Le cri du loup

If any comments are recent, I usually keep my mouth shut. But, because the reviews of Scream of the Wolf are so few, I'll offer my opinion. I'd say that this is "not bad...not good" (purposefully put in that order): right down the middle. The "not bad" part, I thought, describes the acting. But there are parts of the writing and costuming that I found to be "not good," i. e., too illogical. The plot is suspenseful (and uncomplicated) enough: Catching the culprit(s?) responsible for what becomes six killings in a California town, which includes as its residents (1) a corvette-driving, used-to-be-quite-a-nimrod, bachelor/author (Graves); and his buddy, who he's spending decreasing time with - (2) a turtleneck-wearing, weird-philosophizing, big-game hunter (Walker). (He dresses that way even when splitting wood!) Pflug is Graves' love interest. I wonder if that's the relationship between Walker and his butler (McGowan)? Less veiled is Walker's crush on Graves, in whom the arm-wrestling Walker wants to restore the macho-ism and take to South America. A fifth main cast member is the sheriff (Carey), who would LIKE to benefit from the tracking expertise of BOTH Walker's AND Graves' characters. But only Graves assists. Is there anything supernatural to all this? You'll have to watch the movie to find out. It's an adequate use of your time. Just don't blow too much money.

From the Golden Age of the TV movie "Scream of the Wolf" is a time-waster from some pretty big names.

B-movie fans knows that Peter Graves would do anything for a paycheck. So it's no surprise as this movie makes a swift detour towards incoherence early on. Jo Ann Pflug's appearance cinches it. And when super-hunk Clint Walker begins spewing his inane monologues (again and again) you realize all too late that you have entered Z-movie heaven. Because really no one has any business watching "Scream of the Wolf" unless they enjoy watching actors struggling in budget bondage, living in palatial homes which are clearly borrowed for the film and dicing with unseen scary stuff which turns out not to be that scary. But then we are in good hands.

Dan Curtis is a master at low budget television. Dark Shadows is his masterpiece and Trilogy of Terror is still one of the most memorable shows ever on the tube. Burnt Offerings was his first run film....offering, but it's really a beefed up TV movie script that somehow got wings. So with such a resume one would expect "Scream of the Wolf" to be something other than what it is, but it is important to remember that everyone has his bad days. And in the case of co-writer Richard Matheson, this is an understatement. Matheson is not in the minor leagues with Curtis. Matheson is the fantasy-fiction master. Look him up on IMDb and find out. The creator of Omega Man would never have submitted this work as his alone.

A little attention to fine details would have done wonders for this film. In the dialog, in the set design (were there any) and with the casting. A truly wooden set of performances all around. Clint Walker tries to emote passion and complexity but he looks like he's been botoxed. Jo Ann Pflug was better off showing us her stuff on Match Game P.M.. And Peter Graves? This is the Godfather compared to some of the films he's been in.

A rural community is shaken by gruesome killings in the woods by what appears to be a werewolf (the tracks near the bodies shows four paw prints that soon become two, and then disappear); former hunter-turned-writer Peter Graves assists the local sheriff in unraveling the mystery. Not-bad TV-made thriller has interesting subjective camera-work along with the proverbial fog in the woods and snarling sound effects. Graves is solid, as usual, and has a few intense scenes with maniacal 'old friend' Clint Walker, but it's too bad writer Richard Matheson felt the need to cover all his bases plot-wise. The more explanations we get in the finale, the more ridiculous it all begins to seem. Director Dan Curtis also produced, in what appears to be a case for The Night Stalker. Robert Cobert is responsible for the erratic music score.

A big-game hunter has come back to town and he helps to hunt down a notorious wolf in the area but he soon believes that the wolf has two legs - a werewolf.

This is one of the better made for horror-thriller TV films. It's always fun for me to watch a good werewolf movie and yes this one is good. This one is not overly graphic or bloody - it's just a good "hunt down the werewolf" tale.

If you want a good double feature watch "Scream of the Wolf (1974)" along with "Moon of the Wolf (1972)" (another good made for TV werewolf story).

8.5/10

This made for TV movie is from Dan Curtis...and that should come as no surprise as Curtis made a living making low-budget horror films and TV shows--such as the original "Dark Shadows" as well as excellent made for TV films about Dracula, Kolchak (the reporter that investigates monster sightings), possessed African dolls, Frankenstein and others. Most of his work was very good though I wouldn't place "Scream of the Wolf" among his best films.

Some creature has been tearing folks to pieces and John (Peter Graves) is a hunter who's been given the task of killing whatever it is. However, he soon notices that the footprints go from a wolf-like creature to human...but he won't allow himself to believe it's a werewolf. When he tries to get help from a clearly nutty associate, Byron (Clint Walker) has a strange reaction--he's totally disinterested in killing the creature and even seems to be completely ambivalent about all the deaths!! Clearly the viewer is being led to believe that Byron is most likely the wolf-man. And, clearly, Walker's character is about as subtle as a 2x4 upside your head! He's a super freaky weirdo and Walker looks as if he had fun playing this guy. And, although Graves is the leading man in the film, your attention is drawn to Walker whenever he's on the screen. So is Byron the werewolf or is there some other explanation? And, how does this movie end up being very much like the classic film "The Most Deadly Game"?

Considering the budget for this film was pretty low and the ABC movies were made quickly, how they handled the whole werewolf aspect of the story was an interesting idea that worked very well. Not the best movie of the week I've seen but very memorable and fun...in a kooky sort of way. Well worth seeing...and a lot better than the surprisingly low overall score of 5.1 (as of this review).