is its cinematography. However the vivid colours are only the doorway into the film. It is important to remember that the title is not "The Stallion" but "The Black Stallion". It is the title's first announcement of bold colour and the connotations of power in "Stallion" that introduce a richness of dichotomies. There is the black horse and the white boy (would the film really have been the same with the ubiquitous white horse?). There is the contrast between the horse's power and the boy's frailty. The scenes on the island and the scenes in the city. Indeed, the film's running time is almost split down the middle between this last contrast. There is also the contrast between the boy and the old man he befriends, and many others. But most importantly, there is the contrast between solitude and companionship. There are a lot of lonely characters in this film. Everyone from the horse to the boy, to the trainer to the boy's mother seem to be trying to struggle through life on their own. It is this quest to deal with loneliness that is the film's most profound achievement. It is not so much a condemnation of solitude as an analysis between its benefits compared to the benefits of companionship. Whether or not "The Black Stallion" answers these questions is something the viewer will have to decide for themselves. I believe the film asks more questions than it answers. Although some may find the film's ending a bit too predictable and sacharine tasting, the overall effect of the film's beauty and its questions concerning solitude and survival, erase any minor faults the movie may contain. Part "Androcles and the Lion" and part "National Velvet", "The Black Stallion" is more than a childrens' movie. It brings together the "blackness" (as in the black void of space) of loneliness with the stallion's individual power to show how all of us are alone in a fundamental way but that we also have an ability within us to not only survive but draw great things from it. We can fulfill through our particular skills and abilities the necessary requirement of helping each other without losing the strength we receive from our individual independence and uniqueness.
I watched it few times many years ago.Freedom movies i like the most.That riding on the beach is one of more beautiful in the history of film.What makes it so great is your own experience of the feeling of limitations diminishing.Scenes like these lift you up so you can go for more.It is only pity that the sequence is not longer and has not slightly more inspirational melody.Two beings connected with their similarity which is love of independence,harmony.Overcoming the obstacles on the way to the ideal.Mutual help without interest if other needs it finishing in triumph.No wonder that "The Black Stallion" is the movie of which Mickey Rooney is most proud of.
I was so afraid to see this movie. The Black Stallion books defined my life until I was about 14 years old, if not longer (they have always continued in my memory). I read every single book that Mr. Farley wrote, most of them many times over, and I knew every character intimately - how they looked, how they talked, everything about them. And The Black - I know exactly how The Black looked and acted. So - when this movie was announced, 23 years ago, I refused to see it. I could not risk having all of my childhood memories shattered in the course of a 2 hour movie. But recently, in a discussion of favorite movies, a friend mentioned this movie as her favorite. Immediately, I was interested. So, nervously, I rented the movie, and settled in to watch it. My heart started pounding as the opening credits rolled - I was almost breathless waiting for it to start. All I can say is, now that I have seen it, I hate myself for waiting so long. Every detail of the book is captured perfectly, as if Mr. Copolla, Ms. Mathason, et al managed to film all of the images in my head and pour them onto the screen. The cinematography is astonishing, the score is beyond compare as to how well it fits with what is happening on screen. These are the technical details of the film - what is impossible to describe is just how closely this work captures the original book. There is no whiz-bang gadgetry, or special effects, although some young ones may find the shipwreck sequence to be frightening. It is a beautiful story, told masterfully.
It is hard for many people to accept that a little family film about a boy's relationship to a horse could be one of the greatest films ever made. But you must remember that not so long after The Black Stallion was released another film was made that was about a boy's relationship with a creature from another planet. That film is widely considered a masterpiece and its director has gone to become the most successful director in film history. I think it is worth noting that both films were written by the same person. Melissa Mathison, who wrote both E.T. and The Black Stallion, has penned two great films about a boys love friendship with a non human creature. And after several viewings of both I'm beginning to think that Stallion may be the better of the two. I doubt that I have ever seen a more atmospheric and emotional movie that holds up so well after repeat viewings. And I must say the sparse dialog is probably my favorite thing about it. Little is said but much is felt and isn't the feeling what is most important? This film has a beautiful look to it, which may have something to do with the director, Carol Ballard's, experience as a cinematographer. The wonderful images and rich detail draw you into the film and say more than words ever could. Great performances by everyone in the cast also boost this movie to the next level. Is The Black Stallion better than E.T.? I cannot say but it certainly feels that way. If you want to see a movie that is pure feeling than you should see this one.
Did you know
- TriviaAmong the innovations of sound editor Alan Splet, who won a special Oscar® for his work, was attaching microphones to the underside of the horse during the racing scenes to catch his actual hoof-beats and breathing.
- GoofsCyclone, the gray racehorse, changes from a soft pale gray, to a dappled gray, to a very dark gray with a white tail throughout the match race.
- Quotes
Snoe: Hey, what happened to you?
Alec Ramsey: Everything.
Snoe: Everything? That's a whole lot. It can't be everything.
- Crazy creditsA scene played throughout the end credits showed Alec and the Black's time at the beach.
- Alternate versionsMost of the home media releases plaster the United Artists logo with the 1982 variant in the 1984 VHS, 1987 variant in the 1994 VHS and 1997 DVD, 1990s variant in the 1995 VHS, and the 2001 variant in the Blu-ray and 2014 DVD. The latter two also have the opening and closing 2009 MGM logos. However, while the 2000's United Artists fanfare is high-pitched in the 2014 prints, the logo itself is reverted to its original normal pitch in The Criterion Collection prints.
- ConnectionsFeatured in Sneak Previews: Oscar Special 1980 (1980)
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- El corcel negro
- Filming locations
- Sardinia, Italy(beach and island scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,700,000 (estimated)
- Gross US & Canada
- $37,799,643
- Gross worldwide
- $37,799,643
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content