Le cri du loup

From the Golden Age of the TV movie "Scream of the Wolf" is a time-waster from some pretty big names.

B-movie fans knows that Peter Graves would do anything for a paycheck. So it's no surprise as this movie makes a swift detour towards incoherence early on. Jo Ann Pflug's appearance cinches it. And when super-hunk Clint Walker begins spewing his inane monologues (again and again) you realize all too late that you have entered Z-movie heaven. Because really no one has any business watching "Scream of the Wolf" unless they enjoy watching actors struggling in budget bondage, living in palatial homes which are clearly borrowed for the film and dicing with unseen scary stuff which turns out not to be that scary. But then we are in good hands.

Dan Curtis is a master at low budget television. Dark Shadows is his masterpiece and Trilogy of Terror is still one of the most memorable shows ever on the tube. Burnt Offerings was his first run film....offering, but it's really a beefed up TV movie script that somehow got wings. So with such a resume one would expect "Scream of the Wolf" to be something other than what it is, but it is important to remember that everyone has his bad days. And in the case of co-writer Richard Matheson, this is an understatement. Matheson is not in the minor leagues with Curtis. Matheson is the fantasy-fiction master. Look him up on IMDb and find out. The creator of Omega Man would never have submitted this work as his alone.

A little attention to fine details would have done wonders for this film. In the dialog, in the set design (were there any) and with the casting. A truly wooden set of performances all around. Clint Walker tries to emote passion and complexity but he looks like he's been botoxed. Jo Ann Pflug was better off showing us her stuff on Match Game P.M.. And Peter Graves? This is the Godfather compared to some of the films he's been in.

Only the most die hard werewolf movie fans (or bottom feeders who like to see bad films as a sort of self-inflicted pleasure-pain) will want to endure this. Even they may be disappointed. Silver fox Graves (who drives a hip car and has a hip house while hip music blares) stars as a former hunter turned writer who, after a series of grisly attacks on local residents, decides to hunt down the predator personally. The killings are the standard "hapless victim looks into camera and screams while growls are heard then blackout". This gets tiresome very quickly. One extended attack on Grave's ladyfriend Pflug (in a pedestrian performance) has a certain amount of edge to it. (Hilariously, though, this single woman lives in a house that appears to have more rooms than Monticello!) Pflug suspects Walker, an old buddy of Graves who lives in a mansion up in the woods and does a lot of odd philosophizing about human nature. Walker, still attractive and virile, gives an unusual performance full of dopey expressions and strange vocal inflections. His relationship with Graves has a homoerotic twinge, not unlike the Stephen Boyd/Charlton Heston dynamic in "Ben-Hur". Sheriff Carey rounds out the male trio of tall actors. The film aspires to a level of intellect that it's budget cheapens more than a little. Still, it's not the worst TV horror movie ever made. At least someone tried to write something with a little irony and mystery to it. One scene between Graves, Pflug and Walker takes place in a restaurant that must have a sign on the door, "No one attractive allowed!" Soap opera veteran Storm appears briefly as a victim.

A big-game hunter has come back to town and he helps to hunt down a notorious wolf in the area but he soon believes that the wolf has two legs - a werewolf.

This is one of the better made for horror-thriller TV films. It's always fun for me to watch a good werewolf movie and yes this one is good. This one is not overly graphic or bloody - it's just a good "hunt down the werewolf" tale.

If you want a good double feature watch "Scream of the Wolf (1974)" along with "Moon of the Wolf (1972)" (another good made for TV werewolf story).

8.5/10

Director Dan Curtis had an impressive track record after developing the memorable character of Carl Kolchack, played wonderfully by Darren McGavin, in both "The Night Stalker" and "The Night Strangler", and also the one-off "The Norliss Tapes" with Roy Thinnes.

Unfortunately, he doesn't have the same success here, though it does start off strongly with an innocent motorist being killed by a mysterious creature(a werewolf, perhaps?) Several more murders occur, until the twist at the end which is...underwhelming, to say the least. Peter Graves and Clint Walker face off as uneasy friends on opposing sides, since Walker's big game hunter is coldly indifferent to the deaths. He plays it menacingly, but his character(as well as Graves') come off quite flat, and there is little else to distinguish this film and make it memorable. Too bad.

If any comments are recent, I usually keep my mouth shut. But, because the reviews of Scream of the Wolf are so few, I'll offer my opinion. I'd say that this is "not bad...not good" (purposefully put in that order): right down the middle. The "not bad" part, I thought, describes the acting. But there are parts of the writing and costuming that I found to be "not good," i. e., too illogical. The plot is suspenseful (and uncomplicated) enough: Catching the culprit(s?) responsible for what becomes six killings in a California town, which includes as its residents (1) a corvette-driving, used-to-be-quite-a-nimrod, bachelor/author (Graves); and his buddy, who he's spending decreasing time with - (2) a turtleneck-wearing, weird-philosophizing, big-game hunter (Walker). (He dresses that way even when splitting wood!) Pflug is Graves' love interest. I wonder if that's the relationship between Walker and his butler (McGowan)? Less veiled is Walker's crush on Graves, in whom the arm-wrestling Walker wants to restore the macho-ism and take to South America. A fifth main cast member is the sheriff (Carey), who would LIKE to benefit from the tracking expertise of BOTH Walker's AND Graves' characters. But only Graves assists. Is there anything supernatural to all this? You'll have to watch the movie to find out. It's an adequate use of your time. Just don't blow too much money.