Un silencieux au bout du canon

If you don't particularly like John Wayne, then I doubt if this film will change your opinion. But, if you do like his films and want to watch some mindless action, it's not a bad bet at all--though the film is awfully derivative. That's because only a short time before this, the Dirty Harry films debuted and were VERY successful. John Wayne must have been really ticked, as he was first offered the part as Inspector Callahan ("Dirty Harry"). McQ is his attempt to cash in on the genre, though the results were definitely very mixed.

First, let's talk about the bad. The overall tone of the film is pretty dark and depressing. A plot involving stolen drugs and dirty cops was a far cry from the usual John Wayne fare. Plus I was pretty shocked when this newer and "hipper" Wayne gave drugs to Colleen Dewhurst to elicit her assistance AND THEN he slept with her! This just seemed rather gross. Occasionally, the Duke's reasoning abilities seemed a bit "super-human"--such as how did he know what he knew when the film was about to end??!! Also, unlike Dirty Harry and Wayne's next film (BRANNIGAN), there are no great lines from the film such as "you feelin' lucky, punk". Also, the story itself is just okay.

As for the good, there are some wonderful action scenes--ones that a 60-something Wayne couldn't have really done if his life had depended on it! And the final confrontation was really exciting and about what you'd hope for in the film.

By the way, while I only see this as a slightly better than average time-passer, his next film, BRANNIGAN, is a much better film. While not exactly a sequel, he plays a very similar role but the writing, locale and acting is just a whole lot better--and aside from THE SHOOTIST, is probably the best film of the final decade of Wayne's career.

My opinion of John Sturges' McQ has evolved over the years. I saw it thirty years ago on NBC (with only a few bullet holes and mild curse words eliminated) and thought it was a flabby, but relatively decent little cops and robbers flick. It had the additional enjoyment of being filmed, in part, in Seattle, an exotic city some 280 miles from my home, Spokane.

John Wayne was something of a cartoon to me when I was a teenager. I didn't understand or appreciate his body of work and that he was a unique performer--to paraphrase his words, "not an actor, but a re-actor." His screen persona was simple and subtle, very human yet heroic. I didn't see any of this; McQ was just John Wayne putting on a business suit (as the reviewer in Time said, "Seems like putting Cary Grant in bib overalls"), strapping on an exotic weapon, and sliding behind the wheel of a Trans Am to go kick drug-dealer butt. McQ wasn't anything special. Just a cop movie with an old guy playing young.

As I got older--and saw McQ uncut on WTBS or KSTW--I began to appreciate both the film and its star even more. Yet I knew that the conventional wisdom of McQ was that it was a ridiculous attempt to modernize Wayne's image, to cash in on his stardom (which it didn't; McQ flopped at the box office). I declared McQ to be my official "Sinful Pleasure," a really bad movie that is truly lovable.

Think of a dog so ugly it's cute.

I taped a keeper copy of it off Cinemax, watched it every year or so. A DVD came a couple of years ago. I realized I never get tired of this movie. It's got lots to complain about--the looping of the dialogue is atrocious, the geography is laughable, the clichés are stacked like cord-wood, and the thought of all the better things John Sturges did in his career keeps popping into my mind.

Yet . . .

Wayne is at his most comfortable, maybe his best work since In Harm's Way. The crime drama itself plays out nicely, with clues being offered out at just the right pace, Seattle and the Olympic Penninsula are beautifully sun-washed and crisp-looking, and Wayne's costars give real weight to the movie--Colleen Dewhurst, Eddie Albert, Diana Muldaur, and David Huddleston, to name a few. There are a few over-the-top scenes that stretch credulity (his confiscation of a MAC-10 machine pistol from a gun dealer and talking Ebonics to Roger E. Mosley come to mind), but our affection for Wayne, and his professionalism, allow him to tame the gamier moments. You actually can believe his call for help to Seattle patrolmen when his car is demolished by a couple of semis, "Get some foam on this thing. I'm up to my butt in gas!" His embarrassment when asking for money from ex-wife Julie Adams and her moneybags husband is one of the best moments in the movie. And, of course, his being seduced by Dewhurst, at first, is so off-putting that you may want to make a Mystery Science Theater 3000 comment at the screen.

But if you're anywhere near adulthood, realize this: Middle aged people (Wayne's character is in his fifties and so is Dewhurst's) have sex. Wayne is the gentleman, here. He's being approached by Dewhurst and he doesn't want his saying no to be hurtful or condescending. If you watch the scene more than once, I believe you will see it as a sweet and decent moment and not some sort of dirty joke about old folks.

