Le voyage fantastique de Sinbad

Boy, I'll tell you that when this was new, it was great. This was before Lucas and Spielberg made it impossible to have a straight ahead adventure film with no winks at the audience.

This was when special effects were more believable because the monsters were so unlike humans.

This was before Arabs became equated with uncontrollable anger, and instead could be seen as mysterious and wise. Indeed, so thorough is our acceptance of the Arabian perspective here that the inner, more primitive (and unrefined) magic is Hindu. A very cool touch.

Ted's Evaluation -- 3 of 3: Worth watching.

How can you not love this film .. it's difficult to imagine that anyone could pan the astounding performance of John Phillip Law as Sinbad ..

His turn as the beloved Arabic pirate is more adventureous than the boring and cardboard studio fave, Kerwin Matthews and far better than the bland and horrific Patrick Wayne ..

The special FX of Ray Harryhausen are his best to date ..

The plot is solid and the talent pull this tale off without a hitch or glint of camp which is generally the norm in a cult film such as this..

This is Saturday afternoon television at its best ...

Onward and upward with John Phillip Law all the way ..

The pic talks about the hero Sinbad and his extraordinary and surprising adventures . Loose retelling of the ¨ 1001 Arabian nights¨ , based on ancient legends , deals with Sinbad The Sailor (John Philip Law) who travels until an island to discover a fountain of fantastic power with the aim to heal a Vizier (Douglas Wilmer) . Simbad sets off in search of the fountain and aboard a ship along with a motley crew (constituted by an enticing Caroline Munro , Martin Shaw , Aldo Sambrell and Kurt Christian) . They will have to face off several dangers : Homunculos , ominous monsters , giant animals and villains (Tom Baker and henchmen) .

In the movie there are mythology , emotions , adventures , fantasy , swashbuckling and it's pretty bemusing . It is an exciting fantasy-adventure full of special effects created by means of stop-motion technique by the magician Ray Harryhausen . The runtime is adequate with various incidents and sub-plots . Harryhausen works his animation magic around a well-developed screenplay and engaging acting by the entire performers . Ray can once again claim credit for the unusual and marvelous mythical creatures springing to life . The confrontation amongst the protagonist and enemies along with monsters is mesmerizing and fascinating : impressive duel between ¨Goddess Kali¨ with amount of arms and Sinbad , great monsters as the centaur and the breathtaking scale models are made by the Dynamation system , by means of stop-motion . The motion picture is the best from ¨Sinbad trilogy¨ : ¨The 7th voyage of Simbad (directed Nathan Juran with Kerwin Matthews and Kathryn Grant)¨ and ¨Simbad and the eye of tiger¨ (directed Sam Wanamaker with Patrick Wayne and Jane Seymour)¨ . The film obtained much success and achieved enough Box Office . Good production by Charles H. Scheneer habitual of Harryhausen's films . Cinematography by Ted Moore is colorful , brilliant and shining and classic music composer Miklos Rozsa creates a magnificent and astounding score . The motion picture is rightly directed by Gordon Hessler . The yarn will appeal to fantasy and fancy imagination movies buffs . Rating : Above average . Well catching .

Other pictures about the great hero Simbad are the following : ¨Sinbad the sailor¨ (1947) with Douglas Fairbanks Jr , Maureen O'Hara and Anthony Quinn ; ¨Sinbad of the seven seas¨ by Enzo G Castellari with Lou Ferrigno and John Steiner and the cartoon movie ¨Simbad the legend of seven seas¨ (2003) produced by Dreamworks , a combo of computer generator and hand-drawn animation by Patrick Gilmore and Tim Johnson with voices from Brad Pitt and Catherine Zeta Jones .

Ah, yes; Ray Harryhausen and Sinbad. This is my favorite of the Sinbad films. Yes John Phillip Law is not an a-list actor; but, for once, he's not bad. Tom Baker is outstanding as the evil wizard. Carolie Munro is the breast, er, best sight in the film.

Harryhausen really captures the atmosphere of the Arabian Nights. There is adventure, mystery, terror, love, comedy, and some pretty good sword fights. I'll put the six-armed Kali up against the skeleton from the Seventh Voyage of Sinbad any day. And Tom Baker's wizard is far more evil.

Look, forget about CGI and enter the world of Dynamation! You'll have a good time. Now, where's that scene where Caroline Munro.........

Contrary to a previous viewer's opinion, The Golden Voyage of Sinbad is a wonderful, exciting film. The plot is a bit complex as a malevolent sorcerer races with Sinbad against time to secure a missing piece of an amulet that will insure the holder of powers beyond imagination. John Phillip Law is a pretty decent Sinbad, and the rest of the cast is quite adequate with Caroline Munro busting out of her outfit as both a figurative and literal standout and Tom Baker is very good as the evil magician. The real star once again, however, is Ray Harryhausen. His stop-motion creations are all very good. This time round we get a gargoyle-like homonculus, a wooden siren, a griffin, a centaur, and the image of six-armed Kali. The action sequences are riveting and the pace of the film is nice and brisk. Very entertaining!