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Le passager

Original title: Caravan to Vaccarès
  • 1974
  • PG
  • 1h 38m
IMDb RATING
4.6/10
477
YOUR RATING
Le passager (1974)
Neil Bowman is traveling through France when he meets British photographer Lila. They are hired by French land owner Duc de Croyter to escort a Hungarian scientist to New York. But they soon realize that the job is not a cushy number, and have to deal with a gang of kidnappers who will stop at nothing to get their hands on the scientist.
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ActionMysteryThriller

Neil Bowman, meets Lila, a British photographer, in France. They're hired to escort a Hungarian scientist to New York by French landowner Duc de Croyter but face a gang of ruthless kidnapper... Read allNeil Bowman, meets Lila, a British photographer, in France. They're hired to escort a Hungarian scientist to New York by French landowner Duc de Croyter but face a gang of ruthless kidnappers after the scientist.Neil Bowman, meets Lila, a British photographer, in France. They're hired to escort a Hungarian scientist to New York by French landowner Duc de Croyter but face a gang of ruthless kidnappers after the scientist.

  • Director
    • Geoffrey Reeve
  • Writers
    • Alistair MacLean
    • Paul Wheeler
    • Joseph Forest
  • Stars
    • David Birney
    • Charlotte Rampling
    • Michael Lonsdale
  • See production info at IMDbPro
  • IMDb RATING
    4.6/10
    477
    YOUR RATING
    • Director
      • Geoffrey Reeve
    • Writers
      • Alistair MacLean
      • Paul Wheeler
      • Joseph Forest
    • Stars
      • David Birney
      • Charlotte Rampling
      • Michael Lonsdale
    • 16User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • Videos1

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    Trailer 2:32
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    Photos32

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    Top cast18

    Edit
    David Birney
    David Birney
    • Bowman
    Charlotte Rampling
    Charlotte Rampling
    • Lila
    Michael Lonsdale
    Michael Lonsdale
    • Duc de Croyter
    • (as Michel Lonsdale)
    Marcel Bozzuffi
    Marcel Bozzuffi
    • Czerda
    Michael Bryant
    Michael Bryant
    • Zuger
    Serge Marquand
    • Ferenc
    Marianne Eggerickx
    • Cecile
    Françoise Brion
    Françoise Brion
    • Stella
    Vania Vilers
    Vania Vilers
    • Vania
    Manitas De Plata
    • Ricardo
    Jean-Pierre Cargol
    • Jules
    Jean-Pierre Castaldi
    Jean-Pierre Castaldi
    • Pierre
    Jean Michaux
    • Waiter
    Alan Scott
    Alan Scott
    • Receptionist
    Jean-Yves Gautier
    Jean-Yves Gautier
    • Gendarme
    • (as Jean-Yves Gauthier)
    Marcella Markham
    • American Guest
    Gordon Tanner
    Gordon Tanner
    • American Guest
    Graham Hill
    • Helicopter Pilot
    • Director
      • Geoffrey Reeve
    • Writers
      • Alistair MacLean
      • Paul Wheeler
      • Joseph Forest
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews16

    4.6477
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    Featured reviews

    5I_Ailurophile

    "Action-adventure thrillers" don't get much more uninteresting than this

    It's not exactly encouraging at the outset; plot development, dialogue, and scene writing alike all feel very thin, and one simply has to accept it at face value or immediately give up outright. David Birney spends a lot of scenes looking like a deer in the headlights, and some supporting cast members similarly don't come off well; in fairness, there are no few times when I can only question Geoffrey Reeve's choices as director. I recognize plenty of swell ideas in every regard, which I assume follow from Alistair MacLean's novel, but even the adapted screenplay has issues with narrative flow, nevermind particular instances of editing or sequencing. There is a complete, cohesive story being told, but the simple fact of the matter is that with the way 'Caravan to Vaccarès' is made, sometimes it really doesn't feel like it.

    It all looks good, at least. There are many stunts and effects throughout, and they come off well; the filming locations and production design are excellent. The costume design, hair, and makeup are easy on the eyes; Stanley Myers' score isn't anything special, but it's enjoyable, and lends flavor. The narrative is actually fairly compelling, despite its weak cinematic treatment and the extraordinary leaps of faith it often requires as a viewer. Then again, even the heartiest suspension of disbelief can't withstand some of the storytelling decisions made here, and the Just So sensibilities that characterized the writing from the start collide with distinct dubious moments to place significant, low upper limits on one's engagement and entertainment. It would have taken astonishingly little to realize this as a satirical Euro-spy comedy, but no, it's an earnest action-adventure thriller. This poses a problem.

