Hurler de peur

Whenever I think of Hammer Horror, I think of bright colourful camp films; but Hammer also made a handful of black and white mysteries, and many of these stand up as some of their best films. Hysteria, Nightmare and Paranoiac are all very good films; but Seth Holt's Taste of Fear tops the lot! This suspenseful mystery draws the viewer in from the start and doesn't let go until the credits role. The film introduces the wheelchair bound character Penny Appleby; an amiable young girl who strives for independence in spite of her disability. The story picks up upon her return home to the French Riviera for the first time in ten years at the request of her father. Her nightmare starts when she begins seeing the corpse of her father at random places around the house and grounds of the place where she's staying. The friendly chauffeur Bob decides to help the girl get to the bottom of the mystery, but everything is turned upside down when it becomes obvious that nobody in the film is what they appear.

Initially, the film plays out like it's going to be quite predictable; and indeed, my prediction for what is going to happen actually does happen...but director Seth Holt doesn't show his hand too early, and there is a major twist at the end that I certainly didn't see coming. Director Seth Holt does a really good job with this film, as he gets good performances out of all his cast, the twists are well worked; and best of all, the atmosphere is scintillating! Holt continually imposes an oppressive air of foreboding over the film, and the creepy house provides a fantastic location for a film like this to take place. The film features a relatively small role for Hammer regular, Christopher Lee, who gets to don a silly accent while remaining mysterious. Lead actress Susan Strasberg is the pick of the cast, however, as aside from being stunning; she's not a bad actress either. The film works principally because it keeps the focus on the mystery, and this means that it retains its thriller intentions throughout. Overall, this might be a lesser known Hammer film; but it's not lesser in quality, and I wouldn't hesitate to name this as one of the best films the studio ever produced.

God bless the internet and god bless DVD. The reason I say that is because once hidden gems like this film are now being discovered by a bigger audience. Taste Of Fear (AKA:Scream Of Fear) is produced out of that bastion of British horror, Hammer Films, it's directed by Seth Holt (The Nanny), written by Jimmy Sangster (X:The Unknown/The Curse Of Frankenstein) and stars Susan Strasberg, Ronald Lewis, Ann Todd & that cornerstone of Hammer Horror, Christopher Lee.

Shot in moody black & white by Holt and cinematographer Douglas Slocombe, and eerily scored by Clifton Parker, the story sees a young paralysed woman return to her family home in France to visit her father who she hasn't seen for years; and to finally meet her new step-mother. Upon arrival she is informed that her father has had to go away on business, which becomes a problem as she starts to see his dead body, first in the summer house, then in the lounge! The mind can play tricks, especially to the traumatised, but she's convinced that what she is seeing is real. Even the family doctor (Lee in a suitably suspicious role) thinks there are mental issues here. Undaunted she enlists the help of friendly chauffeur Bob and sets about unravelling either her mind, or the mystery that lurks at the Appleby home.

The film opens with an attention grabbing sequence as police drag a lake for a body, from there on the film becomes essentially a four character piece. Now it's been said in some quarters that this structure telegraphs where the film is going to end up. There's a tiny bit of truth in that but there are at least three twisty kickers here to steer this far away from charges of predictability. In fact the finale has a double whammy that is most rewarding. The whole film pulses with atmosphere and is cloaked in shadows and low tone conversations. The sound work here is also top quality, the constant jabber of the crickets gnaw away at the ears, while the swish of the nearby sea instills a calm that ultimately sets up a false sense of security. The acting is on the money too, be it Strasberg perfectly conveying a multitude of emotions from her wheelchair, or Todd doing a nice line in the "too good to be true?" wholesome step-mom routine. All parties ensure that the story is built up right and that the pay off provides maximum impact.

Christopher Lee once said that this was one of the best Hammer Horror film's he was ever involved with, that's a fine selling point to be sure. A different kind of Hammer Horror, one that drips with dread and thrives on its mystery elements. Taste Of Fear is highly recommended to genre fans who prefer psychological chillers over blood letting and overkilled boo jump movies. 8/10

This is quite possibly the best of the Hammer films, it's labeled as 'horror', but is more of a classic psychological thriller. The plot revolves around Susan Strasberg's visit to her father's estate after a decade of estrangement. Her physical condition (in a wheelchair, unable to walk after a horseback riding accident) and the recent death of her long time companion set her up to be the 'perfect victim'.

Her step mother, Ann Todd, and the family chauffeur Ronald Lewis are oh-so accommodating and thoughtful, explaining that her father is out of town. But, Strasberg starts to see dead dad popping up all over, while Todd, Lewis, and family doctor Christopher Lee try to persuade her she's just stressed and overly-imaginative. Is she crazy? Are they gas-lighting her? Although the viewer will remain suspicious, we are wisely kept in the dark as to motives (of all the characters..) until the final twist. The black and white photography is really well done -moody, shadowy - and is probably as important as the characters which is not the usual Hammer screamer in intense shades of red.

Back in 1973 I had a Bell and Howell 16mm projector and used to hire films to show to family and others.

This film was one of them and I can remember it scaring people back then.

Yesterday I watched it again through a modern projector, as BBC 2 had shown it recently, and thought it was just as good now as back in 1973.

It benefits from being shot in black and white, the acting is very good from all the cast, and there are some scary moments, the swimming pool being an obvious one.

It is really good to see an old fashioned horror film with no over-the-top effects, just a genuinely chilling story, well worth waiting for it to be shown again as not sure if available on DVD or video.

I saw this movie with my brother when we were kids. It is absolutely stunning! I remember we have been so afraid about some scenes that it was hard to close the light in our room for sleeping. Some facts are revealed at the end of the movie which makes it fascinating too! A "must see" movie! Shame on the industries, cannot get it on DVD!