Le monstre est vivant

A hideous mutant baby is born and escapes from the hospital, now it's scared and killing people. They learn that its on its way home, to find protection from its parents.

A pretty decent low-budget exploitation horror film by writer/director Larry Cohan (Q-The winged Serpent), this film takes the abortion issue to another level. A simple plot that's absurdly fun and silly to watch-but it's the cleverness of the script, that never has a dull moment.

The make-up effects and the baby puppet was designed and operated by Rick Baker (An American werewolf in London, Men in black, Ed Wood), the design looks decent enough for a low-budget film and one of his first major film designs, but because of Cohen's great direction we see through the eyes of the baby (in double vision) or it's hidden in the shadows and only small snippets of it are shown. We don't see it fully until the end, giving it a much more creepy feel to the film.

It centers more on the sound effects than the visuals, so there is more of a presence with it's nerve wracking crying and snarling. That actually helps give the atmosphere a dark and bleak feel of depression.

The performances are top notch from Sharon Farrell as the unstable mother Lenore Davies, James Dixon as Lieutenant Perkins and John Ryan as Frank Davis the cold-hearted father who wants his baby killed, his portrayal really does ground the film and brings an emotional element that sucks you in.

One the greatest music composers Bernard Herrmann (Citizen Kane, North by North West, Psycho, Taxi Driver, All that money cant buy) comes up with a superb score and a chilling main theme.

The cinematography is rather good towards to the feel of hysteria and tension, giving it a nauseating aura and good use of the baby's point of view. The film's pace is excellent and leads up to a fine climax.

It's no great feat of its genre, but it deserves merit. A very good film that's helped by it's excellent performances, script, direction and music score.

4/5

The pregnant Lenore Davis (Sharon Farrell) tells her husband Frank Davis (John Ryan) that she is in labor to have the baby. They leave their eleven year-old son Chris (Daniel Holzman) with their friend Charley (William Wellman Jr.) and they head to the Community Hospital. Lenore feels that something is wrong and delivers a monster that kills the team in the delivery room and escapes through a skylight. Lieutenant Perkins (James Dixon) comes to the hospital to investigate the murder and the press divulges the identity of the parents of the monster. Frank loses her job of executive in public relationship and accepts the offer of a university that wants to research the corpse of the baby to discover the reason for the mutation. Meanwhile the baby continues to kill people in town. Out of the blue, Frank discovers a dark secret about Lenore and the baby.

A couple of days ago I saw the awful remake of "It's Alive" and I decided to watch again the 1974 B-movie of Larry Cohen to reevaluate it in the present days. The original film is better and better than the lame remake of 2010. The analogy of Frank with Dr. Frankenstein is one of the good dialogs of this film. The madness process of Lenore Davis is more plausible than the ridiculous behavior of Lenore Harker of the new version. My vote is six.

Title (Brazil): "Nasce um Monstro" ("A Monster is Born")

Note: On 25 March 2016, I saw this film again.

A fantastically focused and engaged socio-horror film from the last golden age of the 1970s. Anchored around a most committed and persuasive performance from John Ryan and Larry Cohen's empathetic and savvy direction, It's Alive might display some raggedness and lapses in style, but it more than makes up for this with searing intelligence, sharp and sad gallows humour and a beating heart on the side of the ostracized and ridiculed. A fine example of what genre movies can really do.

IT'S ALIVE (1974) ** John Ryan, Sharon Farrell, James Dixon, William Wellman, Jr., Daniel Holzman, Guy Stockwell, Michael Ansara. Cult horror classic conceived by filmmaker Larry Cohen with his signature low-budget aplomb probes many fears (pregnancy, parenthood, chemically enhanced polutions et al) when a loving family's latest offspring turns out to be a murderous monstrosity. Subjective camera angles and quick interspersed cuts of the 'infant' (created by a young Rick Baker, Future Oscar-winning MonsterMaker!) give a few good chills in this fairly middling, tongue-in-cheek genre flick.

Expectant parents Frank (John P. Ryan) and Lenore (Sharon Farrell) get the shock of their lives when their new baby turns out to be a hideous mutant, one that kills whenever it feels threatened. Fleeing the hospital, having massacred the entire delivery room staff only seconds after its birth, the savage infant roams Los Angeles, hunted by the police and its own father.

Although writer/director Cohen's script flirts with ecological/medical issues, briefly suggesting that either pollution or untested drugs may be the cause of the mutation and questioning the morality of abortion, these interesting plot points are quickly pushed aside in favour of Frank's growing psychological turmoil and the mounting police search for the monstrous child.

The former is handled pretty well, John P. Ryan giving a commendable performance as the initially belligerent father who ultimately tries to save his new son, but the pursuit of the creature is very tedious—unimaginative, repetitive, and lacking in general outrageousness and gore, with effects genius Rick Baker's mutant baby frustratingly kept hidden in the shadows for the majority of the film.