Trilogie de la terreur

In the 1970s, it was understood and accepted that some leading actors and actresses looked a little different from the box-office stars (they didn't just stand out to get attention, often they were embracing their own idiosyncrasies). Karen Black probably didn't intend to go mainstream, though her supporting performance in 1970's "Five Easy Pieces" was embraced by the counterculture and netted her an Oscar nomination. She's an offbeat actress who performs without vanity. Headlining this three-tiered TV-movie, Black plays plays four fascinating women, and her somewhat exotic cadence and her slightly-zonked overall manner gives the shuddery material an extra layer. Written by Richard Matheson and William F. Nolan, from Matheson's original stories, this "Trilogy" is well-cast and well-directed by Dan Curtis, who delivers some memorable moments--and the proof is that horror fans still refer to the film today. Curtis and Black really seemed to click, as the director quickly and efficiently zips through three creep-outs about complex ladies: "Julie", a dowdy teacher with nice legs who has naughty little minds in her classroom wondering what she's really like; "Millicent and Therese", two completely opposite sisters who live together; and "Amelia", a single woman who fights off the attack of a Zuni fetish doll in her apartment. This third chapter has incredible point-of-view camerawork as the enraged doll with sharp teeth swoops around furniture trying to get at his prey (he's at once comical and horrifying). The first two segments are psychological suspense studies of women holding power over men, while the finale turns the tables and makes woman the victim. The movie has a modest budget (it fit nicely on the tube) and might not have been considered so remarkable without the efforts of Curtis and Black. This was a scream-team made in horror heaven. **1/2 from ****

"Trilogy of Terror" is one of the best remembered made-for-t.v. movies of my generation. It deserves to be. It scared all of us to death. Watching it now, It's still pretty good. The first story is way too short. It deserves a full ninety minute treatment. The second story is pretty obvious. The third story is, hands down, the best of the bunch. The last one was the cause of many bad dreams way back when. "Trilogy of Terror" is definitely worth the watch.

Three stories interwoven together and starred by the great Karen Black. All of them are filled with mystery , suspense , terror , grisly killings , twisted events and horrible happenings. The first, : ¨Julie¨about a college student infatuated with his teacher , as she is blackmailed by one of her pupils for a past indiscretion in which she played an unwilling part, but then things go wrong , and she turns the tables on him the first chance she gets . The second, ¨Millicent and Therese" a paranoid tale of two sisters - one good girl , the other bad girl , only their doctor who visits from time to time knows the real thing behind the scenario . And the the final story : ¨Amelia¨, equally starred by Karen Black in a solo terror story monologue concerning a woman who buys an African Zuni fetish , it results to be actually a Native American voodoo doll that comes to life and pursues and attacks on her own flat . An electrifying experience - you won't believe your eyes !

A vintage , bizarre horror film financed from producer/director Dan Curtis and written by prestigious writer Richard Matheson , formed by three episodes ¨Julie¨, ¨Millicent and Therese" and ¨Amelia¨, with full of creepy events , chills , surprises , thrills and horrifying scens . These tense terror stories all of which stars Karen Black in four different roles playing tormented women : a sexually-repressed college teacher who is blackmailed by a pupil , a reclusive woman who lives with her amoral twin sister and a woman who's terrorized after buying a doll that chases and mistreats her . It deals with three entertaining and chilling segments ; all of them competently performed by Karen Black , accompanied by a familiar cast , such as : Gregory Harrison , John Karlen and George Gaynes of ¨Police Academy¨franchise .

These three horror anthology stories of tormented women being compellingly directed and in limited budget , as shooting was completed in a few weeks . Being financed by the notorious producer/directed by Dan Curtis at his best . Curtis created the series about Kolchak or Night Stalker (1972) , in fact in first segment the starring appears at a drive-in theater where can be seen showing the movie "The Night Stalker", this is an in-joke reference to filmmaker himself . Dan was a good writer, producer and director of TV series , working from the 60s . Curtis was a specialist in terror genre as proved in ¨Dark shadows¨, ¨Trilogy of terror¨, ¨Night Stalker¨, or ¨Scream of wolf , ¨Night Strangler¨¨ and successful wartime series filmmaker as ¨Winds of war¨ and ¨War and remembrance¨ , among others . Trilogy of Terror(1975) rating : 6.5/10 . Better than average horror movie. THe flick will appeal to terror enthusiasts and Karen Black fans .

I don't remember the first two films but I must have seen them when the trilogy was shown on UK television in the 70s. The one that stuck with me, in fact terrified me, was the third one of the trilogy, Amelia. It's come up now to my mind from an article in the Guardian and I would never have known the name of it unless I'd read that article.

I was watching at my parents' house after they had gone to bed. I honestly didn't know what I was letting myself in for. That doll made me genuinely frightened. Whoever, in the props department, conceived of it was an evil genius. The way it moved, chasing its victim through her flat was perfect, as was the terrible noise it made.

I met some friends the next day who shared a flat. They had also watched the film and afterwards all slept in the same bedroom together as they had been so freaked out. I'm glad I hadn't been the only one to have been utterly spooked. I admit that when I went to bed, I was worried that that horrifying doll would come charging out from under a cupboard or out of a wardrobe.

I can still feel the frisson of terror forty five years later. It's one that I shall never forget.

Karen Black is too frightening for mainstream cinema. You couldn't watch her in a romantic comedy without wondering whether she's going to kill and devour the male lead. But those freaky crossed eyes and that off-kilter sexuality make her a magnetic screen presence and we're all lucky that she found a handful of directors who were able to use her well without rendering her ridiculous ("Five Easy Pieces" by Rafelson) or shrewish ("Nashville" by Altman). Of all Karen Black's worthy star vehicles (an extremely short list), "Trilogy of Terror" is far and away the standout.

The first two pieces are mildly diverting -- the first, "Julie," has an entirely untelegraphed twist that feels like a cheap trick, so it's the weakest link. Still, it coasts along nicely on its creepy camera angles and Karen's dark-star power, and the last couple of scenes are just unsettling enough to whet your appetite for the delights to come. The second segment, "Millicent/Therese," is some standard mid-70s horror fare, laced with madness and hints of sexual perversity, that would be a "Flowers in the Attic"-style yawn if it weren't for the lovely Karen, who plays warring sisters: prim, evangelical Millicent and slutty, predatory Therese. As Therese, she wears a ridiculous blonde wig and sashays around the set like a drag queen, a fully intended foray into pure camp made even more bizarre by Karen's much more nuanced performance as repressed, mousy little Millie. Slowly you wonder if all of Therese's evil is a figment of . . . well, I don't want to spoil it for you.

Ol' Karen saves the best for last: "Amelia." As played by Karen Black, Amelia is a complex, very modern, very normal woman confronted with an utterly conventional dilemma: does she spend Friday night with her boyfriend or her mother? But this isn't a sitcom starring Valerie Harper, it's a horror movie starring Karen Black and something intensely weird happens -- the Zulu doll she has bought as a present for her boyfriend comes to life and starts chasing her around the apartment! (Sound familiar, "Chuckie" fans?) It sounds ridiculous, and it would be if it weren't for the magnificent Ms. Black. She believes. There is no ironic distance between actress and character, no winking acknowledgment of the absurdity of the situation, no excess of histrionics. Dammit, Karen is being menaced by a vicious, spear-wielding figurine and you are terrified for her! Maybe you could make the argument that the vignette is an attempt to juxtapose the civilized and the savage and to expose our true uncivilized nature. But no. It's an ugly doll attacking a cross-eyed actress. It's silly. It's stupid. It's pure entertainment. If you haven't seen it yet, go get it now.