Grey Gardens

I saw this film a couple of weeks ago, and it's been stuck in my head ever since. It stars two spellbinding characters in what is unfortunately a mediocre documentary. To get the true story of the Beales, I had to wade through all of the DVD's bonus material and commentaries and search the web.

Although the Maysles and their fans (not to mention Edith and Edie themselves) bristle at the suggestion that this film is exploitative, this is exploitation in the truest sense of the word. Very little effort is every made to explain the Beales or how they came to the condition they were in - the Maysles approach seems to be to just turn the camera on and wait for Edith and Edie to say something outrageous. The sound, even on the Criterion re-release is poor and difficult to follow. Although I appreciate this film was made somewhat early in the history of documentary film, it's ironic to compare it to Geraldo Rivera's (!) far superior series on the sexual abuse of mentally retarded patients at Willowbrook State School in Staten Island from 1972, four years before Grey Gardens was shot.

To paraphrase a review in the New Yorker, there were many things Edith and Edie needed in their lives, and a documentary wasn't one of them.

As for Edith and Edie, the thing I kept thinking while watching the film was "where the hell is their family"? They were living in dangerous, unhealthy, unsafe conditions. How is it that Jackie O, married to one of the richest men on Earth (or the wealthy Bouvier family themselves) couldn't afford to get Edith and Edie a decent home? Or at the very least hire a part-time housekeeper or caregiver to come in and keep an eye on them both? It's shameful and a lasting disgrace to the entire Bouvier family.

Although this review may sound negative I would strongly recommend Grey Gardens to anyone who enjoys documentaries. Perhaps someday someone will come along and do a documentary about this documentary - bringing in the rich backstory (and afterstory) of the Beales and the whole subsection of Hamptons society in the 1970's.

An old mother and her middle-aged daughter, the aunt and cousin of Jacqueline Kennedy Onassis, live their eccentric lives in a filthy, decaying mansion in East Hampton.

Plenty has been written and said about the Kennedy family, and Irish political dynasties, but far less is out there about the Bouvier (?) family... and these odd black sheep of the family make me want to know more. I had never heard of them. How is that possible? This documentary has been floating around for forty years, and is really mandatory viewing for anyone who is interested in either Kennedy, the Hamptons or mental illness.

"Big Edie" died in 1977 and "Little Edie" sold the house in 1979 for $220,000 to Sally Quinn and her husband, former Washington Post editor Ben Bradlee,[7] who promised to restore the dilapidated structure (the sale agreement forbade razing the house). "Little Edie" died in Florida in 2002 at the age of 84. According to a 2003 article in Town & Country, after their purchase, Quinn and Bradlee completely restored the house and grounds.

I saw this doc many years ago on TV and had a recent viewing.

It's still challenging to watch it without enormous compassion for these obviously disturbed, mentally ill mother and daughter duo living in squalor and filth in a dilapidated old mansion on the coast. The aunt and cousin of the late Jackie Onassis.

Cats and racoons run amok in this horror of a place (and I understand it was cleaned before the film makers came to intrude and document the lives of the two women.

This time I found it exploitive. Today (not back then) we recognize that hoarding and living in such appalling surroundings, no running water, holes in the walls, cat urine, eating cat food (they spread it on crackers) is a sign of severe mental illness.

Edith and Edie are immune to it all, savouring the past - they were beauties in their time - and have a passive agressive endless argument going with each other. Clothing is optional.

Edie wears blouses and sweaters tied up around her head due to skin condition of baldness.

Like a train wreck, it's impossible to look away but I am shocked that a health department wasn't called in to fumigate and rescue these two.

A huge level of exploitation by the two brothers who filmed it all and the final insult was in not putting the names of the women in the credits.

They were used in their utmost vulnerability.

I was speechless and devastated after my first viewing of this - many parts of GREY GARDENS are very funny and unbelievably surreal - documentary of not, this really gives Fellini or David Lynch a run for their money in the weirdsville sweepstakes. I kept focusing on how these women (who are clinically way beyond eccentric) reveal their own humanity in the most surprising of ways, and I wonder whether their retreat from the world was prompted by something beyond the stuffiness of life in the unreal blue-blood universe, perhaps some abuse, or perhaps simply a streak of defiance and rebellion that spiralled out of their control and took on a life of its' own. This might be one of the greatest ever films that comes dangerously close to exploitation, without going completely over the edge - as the Edies do their thing, I kept noting things like the empty gin bottles in the rubble-strewn bedroom, cats urinating on the bed, racoons emerging from holes in the walls, and the final scene seemed incredibly sad - like a child's birthday party gone seriously wrong. Very definitely worth seeing and seeking out - you'll never forget it, but very disturbing.

Very sad view into these women's lives. One reviewer said this documentary shows the House was not as bad as the legend claimed. Well this was after Jackie and Lee has it cleaned up. It was back to it's horrible condition by the time Sally Quinn and Ben Bradlee bought it. Quinn said to get rid of the smell they had to rip up floors and tear down walls. You clearly see in the film cats going to the bathroom everywhere and no one cleans it up. The mattresses were filthy and they didn't even have sheets on the bed. These women were mentally ill. If you read the history, which you get none of in this film, the ex husband and sons tried to get them to sell years before but Big Edie refused.