IMDb RATING
6.1/10
6.7K
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After being evicted from his castle in Transylvania, Count Dracula and his assistant Renfield travel to New York to find a woman who the Count believes is the reincarnation of the woman he h... Read allAfter being evicted from his castle in Transylvania, Count Dracula and his assistant Renfield travel to New York to find a woman who the Count believes is the reincarnation of the woman he has loved for all eternity.After being evicted from his castle in Transylvania, Count Dracula and his assistant Renfield travel to New York to find a woman who the Count believes is the reincarnation of the woman he has loved for all eternity.
- Awards
- 3 wins & 4 nominations total
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I'm big on the older vampire films--Bela Lugosi, Frank Langella (although Gary Oldman was darned sexy). "Love at First Bite" was a brilliant spoof of the original Dracula. The update of Dracula in New York has been redone many times but not as well as this. Okay, it's a little dated with the disco vibe and the clothing, but George Hamilton's campy accent and deep Dracula gaze were perfect. The writer and George Hamilton had obviously studied the Bela Lugosi version carefully, and there are many references to famous lines, e.g., "I never drink...wine." Reviewers who knock this movie don't know the source material very well. Richard Benjamin, Artie Johnson, and Susan St. James were a great supporting cast.
Forced out of his Transylvanian castle by government officials, Count Vladimir Dracula and his bug-eating man-servant, Renfield, pull up stakes and land in New York City, where the bloodsucker begins his search for the fashion model he believes is his soulmate. "Love at First Bite" is a sassy, snorting romp, but it isn't crude; it has too big of a heart to be just another vampire spoof. Bram Stoker's infamous Count has been modernized (via the 1970s) as a die-hard romantic with a ticklish side (he amuses himself), and George Hamilton could not be better in the role. Whether seducing flaky sexpot Susan Saint James with some fancy moves on the dance-floor, matching wits with Richard Benjamin as a nutty psychiatrist (and Van Helsing relative!) or robbing a blood bank with Arte Johnson's Renfield in tow, Hamilton never gets pushy with his Dracula incarnation; he's working in a surprising, charming lower key and doesn't resort to hamming for laughs. The movie isn't especially well-produced--the color is gloppy, the continuity is spotty and the third act business is squashed together--but it has a sense of naughty (though not vulgar) playfulness that audiences responded to. Hamilton's obvious delight with this comic-book approach to Dracula is infectious, as well. His Count may not be street-smart or completely self-assured, but he's a flexible vampire, willing to adapt to the times. He's also loyal to the people he loves, and this gives the romance a groovy kick (when this vampire says "I love you," you knows he means it; he swoons a little himself when he says it). Hamilton revels in the fun, and he looks great in the cape. *** from ****
As a product of the 70's myself, I love this movie for the nostalgia. It is SO on target. The version they show on HBO still has the "Nightlife" song. The movie is a little hard on the Harlem stereotypes, but that is how NYC was in the 70's.
I love the cheesy special effects but they fit with the spoofiness/goofiness very well.
I also think Richard Benjamin really steals the show with "It's OK...I'm a doctor". Having Dick Shawn along for the ride doesn't hurt either. I smile just thinking about it. Artie Johnson is also an excellent Renfield. I recently saw the Coppola version of Dracula, and would take this movie over that one any time.
I love the cheesy special effects but they fit with the spoofiness/goofiness very well.
I also think Richard Benjamin really steals the show with "It's OK...I'm a doctor". Having Dick Shawn along for the ride doesn't hurt either. I smile just thinking about it. Artie Johnson is also an excellent Renfield. I recently saw the Coppola version of Dracula, and would take this movie over that one any time.
"Love at First Bite" is one of the goofiest movies ever made. That doesn't make it a bad movie though. I have to admit that I did laugh alot while watching this. George Hamilton is bloody good as a comedic Count Dracula who goes to New York City to find his true love, fashion model Susan Saint James. Richard Benjamin plays James' shrink who just happens to be related to the great vampire killer Dr. Van Helsing, and goes out of his way to try to stop her from seeing Count Dracula. These three actors generate laughs, but the funniest scenes are provided by Arte Johnson as Count Dracula's assistant Renfield. His obnoxious laugh throughout the film is hilarious. And wouldn't ya know, it features separate cameo appearances by The Jeffersons! "Love at First Bite" isn't the best comedy ever made, but if you want to watch some good dumb fun, this is it.
*** (out of four)
*** (out of four)
Quite incredible this was made the same year as ALIEN. Seems a couple of generations earlier - a real throwback to 50's and 60's "family" movies.
Totally watchable and entertaining flick (which is somewhat MORE than can be said for Hamilton's follow-up, ZORRO THE GAY BLADE). The strength of the film lies in its principals. Hamilton as suave and out-of-the-20th-century-loop Count Vladimir Dracula, Susan St James in what was inarguably her best screen role as NY super model Cindy Sondheim, and ever-funny Richard Benjamin as Dr Jeffrey Rosenberg..a distant relation of Dr Van Helsing no less!
Both are in love with Cindy who is torn every which way emotionally, even allowing for her understandable concern as to the restrictive life of a bat in general. The interplay between Hamilton and Benjamin is often priceless. The film never really aims to be anything more than what it is - a lightweight romantic comedy with bite, and this becomes it well. Particularly cheerful little ending which adds pep!
Always to be remembered for the disco sequence and I LOVE THE NIGHTLIFE which still conjures up for me so vividly those dance-floor scenes. No way a masterpiece - simply a film which holds very pleasant memories for many people I imagine!
Totally watchable and entertaining flick (which is somewhat MORE than can be said for Hamilton's follow-up, ZORRO THE GAY BLADE). The strength of the film lies in its principals. Hamilton as suave and out-of-the-20th-century-loop Count Vladimir Dracula, Susan St James in what was inarguably her best screen role as NY super model Cindy Sondheim, and ever-funny Richard Benjamin as Dr Jeffrey Rosenberg..a distant relation of Dr Van Helsing no less!
Both are in love with Cindy who is torn every which way emotionally, even allowing for her understandable concern as to the restrictive life of a bat in general. The interplay between Hamilton and Benjamin is often priceless. The film never really aims to be anything more than what it is - a lightweight romantic comedy with bite, and this becomes it well. Particularly cheerful little ending which adds pep!
Always to be remembered for the disco sequence and I LOVE THE NIGHTLIFE which still conjures up for me so vividly those dance-floor scenes. No way a masterpiece - simply a film which holds very pleasant memories for many people I imagine!
Did you know
- TriviaFor many years the picture was one of the highest-grossing independent films of all time.
- GoofsThe magazine the Count is reading in the first scene is shown in close up as "Pizazz", but in longer shots is "Ladies Home Journal."
- Quotes
[first lines]
Count Dracula: [cacophony of wolves howling broke out] Shh! Children of the night, shut up!
- Alternate versionsAlthough the song remained listed in the closing credits, most home video and DVD editions substituted a cover of "The Man That I Love" for the Alicia Bridges hit "I Love The Nightlife." The original audio remained intact for television airings and it was restored for the 2015 Shout Factory blu-ray release.
- SoundtracksFly by Night
Words and Music by Charles Bernstein, Joe Long, Steve Hines
Performed by Patricia Hodges
Produced by Joe Long and Robbie Adcock for Rolling Coaster Productions
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Details
Box office
- Gross US & Canada
- $43,885,000
- Gross worldwide
- $43,885,000
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