The Cat Creature

This is a very silly story, but I loved seeing a very young Meredith Baxter along with gothic/horror film regulars of the 30s and 40s such as John Carradine, Peter Lorre and Gale Sondergaard. Oh, and Charlie Chan's Number One Son Keye Luke.

This is one of the more entertaining made for tv movies. It sports a good cast and the story, that was inspired by Cat People, an excellent film in its own right, It has enough creepy moments to keep the viewer invested. The more violent parts were toned down for television audiences. That does not hurt the movie in any way though.

Meredith Baxter and John Carradine do a good job here but it is .Gale Sondergaard that really makes this movie as memorable as it is. David Hedison and Stuart Whitman do a good job with what they are given but they don't really stand out.

It is a fun horror with some good moments but limited by the made for tv format, Still it is wirth watching.

I haven't seen this movie since I was a kid in 1973,and have looked for it for years. Recently found it on You Tube. I remember being impressed with the eeriness film and the scary visuals of the ending, even though you know who the priestess is. However, what lessens the films enjoyment for me seeing it again is the appearance of abuse of cats, with an unnecessary plot device of alley cats surrounding and eventually attacking the priestess. It appears the cats were starved to congregate around the victims and thrown onto the victims, a lot like what was done with rats in Willard. I am glad we live in more animal conscience times. 2.5 out of 4 stars

Several people, who have somehow come into contact with an amulet improperly elevated from the sarcophagus of an Egyptian mummy, are unaccountably but fatally assailed by a black cat. Not so much another CAT PEOPLE (1942) variation as a commendable addition to filmdom's mummy lore (courtesy of Robert Bloch); a cast of mostly old reliables helps add flavor to the familiar narrative. The film's leads are adequately filled with Meredith Baxter's deceptively innocent salesgirl and archaeologist David Hedison – who, naturally, fall for each other during the course of the narrative; sprucing up the rest of the 'dramatis personae' are world-weary cop Stuart Whitman, sinister proprietor of "The Sorceress" pawn shop Gale Sondergaard, solicitor Kent Smith (the male protagonist of the aforementioned Val Lewton/Jacques Tourneur classic), alcoholic thief Sen Yung and even hotel clerk(!) John Carradine (although already pushing 70 by this time). I have a handful of unwatched made-for-TV genre efforts from director Harrington and I might get to include them in this year's Halloween marathon.

The first made for television collaboration between Psycho scribe and all round pulp horror titan Robert Bloch with classy b-horror veteran Curtis Harrington, The Cat Creature is a charming if inconsequential affair that neither reaches the levels of its influences nor surpasses its status as a made for television production, but is still perfectly good stuff for a dull afternoon left sparing. The outlandish plot sees an antique theft from a deceased collector result in the release of a murderous acolyte of the Egyptian cat goddess Bast, and cop Lieutenant Marco teaming up with Professor Roger Edmonds to figure out what's going on. Then there's occult shop owner Hester Black and her assistant Rena Carter getting involved in things as well. The vibe hearkens back to horror and detection stories of yesteryear, particularly the 1940's and Cat People, with a measured pace and restrained action as well as certain pleasing subtleties. Director Harrington pulls off a few effectively creepy stalking sequences and deploys the titular beast in fun if slightly repetitive fashion. Fortunately the story has a few twists and turns so things never get dull, although they fail to get all that heated either. The cast is fairly well handled and thread things through nicely, Stuart Whitman is suitably gruff and no nonsense as Lt. Marco, Meredith Baxter paints Rena in sympathetic shades of confusion, fear and yearning, while David Hedison takes a while to warm up and loose his awkwardness but is still likable as Prof. Edmonds, a classic academic good guy figuring things out with open-mindedness and learning. Best though is Oscar winner Gale Sondergaard as Hester, crooked and controlling, time soured and radiating low key negativity yet at the same time open and helpful. She steals every one of her scenes and brings an unaffected old fashioned class to things that is perhaps the films greatest asset. It's just a shame that the film doesn't really have enough in the way of atmosphere or shocks (being rather tame even by made for television horror standards), so for all that it has in the way of style and vacant likability it just isn't all that compelling. Certainly watchable, but definitely a film for fans of television horror of the era rather than more casual fans, who may quite reasonably be bored and unimpressed. As a fan of such horror then I give The Cat Creature 6/10 and partially recommend it to other such fans, but it is far from essential.