IMDb RATING
5.6/10
7.7K
YOUR RATING
During World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they fi... Read allDuring World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they find dinosaurs and neanderthals.During World War I, a German U-boat sinks a British ship and takes the survivors on board. After it takes a wrong turn, the submarine takes them to the unknown land of Caprona, where they find dinosaurs and neanderthals.
- Director
- Writers
- Stars
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I was too young to see 'The Land That Time Forgot' when it originally premiered in the cinemas in 1975 but I saw it several times growing up and loved it. It had everything that a young boy/teenager wanted in a fantasy movie - gargantuan monsters, pre-historic tribes, active volcanoes, punch ups and a sense of wonder and amazement.
Putting aside the rubbery monsters and glaring plot holes, ''The Land That Time Forgot' is an enjoyable romp that keeps your attention from start to finish. It takes you on a thrilling ride of danger and excitement with a potent sense of fantasy. The film doesn't overstay its welcome at a running time of 91 minutes and at no point loses it's way. It also takes some time to develop some semblance of a story before arriving at Caprona, the land that time forgot, whereas other movies would have got you there as quickly as possible. This helps to add just a little extra anticipation.
Many of the characters are there to add to the bodycount, which is high, but some of the leading characters add a little more depth. Doug McClure's hardman Bowen Tyler shows surprising pathos in one of the film's later scenes whilst John McEnery's Captain Von Schoenwarts inverts the usual German stereotype to play a fair minded man with an interest in the origins and development of life. Considering this is a British made film with an almost entirely British cast (the exception being American Doug McClure), made thirty years after WW2 ended (this is set during WW1 though), there are surprisingly good sentiments towards the Germans, although there is still room for Anthony Ainley's duplicitous Dietz to give us someone to be wary of other than the monsters and pre-historic tribes.
The film's unusual ending also gives the audience a welcome change from the banal endings that usually conclude most movies and it allows that childlike sense of wonder and amazement to stay awake a whole lot longer.
Putting aside the rubbery monsters and glaring plot holes, ''The Land That Time Forgot' is an enjoyable romp that keeps your attention from start to finish. It takes you on a thrilling ride of danger and excitement with a potent sense of fantasy. The film doesn't overstay its welcome at a running time of 91 minutes and at no point loses it's way. It also takes some time to develop some semblance of a story before arriving at Caprona, the land that time forgot, whereas other movies would have got you there as quickly as possible. This helps to add just a little extra anticipation.
Many of the characters are there to add to the bodycount, which is high, but some of the leading characters add a little more depth. Doug McClure's hardman Bowen Tyler shows surprising pathos in one of the film's later scenes whilst John McEnery's Captain Von Schoenwarts inverts the usual German stereotype to play a fair minded man with an interest in the origins and development of life. Considering this is a British made film with an almost entirely British cast (the exception being American Doug McClure), made thirty years after WW2 ended (this is set during WW1 though), there are surprisingly good sentiments towards the Germans, although there is still room for Anthony Ainley's duplicitous Dietz to give us someone to be wary of other than the monsters and pre-historic tribes.
The film's unusual ending also gives the audience a welcome change from the banal endings that usually conclude most movies and it allows that childlike sense of wonder and amazement to stay awake a whole lot longer.
Fantastic and amusing adventures full of monsters in lost continent by Kevin Connor and based on a novel by Edgar Rice Burroughs . At the beginning of the film , during World War I , a German submarine sinks a Brit boat and takes the survivors on board. The submarine takes them to the unknown land of Antartica called Caprona . At the sub are reunited the U-boat German captain (John McEnery) piloting his ship along with Owen Tyler (Doug McClure) and Lisa (Susan Penhaligon) , among others . The group takes a wrong turn and descend over a barren land and meet some primitive men , Neardentals and prehistoric animals . They have to deal with numerous risks, dangers, endure torrential landslide, shakesands, volcano, cavemen warriors, dinosaurs and discover a lost tribe .
