A gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.A gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.A gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.
Julius Harris
- Papa Gibbs
- (as Julius W. Harris)
Rocky Aoki
- Asian Mobster with Purple Rolls Royce
- (uncredited)
Annie Horton
- Maid
- (uncredited)
Eugene Puzo
- Shooting Gangster on Beach House
- (uncredited)
Janelle Webb
- Maid
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
After the success of Black Caesar earlier in the year, this sequel was rushed into production to hopefully cash in on the clamour for Blaxploitation shenanigans. Sadly it's a rush job that is all too evidently half baked.
Plot has Fred Wiliamson return as Tommy Gibbs (resurrected from the dead apparently!), who takes on corrupt D.A. Diangelo (Gerald Gordon) whilst dealing with matters of the heart. Directed by Larry Cohen, it's with Cohen's frank honest views on the film that critique should start. He would say that Hell Up In Harlem is a 90 minutes montage movie, and he is absolutely right.
This is jerkily episodic as it runs a course of people talking then cutting to boisterous action, then some talking and cut again to some more boisterous action, and on it goes for the complete run time. That the action is so gripping - and some choice dialogue zingers in the mix as well - keeps this from being an unwatchable mess. You also have to have respect for this type of guerrilla film making, it literally is filmed on the fly.
Regardless of the unbelievable aspects of it all, the oodles of bright red fake blood, and poorly executed stunt work, the rawness of the violence keeps things above average. In fact there's a bit of bad taste simmering away in the violent dynamics, with no legal consequences of lead character's actions, which of course is a blaxploitation trait.
It's messy, but it's entertaining mess within the genre it sits in. 6/10
Plot has Fred Wiliamson return as Tommy Gibbs (resurrected from the dead apparently!), who takes on corrupt D.A. Diangelo (Gerald Gordon) whilst dealing with matters of the heart. Directed by Larry Cohen, it's with Cohen's frank honest views on the film that critique should start. He would say that Hell Up In Harlem is a 90 minutes montage movie, and he is absolutely right.
This is jerkily episodic as it runs a course of people talking then cutting to boisterous action, then some talking and cut again to some more boisterous action, and on it goes for the complete run time. That the action is so gripping - and some choice dialogue zingers in the mix as well - keeps this from being an unwatchable mess. You also have to have respect for this type of guerrilla film making, it literally is filmed on the fly.
Regardless of the unbelievable aspects of it all, the oodles of bright red fake blood, and poorly executed stunt work, the rawness of the violence keeps things above average. In fact there's a bit of bad taste simmering away in the violent dynamics, with no legal consequences of lead character's actions, which of course is a blaxploitation trait.
It's messy, but it's entertaining mess within the genre it sits in. 6/10
Tommy Gibbs (Fred Williamson) is also known as Black Caesar, he finds himself shot by a corrupted police officer in the middle of the street in New York City. Since Gibbs is an well-known gangster, he has the ledger with the name of every bad cop and government officials on the mob's payroll. Gibbs is now public enemy number one in the city. He brings his father (Julius W. Harris) to the mob, Gibbs teaches his father every he knows. But someone in the gang is double-crossing Gibbs and he knows, there will be hell to pay. Revenge looks sweet for Black Caesar.
Written, Produced and Directed by Larry Cohen (It's Alive Trilogy, A Return to Salem's Lot, Q:The Winged Serpent) made an amusing, violent, if sometimes unintentionally funny sequel to "Black Caesar". Cohen is at his best, during some of the action sequences, the quick-paced editing and hand-held camera work. Williamson and Harris are fun to watch in this movie. Although the movie looks rushed, the story isn't as clear as its supposed to be and the film is quite sloppy at times.
DVD has an sharp anamorphic Widescreen (1.85:1) transfer and an decent Dolby Digital 2.0 Mono Sound. The DVD's best feature is the humorous and informative commentary track by Cohen. At times, his commentary track seems to be more entertaining than the movie! DVD also includes the original theatrical trailer and an teaser trailer. "Hell Up in Harlem" is a lot of fun, despite some real flaws. Some of Edwin Starr's songs are quite good. If you are an fan of Soul Cinema in the 1970's. Don't miss it. (*** ½/*****).
Written, Produced and Directed by Larry Cohen (It's Alive Trilogy, A Return to Salem's Lot, Q:The Winged Serpent) made an amusing, violent, if sometimes unintentionally funny sequel to "Black Caesar". Cohen is at his best, during some of the action sequences, the quick-paced editing and hand-held camera work. Williamson and Harris are fun to watch in this movie. Although the movie looks rushed, the story isn't as clear as its supposed to be and the film is quite sloppy at times.
DVD has an sharp anamorphic Widescreen (1.85:1) transfer and an decent Dolby Digital 2.0 Mono Sound. The DVD's best feature is the humorous and informative commentary track by Cohen. At times, his commentary track seems to be more entertaining than the movie! DVD also includes the original theatrical trailer and an teaser trailer. "Hell Up in Harlem" is a lot of fun, despite some real flaws. Some of Edwin Starr's songs are quite good. If you are an fan of Soul Cinema in the 1970's. Don't miss it. (*** ½/*****).
No, this is not one of the greatest blaxploitation movie ever made; and yes, it has its flaws. But man, is this one a fun ride or what? It's an hour and a half of pure action with one of the greatest action hero of all time. It's ass kicking after ass kicking, as Tommy Gibbs takes revenge on everybody that have ever been dumb enough to mess with him. The fight scenes are great, inventive and plentiful. The cinematography is quite decent too and the story fun enough to keep you interested in it. Larry Cohen once more delivers the goods in this one. It's actually much better then most action stink fest that Hollywood produce this days. So sit tight and enjoy the roller coaster ride while it last.
Go Fred Williamson!
Go Fred Williamson!
70s action and a blaxploitation classic with Fred Williamson (The Inglorious Bastards - 1978, MASH) as Black Caesar leading the way backed up by the luscious Gloria Hendry.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
Fun sequel takes off where Black Caesar took off...lots of violence...soul soundtrack not as good as James Brown's work on Black Caesar, but passable. Overall this movie has an even more fantastic plot than the first but is still basically enjoyable...particularly the island ambush scene and the chase in which Williamson runs after his opponent, who boards an airplane to L.A. from New York...Fred doesn't sweat it and gets a flight that just happens to leave a few minutes after the first gets off. We see scenes of the two men in planes...upon landing, at the same time, Williamson finds his quarry in a crowded airport and picks up where he left off in New York. As I said, ridiculous, but fun.
Did you know
- TriviaJames Brown was originally slated to do the music, but Larry Cohen rejected it. Motown artist Edwin Starr did the music, and Brown released the rejected music in the album, "The Payback".
- GoofsWhen Tommy stabs Palermo with an umbrella at Coney Island, the next shot featuring the squib/wound is clearly animated.
- Quotes
Woman: [after Gibbs shoots mafioso in Times Square] Aah!
- Alternate versionsAn altered audio goof on the MGM DVD, but not the VHS release, occurs in one scene during the ambush in the beach house. Instead of hearing the women screaming, you hear additional gunshots, instead. The current Blu-ray from Olive Films corrects this mistake.
- ConnectionsFeatured in Adam & Yves (1974)
- SoundtracksAin't It Hell up in Harlem?
(uncredited)
Written by Freddie Perren and Fonce Mizell
Performed by Edwin Starr
courtesy of Motown Records Corp.
- How long is Hell Up in Harlem?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,452,828
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.85 : 1
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