Du sang dans la poussière

Imagine, a movie that gives a lesson right from the bible, 'Those that live by the sword shall die by the sword'. It was amazing that none of the 3 boys ever said to one another, 'we were better off with our parents'. After doing some of the dumbest things imaginable for young boys and doing it badly you would think

they were smart enough to realize they weren't cut out for being out on their own. Anyhow, the movie was well done, gave you a real feel for what it must

have been like living in the 'Old West'. Plus how hard it must have been to be accepted by a community that knew every detail of every citizen that lived in the area. Maybe the reason for such a poor showing at the box office was the title. Lee Marvin plays himself and does it superbly.

This is probably Richard Fleischer's last good movie;it's considered polite to say that all he did after "solyent green" is worthless.Richard Fleischer made lots and lots of great movies from " follow me quietly" to " the narrow margin" ,from "20,0000 leagues under the sea" to "The Vikings "and from "Barabbas" to "the Boston strangler" to the stunning (and perhaps his masterpiece) "10 Rillington Place" After "Solyent green" which featured the extremely moving scene of the death of Edward G.Robinson (who eventually died some months after),only "Spikes gang" shows something of the unqualified brilliance that accompanies Fleischer in his career through "Solyent green" .It is a western which has nothing to do with the epics of Ford,Daves or Walsh or Mann.It has also (fortunately) nothing to do with Peckinpah.

Filmed in Spain,its spirit is actually close to that of Arthur Penn,particularly "Bonnie and Clyde".When Grimes is daydreaming and sees his father tell him :"you're no longer my son;you're dead" ,it recalls that scene when Bonnie meets her mom for a picnic and the old lady says "you're already dead ,Bonnie Parker" .

The three lads are in search of a father ,which is very Pennesque ,notably in "the left handed gun" .even in a non-western film such as "the miracle worker" Ann Sullivan was Helen Keller's second mom. Grimes' father was a religious man ,perhaps not far from being a fanatic (his part is too underwritten).Remember that scene in the bank where the ticking of the clock merges into the memories of the whip coming down .Lee Marvin is their new father and I go as far as to write that Grimes is some kind of father to his two mates too when he is absent.

The three lads are amateurs and cannot free them of the concept of right and wrong ,coming from a religion which does not give any answer;when they're eating hosts and drinking sacred wine,one of the youngest speaks of blasphemy but their leader tells them so "Christ would give them to us if He were here" .

Lee Marvin's character is extremely interesting.Lee Marvin never overplays and the discovery that he was once married to an educated wife ,a teacher who spoke several languages and played the piano comes aside as a shock.This memory is necessary ;without it,the ending would not make any sense.

An inferior director would have made "men" of the three teenagers ;but they can't :their dreams ,their remorse,the letter one of them sends to his mom,the trust they put in Marvin,all indicates that when they die they will still be big children.

Like this?try this.....

"Run for cover" Nicholas Ray 1955

Three farm boys -- Gary Grimes, Ron Howard, and Charles Martin Smith -- find injured bank robber Lee Martin. They take care of him, and lie to their family and the posse pursuing him. When he offers to pay them, they turn him down. Then, on their own, they decide to rob a bank. They find themselves pursued to the Mexican border. South of the line, they find Marvin, who offers to take them on in his line of work.

Richard Fleischer's movie is set in a landscape of occasional falling-down builds in empty landscape and people of unforgiving morality and seemingly good-natured outlaws. In many ways, it's the flip side of Mark Rydell's THE COWBOYS, teaching a much harder and less palatable lesson in how to live in a harsh world. With Arthur Hunnicut and Noah Beery Jr.

The Spikes Gang is a very good western that shows what probably happened to a good many youngsters who struck out on their own in the expanding west. It is one of three westerns that Gary Grimes starred in that gave a darker and truer view of life in the old west for teenager. The others are The Culpepper Cattle Co., 1972 and Cahill, U.S. Marshall, 1973.

Lee Marvin plays a wounded bank robber, (Spikes) on the run from a posse, whom three teens find (Grimes, Ron Howard and Charles Martin Smith) and nurse back to health. The three youths, small community and under the heavy hand of discipline, become enthralled with Spikes and soon strike out on their own soon after he departs.

After a series of misadventures, the youngsters meet up with Spikes again, who, against his better judgment, takes them under his wing.

The Spikes Gang is a fast paced movie and seems to play upon the anonymity of three teenagers, ill-prepared for a brutal and unforgiving way of life. The one drawback to the pace is that it does not give a good sense for the passage of time, but is effective in emphasizing the few sparks in mundane lives.

As part of the Grimes Western trilogy, one can get a good look at an overly romanticized part of history.

Lee Marvin has played the role of crusty gunslinger many times, and he does not disappoint here. The story of three farm boys throwing in with the wily bank robber is both believable and different. The film is never dull, with Marvin spewing forth quotable lines throughout. This is not some sugar coated view of their desperate situation as hunted men, but rather a realistic look at the downside of breaking the law. Of course the boys elicit sympathy, even though they are killers, no different than their mentor. "The Spikes Gang" is one of those movies that far exceeds expectations, is worth seeking out, and not easily forgotten. - MERK