Nada, a beautiful French journalist stationed in New York, records the life and work of a promising punk rock star, Billy. She soon enters into a relationship with him and must decide whethe... Read allNada, a beautiful French journalist stationed in New York, records the life and work of a promising punk rock star, Billy. She soon enters into a relationship with him and must decide whether to continue with it or return to her lover.Nada, a beautiful French journalist stationed in New York, records the life and work of a promising punk rock star, Billy. She soon enters into a relationship with him and must decide whether to continue with it or return to her lover.
Robert Madero
- Harry
- (as Bob Madero)
Frank J. Butler
- Bobby's Father
- (as J. Frank Butler)
Marky Ramone
- Voidoids
- (as Mark Bell)
Walter Steding
- Violin Player
- (as Walter Steading)
Peter Beard
- Party Guest
- (uncredited)
Featured reviews
How does this have all the makings of what should have been an awesome 70s NYC punk time capsule and yet be so horribly dull ?
I love R Hell and the Voidoids. I am entranced with gritty 70s NYC, i like hot French chicks. But man this movie is a total snore fest. Its so...just..boring. Aside from the live performances of R. Hell (the acting performances are remarkably horrible) there is almost nothing to see here. Drab, dull diarrhea. I dont care what anyone says the sheer blandness of this affair over rides any cultural credibility it may have
I love R Hell and the Voidoids. I am entranced with gritty 70s NYC, i like hot French chicks. But man this movie is a total snore fest. Its so...just..boring. Aside from the live performances of R. Hell (the acting performances are remarkably horrible) there is almost nothing to see here. Drab, dull diarrhea. I dont care what anyone says the sheer blandness of this affair over rides any cultural credibility it may have
I was glad when it was over. It went surprisingly quickly for a dull film. Gives you scenes of a lovey-dovey/i'm leaving you romance between a new wave musician and his French TV documentary interviewer/filmer in New York. It has the atmosphere of the dreary New York streets. No particularly interesting characters save for the two leads, and another filmmaker girl. I personally like the music of Richard Hell and the Voidoids which is the band performing a few songs, staged right in the CBGB's club. Overall it's a dreary, blase' show; the lead character doesn't seem to really care about anything. The real-life character was a heroin user, but no mention of drugs is made. The last surprise at the end was the high-point.
..."Blank Generation" is at least worth a look if you enjoy Richard Hell's music. I love his stuff, personally, so the few live performances in the film are definite highlights. Other than that, it's a pretty boring love/hate story between Hell and French ex-Bond Girl Carole Bouquet (sp? oh well...).
Hell is no actor, and neither is anyone else in the movie. In fact, all the acting flat out sucks. One scene which actually shows a little promise is the one between Billy (Hell) and Nada (Bouquet) as they drive along in his car trying to decide what to do on a dreary New York Friday afternoon. After Billy changes his mind three or four times, Nada freaks out and throws him out of the car. That's about it. Even that scene is more comic than anything -- so if that was the intention, great, but if the director was trying to coax some drama out of the script there, well, he failed. Even Hell is almost cracking a smile during the scene.
Still... the live performances ("Liars Beware," "Blank Generation" and "Love Comes in Spurts") are hot stuff. Too bad there are only three live numbers in "Blank Generation", and a little snippet of Hell "recording" "New Pleasures" is sort of goofy, but cool. So unless you're a big Hell fan, or want to see the barely five minute long Andy Warhol interview sequence, skip it.
Hell is no actor, and neither is anyone else in the movie. In fact, all the acting flat out sucks. One scene which actually shows a little promise is the one between Billy (Hell) and Nada (Bouquet) as they drive along in his car trying to decide what to do on a dreary New York Friday afternoon. After Billy changes his mind three or four times, Nada freaks out and throws him out of the car. That's about it. Even that scene is more comic than anything -- so if that was the intention, great, but if the director was trying to coax some drama out of the script there, well, he failed. Even Hell is almost cracking a smile during the scene.
Still... the live performances ("Liars Beware," "Blank Generation" and "Love Comes in Spurts") are hot stuff. Too bad there are only three live numbers in "Blank Generation", and a little snippet of Hell "recording" "New Pleasures" is sort of goofy, but cool. So unless you're a big Hell fan, or want to see the barely five minute long Andy Warhol interview sequence, skip it.
How much you enjoy Blank Generation will depend on how big a fan of Richard Hell you are. If, like me, you think he was the coolest, most talented, most intelligent, and most charismatic 70s punk, then this movie is a must see! Hell does what he does best, being MR COOL, Carole Bouquet is stunningly beautiful, and Warhol puts in a brief but memorable appearance. To top it all off the film is full of the music of Hell and The Voidoids (Robert Quine, Ivan Julian and Mark Bell) who are really on fire. Their live performances are sensational and are worth watching this for alone. A forgotten punk classic.
Bad acting. Next to no script or plot. An uninteresting cameo from Warhol. Pretence turned up to 11. If you don't like the album this exploits, it's an expensive student film style disaster. I would sell it to you only on the condition you never press Play. It would have been interesting as a late 70s postcard of New York but it's shot so tight, that you see precious little of it. Abominable.
Did you know
- TriviaRichard Hell sensed a lot of resentment from director Ulli Lommel as the shoot went on due to Richard being the center of the film and having both Carole Bouquet and Suzanna Love's characters be his love interest and so, Lommel halfway through filming decided to write himself into the film and take some of the focus away from Richard and be Carole's love interest in the film.
- ConnectionsEdited into Ulli Lommel's Zodiac Killer (2005)
- How long is Blank Generation?Powered by Alexa
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