When Apache chief Nanchez is captured by the cavalry, his white squaw and infant son are returned to civilization by Sergeant Hook, but Nanchez escapes custody and attempts to re-claim his s... Read allWhen Apache chief Nanchez is captured by the cavalry, his white squaw and infant son are returned to civilization by Sergeant Hook, but Nanchez escapes custody and attempts to re-claim his son.When Apache chief Nanchez is captured by the cavalry, his white squaw and infant son are returned to civilization by Sergeant Hook, but Nanchez escapes custody and attempts to re-claim his son.
- Nanchez
- (as Rudolfo Acosta)
- Junius
- (as Cyril Delivanti)
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Upon capturing a band of marauding Apaches, Cavalry Sergeant Clovis Hook (McCrea) finds a white woman amongst the group. Cora Sutliff (Stanwyck) was taken by the Apache years ago and became the squaw of their leader, Nanchez (Acosta), she also bore him a child, Quito (Terry Lawrence). The army decides to reunite Cora with her white husband and charge Hook with delivering both her and Quito safely across country to the Sutliff homestead...
Splendid cast is assembled for this black and white Oater that is more about racism and the problems of inter-racial relations in the Old West, than it is a Cavalry Vs Indians shoot 'em up. Story essentially follows a stagecoach travelling across country that finds Hook, Cora and Quito encountering all manner of characters along the way, most of whom are racist. While of course there is the small matter of the Apache being on their tail as well.
Hook is a grizzled old badger, orders are orders, regardless of if he had any sort of objections to his mission, he's there to keep order and see the job through. For various reasons, everyone on the journey will be looking to him for action and decisions, not least Cora and Quito who begin to form a warm relationship with him. It of course builds to a head once the Apache come back onto the scene, and there's the issue of if Cora's husband will accept her and her half-breed son into his life?
It's very competently performed, and with the exception of some of the lower budget aspects of the production, it's well crafted by Warren. Unfortunately the writing doesn't always give the outside characters a quality of script befitting the themes of the story. Hook and Cora get some good back story, she in explanation of her captivity and he with his rueful recollections as a prisoner of the Civil War. While Holliman is served well as a genial cowpoke and Dano as the crotchety stagecoach driver is great fun.
Coming as it did post far better movies that dealt with prejudice themes in the Indian Wars, it feels like a coat tail grabber, and a watered down offering at that. That it's still a worthy viewing experience comes down to the work of a committed set of lead actors. 6.5/10
This is no ordinary captive. Barbara Stanwyck has been with the Apaches for several years and has been the squaw of Chief Rudolfo Acosta and has had a son by him. After an a raid on Acosta's village she's discovered by the cavalry and identified. She and her little boy are taken to the fort and McCrea is given the assignment of taking her back to husband John Dehner. But this is going to prove a difficult journey on many levels.
Had Trooper Hook been directed by someone like John Ford it would have gotten far more acclaim than it did. There are elements of Ford's Stagecoach, The Searchers and Two Rode Together in Trooper Hook. And Rudolfo Acosta as Chief Natchez seems to be continuing the part he played in Hondo.
One thing I've always liked about westerns they certainly give the more mature among us the chance to be heroes. And the movies never had a better straight arrow hero than Joel McCrea. It's mentioned he's a career soldier and 47 years old. He needs every bit of that experience for the job at hand.
Stanwyck has a tough road to hoe in this film. A lot of very self righteous people wonder why she just didn't kill herself rather than submit to Acosta. McCrea understands however, the scene where he tells her of his experience in Andersonville prison during the Civil War is the most effective in the film.
Lots of western regulars fill out the supporting roles. In addition to those mentioned look for Earl Holliman as the sympathetic young cowboy who hitches a ride on the stagecoach, Celia Lovsky and Susan Kohner as grandmother and granddaughter, Edward Andrews as a sniveling rat who will make your skin crawl, and Royal Dano as the stage driver.
Rape, Illegitimate birth, Miscegenation and kidnapping were usually not subjects for the Saturday afternoon kiddie crowd who saw westerns. But the Fifties was the decade of the adult western and Trooper Hook is a prime example. In fact on her Big Valley television series, Stanwyck had a similar story line with Michael Burns about a young boy who was born to a white woman captive and later returns to white society. Only the story was from the kid's point of view.
Trooper Hook is the sixth and last film Joel McCrea and Barbara Stanwyck made. It might very well be the best of them. Though director Charles Marquis Warren was obviously influenced by John Ford, I doubt very much if Ford himself could have done a better job. Trooper Hook is an undiscovered masterpiece in need of reevaluation.
Did you know
- TriviaThe last of six films co-starring Barbara Stanwyck and Joel McCrea as well as the only one in which McCrea gets top billing over Stanwyck. The previous are Franc jeu (1934), Saint-Louis Blues (1936) La loi du milieu (1937), Pacific Express (1939) and L'inspiratrice (1941).
- GoofsEven though the story takes place some time soon after the Civil War, Barbara Stanwyck's hair style is strictly a 1957 perm.
- Quotes
Ann Weaver: Adam, what would your feelings be if I were in her place?
Col. Adam Weaver: That doesn't even deserve an answer.
Ann Weaver: Doesn't it?
Col. Adam Weaver: You'd have killed yourself before you'd let it happen to you.
Ann Weaver: I wonder?
- ConnectionsReferenced in Woman with a Whip (2018)
- How long is Trooper Hook?Powered by Alexa
Details
- Runtime1 hour 21 minutes
- Color