IMDb RATING
5.0/10
2.1K
YOUR RATING
A small construction crew on an island is terrorized when a spirit-like being takes over a large bulldozer, and goes on a killing rampage.A small construction crew on an island is terrorized when a spirit-like being takes over a large bulldozer, and goes on a killing rampage.A small construction crew on an island is terrorized when a spirit-like being takes over a large bulldozer, and goes on a killing rampage.
Featured reviews
OK. This is a fun film. Caterpillar D9 gets possessed, starts killing workers. But, what the hey, wasn't it great to see Clint Walker, Carl Betz and Neville Brand again? Eerie? Yeah, kinda. Spooky? Not unless you bought into it a lot more than I did. Liked the scene where Betz holds the D niner (glad to hear some construction worker ex-militaris speak here) at bay with a steam(?) shovel. Scary? Not really. But, fun...and it was great to see Carl, Clint and Neville again. BTW, this non-videoed TVdrama became a kind of campus cult classic for a while. Check it out.
"Killdozer" is a very entertaining TV movie from 1974, telling the story of a construction crew on a remote island (that looks a lot like southern California). The men must fight for their lives against a huge bulldozer controlled by a murderous alien force. The silly premise is made watchable by a good cast, lots and lots of action, an intelligent screenplay, and fine (if TV-style) direction.
A D9 bulldozer strikes a strange-looking rock, whereupon a mysterious alien force (shown as a blue light) is transferred to the 'dozer. The big machine soon has a mind of its own, destroying the construction workers' camp and proceeding on an orgy of killing and destruction. Good acting work by Clint Walker, Carl Betz, and Neville Brand help uplift the proceedings. Watch for a very young (and skinny) Robert Urich, who only survives the first few minutes of the movie before being scorched by alien radiation. The other workers are methodically wiped out until only two are left.
The Killdozer does its homicidal work with much enthusiasm, revving its engine, emitting black diesel fumes, waving its huge blade, frantically moving its control levers, and flashing its lights. The climactic "Killdozer death scene" is pretty good, as Walker lures the violent 'dozer to its deathor at least the death of the alien force.
In summary, I think this film is very good but I have a few other items to discuss. I saw this movie 31 years ago, and I'm still wondering how a 50-ton machine with a roaring diesel engine which belches huge clouds of black smoke could possibly sneak up on and surprise anyone. But the Killdozer manages to do just that, much to the detriment of the workers. Another issue is the one lesson I learned from this movie: If a maniacal bulldozer controlled by an alien force is lurking aboutdon't get drunk.
A D9 bulldozer strikes a strange-looking rock, whereupon a mysterious alien force (shown as a blue light) is transferred to the 'dozer. The big machine soon has a mind of its own, destroying the construction workers' camp and proceeding on an orgy of killing and destruction. Good acting work by Clint Walker, Carl Betz, and Neville Brand help uplift the proceedings. Watch for a very young (and skinny) Robert Urich, who only survives the first few minutes of the movie before being scorched by alien radiation. The other workers are methodically wiped out until only two are left.
The Killdozer does its homicidal work with much enthusiasm, revving its engine, emitting black diesel fumes, waving its huge blade, frantically moving its control levers, and flashing its lights. The climactic "Killdozer death scene" is pretty good, as Walker lures the violent 'dozer to its deathor at least the death of the alien force.
In summary, I think this film is very good but I have a few other items to discuss. I saw this movie 31 years ago, and I'm still wondering how a 50-ton machine with a roaring diesel engine which belches huge clouds of black smoke could possibly sneak up on and surprise anyone. But the Killdozer manages to do just that, much to the detriment of the workers. Another issue is the one lesson I learned from this movie: If a maniacal bulldozer controlled by an alien force is lurking aboutdon't get drunk.
I bought the comic book adaptation of this (some Marvel adaptation) for 10 cents years ago... after seeing the film, I'd say that that was worth a whole 25 cents.
I actually enjoyed the movie; it's another in the long line of preposterous "horror" flicks from the 70's wherein something that will NEVER be terrifying attempts to terrify people... and people actually get scared! I imagine movie execs ran out of disaster flick ideas, ran out of horror ideas, so decided to combine the two... lest they have to pay decent sums to script writers for better plots.