    I don't think 'Caravan to Vaccarès' is altogether bad. It is, however, sadly middling, and even its best ideas just don't amount to much of anything. Insofar as it's enjoyable, it's a title one is able to enjoy very passively, without actively watching. There are worse ways to spend one's time, sure, but even if you're a major fan of someone involved, nor is there any specific reason to watch; Charlotte Rampling and Michel Lonsdale are rather wasted. Oh well. Check it out if you want, I won't stop you. Just don't get your hopes up.
    5paulackerley

    LANGUID, UNDERWHELMING CURIOSITY

    The existing reviews for this are useful and I'd agree with pretty much everything that people are saying. As someone who finds Alistair MacLean books and films a guilty pleasure, the decision to film on location and work in a little-documented actual festival gives the film a certain atmospheric appeal. However the subsequent commitment to using this footage appeared to hamper the creative team's ability to tell a coherent story. The frequent use of cutaways and montage such as the bullfight with the killing of De Croyter's daughter, suggests that the availability of the documentary footage drove the film's structure and so effectively killed opportunities to create suspense with more carefully constructed shots. Perhaps more unfortunate is that the Director constructing the shots was the hapless Geoffrey Reeve who managed to increasingly mess up three MacLeans. In addition to Vaccares, he directed the flawed, though undoubtedly watchable, 'Puppet On A Chain', noting however that the memorable boat chase was shot by Don Sharp. Then after 'Vaccares' he helmed the appalling 'The Way to Dusty Death' which confirmed that he was totally out of his depth as a Director in the industry. Writer, Paul Wheeler should also carry some responsibility for the eventual cinematic carnage. Maybe Reeve's TV work was better but he and the writer really didn't haven't a clue how to build suspense and handle this sort of material and as a result, a decade of exciting Alistair MacLean branded entertainments started to lose credibility with audiences. Starting here.
    3coltras35

    Dull Maclean adaptation

    American Neil Bowman is traveling through France when he meets British photographer Lila. They are hired by French land owner Duc de Croyter to escort a Hungarian scientist to New York. But they soon realize that the job is not a cushy number, and have to deal with a gang of kidnappers who will stop at nothing to get their hands on the scientist.

    One of my favourite Alistair Maclean novels is turned into a flat and dull cinematic affair, lacking the excitement, the suspense and thrills that Maclean is renowned for, however there are some bright spots such as the scenery of Provence, the culture, the aerial shots, and some exciting action scenes especially the bullfighting scene at the end. It's just a shame the film overall lacks that spark, not very engaging, and dull. I normally like David Birney and he looks the part but his character isn't too likeable and he smirks most of the time. It's a shame that this doesn't match up with the exciting book. The problem is that the filmmakers deviated significantly from the book, which had a great plot and was tailor made for the big screen, and settled for what now is on film. A big faux pas on their part.
    4Popey-6

    Pretty, unexcitable stuff

    It's a shame that such a lame plot should be hung on such picturesque locations, with some documentary style reportage shoved in for extra length. A shorter film may have held the tension a little more, and a more charismatic lead may not have mangled his lines so much. The female lead also, was not allowed to do enough resulting in a pretty but boring affair. It builds towards the end but the lead actor's own redemption is too little too late and should have been revealed earlier in the film. Not awful, just a pity. Unexciting but nice enough to grace TV schedules of the early hours.
    4MetalMiike

    Like A Bunch of Film-Makers Went on Holiday to France and Made a Movie in their Spare Time.

    It's weird, this film; you get the impression that the makers of this snooze-fest spent more time in the local bars than on set. In fact, it's a surprise not to see Harry Alan Towers' name on the credits; it certainly has the flavour of one of his tax-shelter productions but here the motivation behind the project seems to be for all involved to enjoy a prolonged stay in Provence. Despite the fact that the film is supposed to take place all over the region, Les Baux and the area around it stands in for almost everything.

    David Birney makes for a spectacularly colourless hero - as Michael Lonsdale says at one point "you're a walking cliché". What Lonsdale is doing in this is anyone's guess. For some reason, the most interesting character, played by Rampling, is sidelined, whereas, regardless of the book, she should have been the central figure because she clearly has the skill to carry the movie (which would have been dull anyway, but at least we'd have got more of something pretty to look at).

    All in all a pointless affair that is only worth watching to see how action-less an action movie can be.

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    Storyline

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    Did you know

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    • Trivia
      First theatrical feature film of actor David Birney.
    • Goofs
      In the opening scene, the assassin kills the bird watcher sitting in his car with a suppressed revolver. Next, he stalks and shoots his young cohort, but this time with a suppressed automatic pistol. When the automatic fires, it produces an unsuppressed gunshot sound. Next, when the assassin is stopped helping the gypsies with their flat tire, he's carrying the silenced revolver tucked in the front of his pants.
    • Quotes

      Bowman: [speaking to the woman thumbing for a ride as she approaches his car] Voulez assistance?

      Lila: [suspiciously] You another French sex maniac?

      Bowman: No. Another American sex maniac.

      Lila: [as she starts to get into his car] That makes all the difference.

    • Alternate versions
      There are two known version of this film. The international cut is 98 minutes and a heavily cut US version is 84 minutes.
    • Soundtracks
      Rhumba
      (uncredited)

      Music by Manitas De Plata

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    FAQ14

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    Details

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    • Release date
      • August 28, 1974 (France)
    • Countries of origin
      • United Kingdom
      • France
    • Languages
      • English
      • French
      • Romany
    • Also known as
      • Passager
    • Filming locations
      • Arènes d'Arles - 1 Rond-Point des Arènes, Arles, Bouches-du-Rhône, France(bullfighting sequence)
    • Production companies
      • Geoffrey Reeve Productions
      • S.N. Prodis
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 38m(98 min)
    • Sound mix
      • Mono
    • Aspect ratio
      • 2.35 : 1

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