This engaging adaptation is a special version of the Edgar Rice Burroughs adventure yarn . There are rip-roaring action, spirit of adventure, derring-do, thrills, and results to be quite entertaining. It's a brief fun with average special effects , passable set decoration , functional art direction and none use of computer generator. This fantasy picture packs thrills, action, weird monsters, lively pace and fantastic scenarios . The monsters are the real stars of this production and its chief attribute. The tale is silly and laughable but the effects and action are quite well. Among the most spectacular of its visuals there are a Pterodactilus roaring menacingly towards the camera, a little tableau comprising attack of a giant monsters and the colorful backgrounds of the lost land . Some monsters are clumsily made but movie is OK . Highlights of the adventure includes a roller-coaster trip towards unknown land in South America , and appearance of prehistoric reptile such as Pterodactilus, Stegosaurius, and Tiranosaurious . In addition the final scenes where appears breathtaking volcanic eruptions and thunderous explosions . Some illogical parts in the argument are more than compensated for the excitement provided by Roger Dicken's monsters, though sometimes are a little bit cheesy. Filmed in glimmer cinematography by Alan Hume on location in Santa Cruz De La Palma , Tenerife(Canary Islands) and Shepperton studios , Surrey England . Adequate and stirring musical score by Douglas Gamley. This one turns out to be an acceptable collaboration between producers Milton Subotsky , Max Rosemberg and director Kevin Connor who also made in similar style : ¨All the Earth's core(76)¨, ¨Warlord of Atlantis(1978)¨, mostly starred by Doug McClure and with Dicken as the monster-maker. It's followed by ¨People that time forgot¨ in which an expedition undergoing a trip in search for Tyler (Doug McClure) who has been missing in that region for many years . The film will appeal to kids who swallow whole and sit convulsed in their armchair.
This engaging adaptation is a special version of the Edgar Rice Burroughs adventure yarn . There are rip-roaring action, spirit of adventure, derring-do, thrills, and results to be quite entertaining. It's a brief fun with average special effects , passable set decoration , functional art direction and none use of computer generator. This fantasy picture packs thrills, action, weird monsters, lively pace and fantastic scenarios . The monsters are the real stars of this production and its chief attribute. The tale is silly and laughable but the effects and action are quite well. Among the most spectacular of its visuals there are a Pterodactilus roaring menacingly towards the camera, a little tableau comprising attack of a giant monsters and the colorful backgrounds of the lost land . Some monsters are clumsily made but movie is OK . Highlights of the adventure includes a roller-coaster trip towards unknown land in South America , and appearance of prehistoric reptile such as Pterodactilus, Stegosaurius, and Tiranosaurious . In addition the final scenes where appears breathtaking volcanic eruptions and thunderous explosions . Some illogical parts in the argument are more than compensated for the excitement provided by Roger Dicken's monsters, though sometimes are a little bit cheesy. Filmed in glimmer cinematography by Alan Hume on location in Santa Cruz De La Palma , Tenerife(Canary Islands) and Shepperton studios , Surrey England . Adequate and stirring musical score by Douglas Gamley. This one turns out to be an acceptable collaboration between producers Milton Subotsky , Max Rosemberg and director Kevin Connor who also made in similar style : ¨All the Earth's core(76)¨, ¨Warlord of Atlantis(1978)¨, mostly starred by Doug McClure and with Dicken as the monster-maker. It's followed by ¨People that time forgot¨ in which an expedition undergoing a trip in search for Tyler (Doug McClure) who has been missing in that region for many years . The film will appeal to kids who swallow whole and sit convulsed in their armchair.
When I was a young boy of eight years old I saw this at my my local cinema . In those days it cost 15 pence ( A fair amount of money for an eight year old child ) to get in . I actually saw it two or three times which eat up my pocket money bit I certainly thought it was money well spent since in those days I enjoyed war films and monster films . Yesterday morning Channel 4 broadcast it at 6 am which seems a ridiculous time to broadcast anything never mind a fondly remembered fantasy adventure movie but I looked forward to seeing it again if only to see how well it stands up as entertainment today . Would my cherished memories be hurt ? Do I have nice memories about THE LAND THAT TIME FORGOT simply down to nostalgia ?
To be honest I think the answer is a resounding no . Right from the opening title sequence where Douglas Gamley's score sums up the downbeat feature of the story we the audience are treated to a fantasy adventure that is a little bit different . You could point out the first half of the movie is somewhat repetitive as the Germans and Brits get one over on one another but in amongst all this is some serious debate on wartime morality , allied civilian ships carrying weapons of war for example which shows no one has a monopoly on self righteousness when the battle lines are drawn and the theories of Nietzsche are also touched upon . What'd you mean this is a childish film ?