Combine with Atomic Train for a great double-bill about scary transportation devices that spans the decades...
I actually enjoyed the movie; it's another in the long line of preposterous "horror" flicks from the 70's wherein something that will NEVER be terrifying attempts to terrify people... and people actually get scared! I imagine movie execs ran out of disaster flick ideas, ran out of horror ideas, so decided to combine the two... lest they have to pay decent sums to script writers for better plots.
Combine with Atomic Train for a great double-bill about scary transportation devices that spans the decades...
When I saw the vote record for this title on this site, I was dumbfounded. 32 (the largest number) out of 198 people gave it only a 1!
I remember this film from when it first aired. It was one of the ABC MOVIE OF THE WEEK projects. These were short (2 hours with commercials) films produced with TV series level budgets. This film was based on Theodore Sturgeon's short story about a machine that becomes "possessed" by an electromagnetic alien life-form and turns on its operators.
Because of the budget restraints, these films had to rely more on story than showmanship.
Young Orson Wells would have been right at home working on a project like this. Filmed entirely on location. This film was a thriller where an ordinary object we can take for granted becomes an object of fear – a twist Edgar Allen Poe often used in his works. The film is heavily altered from TS's original because of the low budget. The background story of his version of the fall of Atlantis was unnecessary to the plot, so a different and simpler opening sequence was filmed: a meteor crashing into the Earth 100,000 years ago. John Carpenter would use a similar conceptual opening again years later in his remake of THE THING. This film is a story – not a masterpiece – just a story. And I felt it was a good one.
For that matter, so did most of my friends at the time felt the same way -- it was a popular movie.
How I wish wish wish this was released on DVD!
I remember this film from when it first aired. It was one of the ABC MOVIE OF THE WEEK projects. These were short (2 hours with commercials) films produced with TV series level budgets. This film was based on Theodore Sturgeon's short story about a machine that becomes "possessed" by an electromagnetic alien life-form and turns on its operators.
Because of the budget restraints, these films had to rely more on story than showmanship.
Young Orson Wells would have been right at home working on a project like this. Filmed entirely on location. This film was a thriller where an ordinary object we can take for granted becomes an object of fear – a twist Edgar Allen Poe often used in his works. The film is heavily altered from TS's original because of the low budget. The background story of his version of the fall of Atlantis was unnecessary to the plot, so a different and simpler opening sequence was filmed: a meteor crashing into the Earth 100,000 years ago. John Carpenter would use a similar conceptual opening again years later in his remake of THE THING. This film is a story – not a masterpiece – just a story. And I felt it was a good one.
For that matter, so did most of my friends at the time felt the same way -- it was a popular movie.
How I wish wish wish this was released on DVD!
I hunted this one for years, based on memories of terror in childhood. To finally see it again, for the first time since original airing, it was a treat. Hadn't realized how much the more recent "Virus" was borrowing from this. Clint Walker, still about 7 axe-handles wide, does his damnedest to complete an important job. It's no "Duel", but I'd take this over "The Car" (hate that crap, can't understand all the affection), "Virus" (like this, but with various "Hardware" steals), "Race With The Devil", and especially "Maximum Overdrive" (notice that they haven't let King direct again). It's simple, somewhat ludicrous, but quite effective little thriller. It's true that the story is immensely simplified from the original, but Theodore Sturgeon did the rewrite himself. Lovely parade of classic character actors, just adds to the fun. Proud to have it in my collection at last.
Did you know
- TriviaThis film later gained renewed interest and ultimately cult status when it was the subject of jokes on both Beavis et Butt-Head (1993) and The Tonight Show with Conan O'Brien (2009).
- GoofsWhen Chub (Neville Brand) ignites the signal fire, he is standing too close and singes the left side of his face. You see him touch his face when he is running away from the flames. Through the rest of the movie only his right side of his face is shown to the camera.
- Quotes
Lloyd Kelly: How do you go about killing a machine?
Dennis Holvig: A machine? It's too heavy to hang and it's too big to put in the gas chamber.
- ConnectionsFeatured in Svengoolie: Killdozer (1997)
Details
- Runtime1 hour 14 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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