This brings us back to the evolution of my opinion of McQ. First it was an okay shootemup, then a sinful indulgence, and now, a set of good performances that lift up an otherwise pedestrian crime drama. It's easy to brand a movie a "sinful pleasure" because you can trash it while enjoying it. Sort of a cheap shot; cowardice comes to mind. McQ is no longer a sin for me to enjoy. It's a pretty good movie with really good people.

I recommend it, warts, jive, and all.

By the early seventies the western genre was in severe decline, and with the exception of Clint Eastwood the only other bankable actor within the genre who could return a sure fire hit was John Wayne. However having made a string or westerns in succession John Wayne was eager to broaden his horizons and undertake a new project, the project was to be a contemporary detective drama titled 'McQ'.

McQ is set in Seattle and follows Lon McQ (Duke) in his pursuit of the gangsters whom murdered his friend and colleague Stan Boyle. As the quest intensifies McQ uncovers the motive behind his friends killing and uncovers corruption that stems right to the top of the police hierarchy.

While the movie was slammed by critics and some anti Wayne elements its impossible to deny that John Wayne is well cast in this movie as a tough cop who is something of an outsider in a world of changing values. The Duke gives a fine performance with some good supporting players most notably Eddie Albert, Al Lettieri, Colleen Dewhurst and Diana Muldaur There are some well-staged action scenes including two high-speed car chases and an exciting climatic shootout. One notable if somewhat improbable action scene involves two lorries playing a large-scale version of dodgems with McQ's car that would have been very akin to a scene from a James Bond movie.

The movie delves into several interesting areas including corruption, family breakdowns and the shadowy underworld of drugs, one brilliantly directed and acted scene involves McQ exchanging drugs for vital information about an imminent drugs heist, this scene illustrates just how complex the drug underworld actually is and the chemistry between McQ and Myra is very evident.

The overall tone of the movie is notably grim and gritty and while the movie would have benefited from a larger budget, tighter direction and greater character development, nevertheless McQ was an undeniable hit at the box office and is a worthy entry into John Wayne's impressive portfolio.

I think it took some guts on John Wayne's part to do these kind of roles late in his career, roles like "McQ" and "Brannigan" instead of playing it safe and giving his long term fans more of what they expected of Wayne(The War film or Western) I felt Wayne pulled off the role quite well even at his advanced age! I thought the basic message of this film was that everybody has a price, not at all unusual a theme for a 70's film. It was nice to see John Wayne in such a contemporary themed film. Of course he would of been great as "Dirty Harry" but I'm glad Wayne met the modern times with films like this and "Brannigan". I LOVED the chases and lingo here!! If I had to choose my favorite film between "McQ" and "Brannigan", I would say "Brannigan" by a very very *slim* margin because I feel it has aged a bit better because there's more humor in "Brannigan" than "McQ". However that doesn't make this film any less worthy of a entertaining view by the fan of John Wayne or the casual film viewer. *** out of a possible **** stars!

I've always felt that John Wayne did his two police films McQ and Brannigan for a combination of reasons. Some of his last westerns before these like The Train Robbers and Cahill were really not up to standard and didn't get the reception at the box office Wayne films could usually expect. I also think those rugged western locations were becoming a problem healthwise. And of course Wayne was bowing to the public's new taste in heroes.

In McQ Wayne is investigating the death of his partner, the way Humphrey Bogart investigated the shooting death of Jerome Cowan in the Maltese Falcon. He has to go private to do it, he actually resigns from the Seattle PD and gets a private license, courtesy of a friend, David Huddleston. The investigation leads him to some surprising and not welcome conclusions.

John Wayne is always the great symbol of law and order and at first glance you would think this might not be a role for him, investigating crooked cops. But when you think about it in films like Tall in the Saddle and Rio Lobo he dealt with crooked sheriffs in the usual Wayne manner. In fact the whole point of Rio Lobo is Wayne putting his whole life on hold to find a couple of guys who betrayed him and their country during the Civil War. So McQ is definitely in line with both of those films.

In the supporting cast my favorite is Al Lettieri the drug kingpin of Seattle. Lettieri's death a few years after this film was a great loss to cinema. During the first half of the Seventies, ever since playing Virgil Sollozzo in The Godfather, Lettieri created some really outstanding villains and Manny Santiago here is one of them.

The ending will surprise you and its more Maltese Falcon than you would think.