Une bible et un fusil

The couple Wayne and Hepburn or Hepburn and Wayne are top notch , both of whom are wonderful . The film is a first-rate western , is the following-up to ¨True grit" in which Wayne won an Oscar , Academy Award , for his acting. The movie is a remake from "African Queen " in which Hepburn did couple with Bogart , here Wayne and Katharine hand similar roles , even there is one dangerous runaway by a river. The plot line centers the killing of the Hepburn's father. John Wayne and Hepburn set out in pursuit the evil people : Richard Jordan , Anthony Zerbe and Jack Colvin . Direction by Stuart Millar is good , cinematography by Harry Stradling is breathtaking , landscapes are spectacular and gorgeous , it has been shot in natural parks . Lively and rousing musical score by Laurence Rosenthal . Rating : 7/10 very good , well worth watching . However , the film received terrible reviews on release . Many critics felt that it was too obviously derived from ¨African Queen¨ , and that both John Wayne and Katharine Hepburn were too old for their parts . The motion picture will appeal to John Wayne and Katharine Hepburn fans .

This movie is more than just a lot of fun to watch. John Wayne and Katharine Hepburn are wonderful, but only because they are together. The chemistry between them is electrifying.

Richard Jordan plays his villan role to a "T". He is mean and nasty, and he keeps his character believeable to the end. There is a scene between him and Katharine Hepburn at Fort Ruby that is absolutely brilliant, you could feel the lightning flashing between their characters.

Think about the scene where the wheel broke off the wagon: Hawk gets furious with his men and Jordan's character did a great job with his part: he seem really angry, as if looks could kill. His expressions, well, it gave me the willies.

Don't you agree that Anthony Zerbe created a believeable "Breed". The two of them, Jordan and Zerbe are so believeable together. Remember the scene in the saloon when Hawk learns about the wagon being taken by Rooster? He starts to go out and Breed tells him, that he worked with Rooster for three years...and that he knows that Breed will never take Rooster? There is some great chemistry in that scene! They have tried to make movies like this before, but it hasn't happened yet: movies that made the actors create a film a success that was not relying on special affects alone, but just the characters and the story.

This is one of a few movies that I can watch over and over again and still enjoy. That said, it's also my favourite Western. (And I'm not a big fan of the genre.)

The story is simple. Cogburn (Wayne) is tracking down a load of nitro stolen by Hawk (Jordan)and his gang. As the gang of outlaws bid a hasty retreat, they stumble upon Eula (Hepburn), her minister father, and several Indians including a teen-aged boy named Wolf.

The plot is simple and had their characters been played by any other actors besides Wayne and Hepburn, the film would have been mediocre at best. Their performances make the film shine. Every scene they have together crackles with chemistry. When Wayne says to Hepburn, "being with you pleases me", I got the feeling he meant it and that Hepburn received the compliment with genuine pleasure. Well, maybe it's just good acting.

In any event, the film is a nice way to pass some time for those unfamiliar with Wayne or Westerns and a must-see for all Wayne and Hepburn fans.

A reading of the other reviews of Rooster Cogburn indicate that only fans of the two stars should look at this film. That's not saying a whole lot since this was a vehicle created for the two stars and only the two stars in this film could have brought it off.

It was a happy marriage of convenience with John Wayne's character of Rooster Cogburn from True Grit being so popular that a sequel was inevitable given Wayne's health holding up and Katharine Hepburn looking for something she could co-star with Wayne.

Hepburn was one of John Wayne's biggest boosters of his talent, politics aside. I remember reading that she thought John Wayne projected the same sense of integrity that Spencer Tracy did on the screen. Coming from her, I've got to believe that's the best compliment she could offer.

Wayne as Cogburn is on the trail of a gang that massacred an army patrol and stole a gatling gun and nitroglycerin for use in a planned bank robbery. The gang headed by Richard Jordan with Anthony Zerbe who used to scout for Wayne go to an Indian settlement with a missionary school headed by father and daughter preacher and teacher Jon Lormer and Katharine Hepburn. The gang shoots up the place and kills Lormer.

When Wayne comes he gets a lot more than he bargained for when he finds himself saddled with Hepburn and young Indian boy Richard Romancito. They accompany him on the trail of Jordan and his gang and get enough adventure to last a lifetime.

Everyone compares Hepburn as Eula Goodnight to her portrayal of another missionary, Rose Sayer in The African Queen. Both are on a chase in The African Queen with Bogey after the Germans who destroyed the mission in East Africa and killed her brother and with Wayne after some outlaws. And both films feature a very fine sequence of the two stars riding some rapids. But I think Eula Goodnight is a far more experienced woman of the world than Rose Sayer. Both disapprove of the alcoholic behavior of their male counterparts. Rose however takes some direct action.

As the film was designed around the two stars they settle comfortably in their roles. The chemistry between them is infectious, that they liked each other would be obvious to an alien from another planet.

I really envy young Richard Romancito to be in all those scenes and be able to watch a pair of screen legends.

Hepburn & the Duke made a fairly decent movie and that's enough reason to see it at least once. The fact that Hepburn has a Father in the movie is suspect, at best, especially since he's not played by Moses himself. But that's besides the point here - they have terrific chemistry and their star power alone could put most of the actors on the screen today to shame. It would have been really memorable if the movie were worthy of them, though.