Roobarb the green dog's enthusiasm for inventions and harebrained schemes to liven up life in the garden know no bounds. It's up to Custard the indolent, grinning purple cat, and the rest of... Read allRoobarb the green dog's enthusiasm for inventions and harebrained schemes to liven up life in the garden know no bounds. It's up to Custard the indolent, grinning purple cat, and the rest of the garden animals to make sure nothing comes of them so that their idle tranquility can ... Read allRoobarb the green dog's enthusiasm for inventions and harebrained schemes to liven up life in the garden know no bounds. It's up to Custard the indolent, grinning purple cat, and the rest of the garden animals to make sure nothing comes of them so that their idle tranquility can be preserved, and score points off Roobarb's inflated ego at the same time.
Featured reviews
Good narration by Richard Briers and a cracking opening theme make this well worth a look for newcomers and nostalgia buffs alike.
The art style is very unique, rather than having the generic way shows are animated, Roobarb is completely animated with marker pens with plain white backgrounds, which is impressive to say the least.
The plots and characters also have their own charm, especially our protagonist, Roobarb, who invents stuff that goes wrong in many hilarious ways. Grange's writing is great, with many interesting storylines that are short and simple, but entertaining as well.
Richard Briers is a great voice actor and narrator, seeing a lot of old UK cartoons only have one actor for all of the roles is very fresh and talented, and Briers is no exception. Shame he died in 2013 though.
The music itself (especially the theme song) is really catchy and upbeat, much better than the bland and generic music from the disaster known as Peppa Pig.
The only thing about this show that does not hold up is the animation. Even if the show does have a unique look, the animation (even for the time) is awful. It can look passable at times, but most of the time, it's very rough and sloppy. The character designs, while good on their own, can look inconsistent between episodes or even separate scenes and the lack of lip-synching for most episodes makes the cheap animation more obvious (it's made even worse by the fact that there are scenes/episodes that do have the mouths move when characters talk).
Now, I have nothing against the late Bob Godfrey or anyone working on the show, nor do I blame or intend to disrespect them for this. Godfrey had done other animations, and they actually do look decent with the limited style (Noah and Nelly another Godfrey show made two years later, and from the clips I've seen (not seen the full show, this is just for research) the animation, whilst still being limited and having some of the traits Roobarb had in it's animation such as the lack of mouth movements, looks alright for a 70's TV show. I think Roobarb's animation moreso suffered from a bunch of different animators alongside Godfrey working on the same episode, and some of the same or completely different ones working on others. Not blaming them either, but I feel that there was (and this is just a theory, don't take this as factual) a lack of communication to keep everything consistent-looking. I think that if there was a more consistent look, less sloppy movement, mouth movement, and overall more communication (presumably, I'm just making my own conclusions), then the animation would have turned out better. Funnily enough, despite being flash-animated, the reboot's animation is what I'd imagine the original being like if that were the case (barring the lack of mouth movements).
But despite the really rough animation, this show is still great, and I hope another reboot gets made soon since the older reboot (Roobarb & Custard Too) also only ran for one season (such a shame as both series had potential to become a full series with more seasons). Roobarb is a classic and I highly recommend it.
When you ask someone like Bob Godfrey to make you a children's programme, it should not be expected that he will deliver up a run of the mill cartoon that will be lost in a sea of dross like so many modern computer animated cartoons are nowadays. No, from one of the pioneering figures in British animation it should come as no surprise that he produces something different that works but yet is still uniquely him and thus sticks in the memory. Naturally his animation is colourful, big, bold and touched with his usual inventive style; it looks rough and ready of course but that is just part of its appeal. The stories are strangely silly best summed up by the first episode where Roobarb tries to eat worms (rubber bands he thinks) by discovering the secrets of how the birds do it; each episode is consistently amusing and shows real invention and wit. As with many of these things, the narration is key and Richard Briers' distinctive voice really helps.
With one of those theme tunes that sticks in your head and matches the material, this is a rough and ready but inventive and funny children's cartoon that I can still watch and enjoy about three decades (and many adult worries) later.
Bob Godfrey's animation was absolutely charming and set off perfectly by the narration of Richard Briers - not many voices were better for this sort of thing, and for kiddies' cartoons he was right on the mark.
Much of the amusement in this cartoon was watching naughty Custard get one over Roobarb. There were some birds with amusing faces and bright plumage as well, and Roobarb had a shed which he hid in. It is always good to see this cartoon on TV re-runs - simple it may be but big on heart it definitely is.
Did you know
- TriviaThe animators used marker pens to draw each image, so the animation "wobbled".
- ConnectionsEdited into BBC Future Generations (1998)
Details
- Release date
- Country of origin
- Language
- Also known as
- Roobarb and Custard
- Production company
- See more company credits at IMDbPro
- Runtime5 minutes
- Color