Yuma

"Yuma" is hardly great art, nor even a great Western. It is a good TV Western, and a good TV mystery. The cast of stalwart TV regulars, a post-Cheyenne Clint Walker as well as the lovely Kathryn Hays (Gem of the odd Star Trek episode "The Empath" I believe)make for good viewing. Peter Mark Richman brings his unusual screen presence and the writing is rather good. Walker's character has a tragic back-story that supports his gritty determination. Morgan Woodward brings his usual strong Western presence (again a guest star from Star Trek). In many ways a cross between a fifties Western and a sixties mystery, "Yuma" is not at all a bad way to take a break from the challenges of everyday life in the 21st century. The kid is not all that irritating.

"Yuma" was a pilot movie for a television series that never was made. Apparently, it failed to convince the right folks that they should make another western television show...which isn't surprising since westerns were already falling out of fashion.

When the film begins, two of the King brothers come into town causing trouble...and firing their guns indiscriminately. When Marshall Harmon (Clint Walker) tries to get them to surrender their guns and come along peacefully to jail, the dumber brother takes several shots at Harmon...and Harmon blows him in half with his shotgun.

Later, that night, two guys sneak into the jail and free the other King brother. Are they members of his gang or just doing a bit of charity work? Nah...one of them shoots King dead with the Marshall's shotgun...hoping to get the Marshall blamed for it. A young boy saw what happened and identified one of the men as a soldier. Harmon investigates and finds that the nearby natives are about to rise up because the peace treaty has been broken--they were supposed to receive cattle to help them survive. It seems that the same officer in charge of taking care of this might just be the guy in on the murder. And what of the third King brother? Surely he'll want to pay someone back for the murder. How is Harmon to prevent the town of Yuma from exploding?

Clint Walker was a good actor and was just fine as the Marshall....which is hardly surprising. As for the plot, it's pretty good as well. But I really think the reason this never became a series was that westerns were huge in the 50s and 60s...but the 70s were big for realistic modern programming and not this sort of thing. Good and watchable but nothing more. I did, however, like watching Harmon cross-examining a guy who has broken into the jail.

Ted Post directed this Charles A. Wallace story which was created most likely as a pilot for a T.V. Series. I suppose that's why Clint Walker was selected. He looks tall and Majestic in the saddle. The story as Wallace wrote it has Marshal Dave Harmona (Clint Walker) arriving in town and no sooner does he arrive, when a couple of rowdies challenge his authority. Unable to talk one cowboy out of his gun, the Marshal is force to kill the other which does not sit well with the older brother. (Morgan Woodward) In addition to taking charge of the law in town, Harmon is given a murder mystery to solve and some restless Indians who are threatening to go on the warpath to placate. Finally, there a hotel owner who is set on winning a place in the marshal's heart. All in all the series would have begun as part western, part who-done-it, had the option been picked up. As it is, the movie moves into the what-if category and Walker rides into the sunset. It would have been interesting to see the film pan out as several other notables were included in the cast. Such actors as Barry Sullivan, Edgar Buchanan and Peter Mark Richman as Major Lucas. Otherwise, it's a good movie which never ever matured. ****

The new sheriff comes to town and immediately happens to shoot down a hoodlum who happens to be the brother of the local tycoon on whom the whole town depends for its limited prosperity. This is Tombstone and O. K. Corral settings, and if you expect some gunfire you will not be disappointed. The intrigue is good and interesting, as it accelerates by complications, and you are in for some positive surprises. The most interesting part though is played by the Indians, who appear in two scenes, but that is enough to save the film. They are very convincing in their brevity, and Clint is sometimes reminding of both Henry Fonda and Gregory Peck, which brings back to memory other golden times of the very wild west.

Notable is the small part of the lieutenant and quartermaster White, the most sensitive part of the film and in some ways the most decisive, as he is the one who turns the tables. He is played by John Kerr, who excelled in equally sensitive parts in films like "South Pacific" (another lieutenant) and "Tea and Sympathy" with Deborah Kerr, who was not his mother.

Ted Post is also notable for his very few films, he was mainly a TV director, also this one was made for TV, but he has two major films to his credits, "Hang Them High" with Clint Eastwood and the tremendously clever thriller "Nightkill" with Robert Mitchum as the police lieutenant. He lived a long life to 95 years.

This was an obvious series pilot TV movie that wasn't picked up, most likely due to the fact that there were already Western series on TV and this one did not stand out as particularly unique in comparison. Plus TV westerns were on the way down, being replaced by cops and robbers action series, and such. As a TV movie, this is slightly above average than most, and entirely enjoyable and fairly fast-paced, especially if you like Clint Walker. The other actors are more than adequate for their parts, nothing awe-inspiring, and that's how it's supposed to be in these projects. Nobody shows up the lead. There is little on screen violence, as should be expected for a TV movie from 1971, and the "Indians" are once again pretty stereotypical, and reduced to welfare status as they wait for their dole of cattle from the Army. This part was probably pretty true. One thing that's nice is to see Edgar Buchanan as a weasel get taken down, like I wished he had been on the series Petticoat Junction, where he also played a weasel.