Mafu cage

This adaptation of a play by Eric Wesphal stars Lee Grant and Carol Kane. They're cast as sisters who live in an old mansion; Kane is clearly very disturbed and is also very childlike. She pitches fits when she doesn't get her way and also resorts to emotional blackmail. Grant has a very tough time playing nursemaid to her younger sibling, but had made a promise to their dying father that she always would take care of her. When Grants' co-worker (James Olson) expresses a romantic interest in her, the thought of a man coming between them drives Kane even further into insanity.

Kane always has been a unique and remarkable performer; "eccentric" would be a kind way to put it. This independent, now somewhat obscure feature showcases her to great effect. In fact, she's all too convincing, in a role that was improvised to an extent, and which requires her to work extensively with an orangutan named Budar. Grant is no less impressive, as the kind of character that naturally earns some sympathy. It can't be easy looking after someone like Kanes' character. (Although it must be said that leaving Kane to her devices at a crucial point was a disaster waiting to happen. This viewer realizes that it's an essential part of the plot, but still doesn't exactly ring true.)

A highly engaging Will Geer, as a character named Zom, and Olson provide fine support, but "The Mafu Cage" is first and foremost a vehicle for the two talented ladies at the centre. It's also decidedly unpleasant in its psychological approach (characters take turns being victimized in the title location), and it must be said that people who take exception to animals being mistreated on film (even if the scenes had to have been simulated somehow) will want to give this film a pass.

Notable assets are the production design / set decoration (the main room of the abode has an African jungle theme), and the striking, atmospheric score composed by Roger Kellaway. This was an interesting venture for the director, Karen Arthur, who made only a few feature films over the course of her career. It even touches upon such taboo subjects as incest. Overall, it's something unusual for seekers of cinematic curiosities.

Six out of 10.

I dunno, man. This movie's got weird vibes. Early on all I could think of was that famous Tumblr post about an H. P. Lovecraft convention and "WE DO NOT TALK ABOUT THE ORANGUTAN" -- but there's more going on here and it's still uncomfortable for a different reason.

Carol Kane plays a mentally detached woman named Cissy who comes back from Africa after her parents die. She and her sister inherit their parents gigantic mansion, including a room for "Mafu" -- a cage where Cissy keeps a pet monkey, her artistic muse. Unfortunately, Cissy is prone to fits of rage, and this is not the first "Mafu" she's had.

What a strangely unsettling movie. Carol Kane is kind of terrific. Unlike most of her comedies, where she's this sweetly unhinged force of chaos, here that tendency is flipped around into something legitimately scary. You're never quite sure which way she's going to turn. Same basic performance, but the tone is completely different.

But it's also a movie where, if you took Carol Kane out of it, there wouldn't be much to it. She's the movie. The director knows enough that the spotlight stays fixed on her.

Weird time. Did not expect the strange psycho-sexual stuff either. But I suppose that's common in horror.

While perusing the 50cent rental section at the local video store, I came across "The Mafu Cage." Reading the flipside of the box led me to believe that this would simply be a run-of-the-mill 70s horror flick. However, it was hardly that; And very perversely bizarre. Cissy falls into the depths of insanity and general crackness while living with her older sister after her ape/monkey researching father dies...

Riddled with tribal music, inferred incest and a living room converted to a jungle, I'd recommend "The Mafu Cage" to any who desire a high weirdness factor in their movies.

Nobody going to say a word about Carol Kane's extraordinary performance? She was working with a series of animals, and having to ad-lib her character continuously. An amazing job by this superb and often overlooked actor.

Regarding the film itself - boggle. It's been years since I saw it, but it blew me away at the time. Here's hoping some noble figure will step up and put it on DVD soon.

Certainly seems there was a golden age of psychological thriller-- and this one is more of a chair-gripper.

Some say uncomfortable, some say "what was the point?", some say, "The quality of the picture was lousy." I watched it as presented on New Castle After Dark, and they found a good copy of it, because the colors were lush and the scenes--meaning each room of a mansion--was very deep and ornate. An undertone of Edward Gorey on safari here, especially with the gloomy etchings one is treated to. Always cool when vintage movies have lots of art that someone had to actually create.

It is hard to escape the Baby Jane vibe, or for me the Grey Garden vibe... there was a lot to capitalize on there at that time. Rich people unfettered by a life of necessary routine and budget constraints: Think of how crazy you could go.

The cast is stellar - I would say no one underperforms, but that Carol Kane absolutely blows this thing up and out of this world with her portrayal of an utterly self-indulged psychopath with a preternatural understanding of African anthropology.

Others ask, how could they be doing this in an American neighborhood? But I think this might have been set below the border, because the old man says "Why don't you go up to Arizona for a week?" It would explain the brief flashes of a hilly, lush outdoor world - the old-timey looking convertibles - the tropical contents of the mansion.