A criminal organization, headed by a kung fu master nicknamed the Golden Arm Kid, targets 200,000 gold taels being transported by a private security company, who's hired a few martial artist... Read allA criminal organization, headed by a kung fu master nicknamed the Golden Arm Kid, targets 200,000 gold taels being transported by a private security company, who's hired a few martial artists for protection, along with a drunkard sheriff.A criminal organization, headed by a kung fu master nicknamed the Golden Arm Kid, targets 200,000 gold taels being transported by a private security company, who's hired a few martial artists for protection, along with a drunkard sheriff.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
- Golden Arm Kid
- (as Mang Lo)
- Sheriff Hai To
- (as Kuo Chui)
- Chi Sha Fighter
- (as Chien-Ming Lu)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One of the shortcomings is also what makes it so powerful: It's a comic book style with a very simple storyline... on the surface. With characters like Brass Head (who gets killed off way to early!), Silver Spear, Iron Robe and the title character, there are very visual and easily digestible stereotypes to hook the young viewer. But on a more subtle lever there are sub- plots galore and of course lots of twists and intrigue woven into this chop-opera...
Compared to "Five Deadly Venoms", which on some levels is a more richer and stronger storyline, "Kid With The Golden Arm" is less dark and brooding. All of the actors seem to play similar characters in both but this one there is a charm to the ones here that still resonate with me to this day...
I totally recommend this if you like fantastical kung fu, especially in light of movies like "Crouching Tiger..." or "Shaolin Soccer..."
In terms of characterization and narrative, it is as simple as a series of confrontations but it still works very well as a plot because this is what the viewer is after and this is what is delivered. What plot there is does move along pretty well and keeps the characters busy, but it is the action and the characters that sell it. In terms of the use of the same actors I saw before, it is easy to see why this group are popular because they are very effective and engaging both in the action and in their performances. Meng Lo is imposing as the title character even if he seems very similar to his Toad. Kwok is a lot of fun with his character and also has a great closing line. Pai Wei and Helen Poon are a bit too po-faced for the rest of the film and their bits feel a little less fun as a result. Sheng Chiang, Feng Lu, Chien Sun and others are equally more in keeping with the action and fun and their deliveries are good. The fight sequences make the most of their skills too and there are many impressive combat sequences with great moves – the camera as ever sits back and we get good steady shots which show off the actor's skills (as opposed to frantic edits like you get in some Hollywood films, which are to hide the lack of skills!). The action is frantic and fun.
The Kid With the Golden Arms is not quite as good as Wu Du but it is still very enjoyable with lots of good performances from a strong cast and lots of engaging and well executed action sequences. I look forward to seeing the group in action again.
Fortunately, what director Chang Cheh's film lacks in plot development, it more than makes up for with awesome kung fu action, the film comprising of one expertly choreographed and flawlessly executed martial arts scene after another, with a wide variety of impressive weapon work, lots of breath-taking acrobatics, and a surprising amount of bright red gore (characters are regularly sliced and impaled). Philip Kwok, as drunken Agent Hai Tao, proves particularly impressive with his amazing athleticism and impeccable timing.
I was mildly surprised at the end and which was rather novel and refreshing. My only grouse is that the love interest isn't developed more. I would have loved to see a more concrete expression of development, but the portrayal in this film is probably more accurate of the period in which women were not expected to express feelings of love.
If you're a wuxia fan, you will probably add this to your collection as a comparison to modern wuxia. There are enough suspense in it to make it interesting too. Worth a watch.
Did you know
- TriviaAll entries contain spoilers
- GoofsWhen Iron Robe signals his distress flare (just before his fight with Hai Toh), fishing line can clearly be seen suspending the lit flare in mid-air.
- Quotes
Yin Chu: Golden Arm is as good as they say. With just his bare arms, he beat all of us. And if he had weapons...
Iron Feet Yang Hu Yun: Golden Arm never uses weapons. He claims he doesn't need them, and that using his bare arms is best. And, he's probably right.
- Alternate versions11 minutes of footage was removed for the international version. Some scenes were even re-ordered to make this cut. The recent remastered version is based on the uncut Hong Kong print.
- ConnectionsFeatured in Trailer Trauma Part 4: Television Trauma (2017)
Details
- Release date
- Country of origin
- Language
- Also known as
- Die fünf Kampfmaschinen der Shaolin
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 26m(86 min)
- Sound mix
- Aspect ratio
- 2.35 : 1