No doubt the people who watched this at the cinema on its release where more interested in prehistoric monsters than 19th century philosophy and it's not till half way through that the U-boat reaches the ancient island of Caprona which is inhabited by rubber dinosaurs and troglodytes . Yeah okay the monsters especially the pterodactyls are not very convincing but I've seen worse . It's also interesting to that this part of the movie replaces Nietzsche with Darwinisnm and I don't know if it's deliberate but this concept fits in perfectly well with the sequel THE PEOPLE THAT TIME FORGOT . How many times have you seen a sequel that almost contradicts the original movie ? This makes THE LAND THAT TIME FORGOT something of a stand out movie alongside the very pessimistic final act
I fail to see how anyone can actively dislike this movie . I agree that the special effects are far from brilliant but look beyond the FX and you'll see a very intelligent piece of fantasy adventure . The very fact that it has a sense of wonder and a truly haunting ending sets it apart from many other movies of its ilk like WARLORDS OF ATLANTIS and AT THE EARTHS CORE and nostalgia or not I certainly enjoyed seeing it again
To be honest I think the answer is a resounding no . Right from the opening title sequence where Douglas Gamley's score sums up the downbeat feature of the story we the audience are treated to a fantasy adventure that is a little bit different . You could point out the first half of the movie is somewhat repetitive as the Germans and Brits get one over on one another but in amongst all this is some serious debate on wartime morality , allied civilian ships carrying weapons of war for example which shows no one has a monopoly on self righteousness when the battle lines are drawn and the theories of Nietzsche are also touched upon . What'd you mean this is a childish film ?
No doubt the people who watched this at the cinema on its release where more interested in prehistoric monsters than 19th century philosophy and it's not till half way through that the U-boat reaches the ancient island of Caprona which is inhabited by rubber dinosaurs and troglodytes . Yeah okay the monsters especially the pterodactyls are not very convincing but I've seen worse . It's also interesting to that this part of the movie replaces Nietzsche with Darwinisnm and I don't know if it's deliberate but this concept fits in perfectly well with the sequel THE PEOPLE THAT TIME FORGOT . How many times have you seen a sequel that almost contradicts the original movie ? This makes THE LAND THAT TIME FORGOT something of a stand out movie alongside the very pessimistic final act
I fail to see how anyone can actively dislike this movie . I agree that the special effects are far from brilliant but look beyond the FX and you'll see a very intelligent piece of fantasy adventure . The very fact that it has a sense of wonder and a truly haunting ending sets it apart from many other movies of its ilk like WARLORDS OF ATLANTIS and AT THE EARTHS CORE and nostalgia or not I certainly enjoyed seeing it again
I first saw this film when I was a child, it had always stuck out in my mind and I was lucky enough to see it again recently.
Although the effects are not spectacular, they aren't terrible. In fact they are pretty good considering the era.
The characters are well written and likable, the dialogue is not over-complicated with technical terms but remains clever and enjoyable to follow.
A real empathy is established for the characters who find themselves in a seemingly fantastic but dangerous situation.
All in all I find the film enjoyable for anyone to watch and recommend it highly.
Although the effects are not spectacular, they aren't terrible. In fact they are pretty good considering the era.
The characters are well written and likable, the dialogue is not over-complicated with technical terms but remains clever and enjoyable to follow.
A real empathy is established for the characters who find themselves in a seemingly fantastic but dangerous situation.
All in all I find the film enjoyable for anyone to watch and recommend it highly.
This has everything for a budding boy to enjoy. There's monsters, the struggle against evil, a submarine and the stunningly beautiful Susan Penhaligon. I was lucky enough to see this when it came out and it enthralled me. I still watch it on television when I can, with fond memories. It is not aging well. CFXs have left it looking quite poor in places. However, for a B-Movie it is very well done. The acting, storyline, direction and editing are all well controlled. I agree that a remake may be justified, as long as the inherent innocence of it all is not lost.
It is good family fun which will keep boys glued for an afternoon. And Susan is as beautiful as ever :-)
It is good family fun which will keep boys glued for an afternoon. And Susan is as beautiful as ever :-)
Did you know
- TriviaDirector Kevin Connor said "Doug McClure was a great asset. In fight scenes he was especially good due to his hours of American TV action films. He knew exactly where the camera was at all times and threw punches precisely where the effect would work for the screen. He was always co-operative and came up with many ideas."
- GoofsThe same cargo ship model is used for both the British ship and the German supply ship. The same film sequence is used to show the torpedoing and sinking of "both" vessels only the first time we see it as though through the periscope and then later from the perspective of standing on the surfaced submarine's sail.
- ConnectionsFeatured in WarGames (1983)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Le pays des temps oubliés
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Runtime
- 1h 31m(91 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content