In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn in the occult world.In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn in the occult world.In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn in the occult world.
Brendan Dillon
- Prison Chaplain
- (as Brendon Dillon)
Russ Grieve
- Prison Guard
- (as Russ Grieves)
William 'Billy' Benedict
- Hotel Desk Clerk
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a fun one. I remember being scared as hell. In an attempt to solve a murder mystery, George Hamilton finds himself in a town inhabited by zombies. He even has a love scene with one of them!! It would be cool to see a remake. There has never been a zombie movie movie quite like this one. Hope i find it on a video shelf some day.
In 1930s Chicago, a sailor attends his brother's execution, and then starts to see his dead brother everywhere. A mysterious woman warns the sailor to leave town, but instead he begins to look into his brother's past, with the help of a gruff police sergeant (Ralph Meeker) and the brother's former employer, a dance hall owner (Ray Milland). What he finds goes beyond what we consider reality. A very young and handsome George Hamilton stars as the befuddled sailor and Linda Cristal is the bewitching mystery woman. Curtis Harrington directed from a Robert Bloch story, and the atmosphere is creepy and at times nightmarish. Harrington leave no doubt about where things are going by starting off with the brother's execution followed closely by a scene in the dance hall featuring a bunch of marathon dancers looking like the living dead. Within the strict limits of a 1970s ABC-type TV movie, Harrington even lays on a bit of true horror, in a scene when when Hamilton is trapped in a funeral home with a walking corpse intent on murder (Reggie Nalder of "Salem's Lot" fame). There's also a taut sequence in a graveyard when Hamilton and the dance hall owner dig up the deceased brother's grave. And the final showdown takes place in an old-fashioned slaughterhouse that takes on the feel of a hospital morgue. Nicely done, although no one in the star-studded cast is called upon to emote much.
Pretty good horror film from Robert Bloch (Psycho) and Curtis Harrington (Ruby). This one's a doozy. George Hamilton plays a guy whose brother is executed for a crime he didn't commit. There's a spooky execution scene, and then George has to find out the truth. Upon investigation Hamilton discovers zombies. Set in the '30s or '40s ( I can't remember ) this is a particular creepy TV movie I originally saw in 1975. Reggie Nalder (Salems' Lot) plays a zombie. The scene in a funeral parlor with Nalder rising from the dead is really cool. Ray Milland also stars and is his slimy best. Pretty good and shocking for a TV movie.
I remembered seeing this movie when it first aired (on NBC, I think), and I seemed to remember it being above average for a TV movie. So I found a copy of it for under $5 and watched it again, nearly 30 years later. Wow, what a difference time and experience make. The premise is an interesting one, and the film relies more on subtlety than shock value. But, man is it slow. I found myself losing interest in it a couple of times. This is a movie that screams to be remade.
Made in the heyday of the TV movie-of-the-week, "The Dead Don't Die" can be best thought of as "They Shoot Horses, Don't They?" meets "Night of the Living Dead" meets "Chinatown." Written by Robert Bloch and directed by Curtis Harrington, who a couple years earlier had made a truly strange, old-fashioned horror MOW called "The Cat Creature," this film features a host of reliable Golden Age Hollywood actors in cameos, including Joan Blondell, Ralph Meeker, Milton Parsons and William Benedict. It also gives creepy Reggie Nalder a good role, and he's almost as frightening here as he was in "Salem's Lot," but without the extreme makeup. Some eerie zombie scenes and an effective score add to the film's pluses. The minuses, however, start from the top. George Hamilton is badly miscast as the hero who seeks to find out who really murdered the wife of his brother, who was tried and executed for it, but was, of course innocent. The character is supposed to be a tough sailor, but Hamilton gives more of an imitation of a hungover Bruce Dern, saying his lines with the conviction of a script girl. Ray Milland as a sleezy dance-marathon promoter, whom Hamilton manages to convince that he's sees dead people, including his brother, also phones it in. Linda Cristal as a French femme fatale with a Spanish accent at least tries. The period detail is superficial, with the men's hair styles and costumes straight out of the 1970s (as are Billy Benedict's modern eyeglasses). Given the particpation of Bloch and Harrington, the plodding, talky script and flat TV-style direction is particularly disappointing. This seems to have scared a lot of people in 1975, but now, even at 72-minutes, it seems to go on forever. And anyone who can't figure out who the villain of the piece really is must be a genuine zombie.
Did you know
- Quotes
Perdido: Mr Drake! I have been waiting for you!
Don Drake: Perdito?
Perdido: Perdito is dead! His body is merely an instrument through which I speak. The dead are my children!
Don Drake: [Appalled] Children? Who are you?
Perdido: Who am I? I am... Varrick!
[Reaches up from coffin and grabs Drake by the throat]
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- Die Toten sterben nicht
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