La vengeance des infirmes

... as it is sometimes called "The Return of the Five Deadly Venoms", this is vintage Shaw Brothers kung fu at it's finest.

Three men show up at a man's house to kill him, only he's not home, so they decide to chop off his wife's legs and hack off his small son's hands. Just then, the father returns home and calmly slaughters the three killers. Unfortunately, his wife perishes from her wounds, but the son survives, and the father sees to it that he is fitted with fully articulated metal hands. After training into adulthood, the son uses his metal-handed kung fu prowess to cripple the grown children of his mother's killers. And all this just in the first fifteen minutes! All of this training and revenge has left the father and son mean and violent. When a traveler makes an impolite comment, they blind him. When the local blacksmith dares speak out, they render him deaf and mute. When a passerby offers help, they chop off his feet! And finally, when a wandering hero promises to avenge these crimes, they defeat him, put his head in a vice, and give him brain damage! The four victims of the original victims band together and travel to a wise old kung fu master who trains them to overcome their handicaps and become The Crippled Avengers! Exciting, colorful and ludicrous in equal measure, this film actually manages to outdo it's more famous predecessor. Highly recommended to fans of the genre and bizarre-cinema buffs. This genre is definitely not up my film alley, but this one I enjoyed.

Sorry folks, but for me Crippled Avengers (AKA Return of the Five Deadly Venoms - named so probably for the marketing purposes alone, without any connections to the earlier film, except the director and the cast) was a let down, one of the glorified Shaw pictures I found less gripping than many others shaded by it's legend.

It doesn't take a genius to see that Chang Cheh just let it rip with the script and story instead of trying to make a point or create any menacing moods or great wallowing in traditional virtues (although there's a dose of loyalty, friendship and your regular good old heroism and self-sacrifice thrown in for a spice). The story must be one of the most cartoonish in Shaw history, excluding their pure fantasy adventures, and this time in a bad way.

Although in Kung Fu films, action is what mostly counts, I'd like to see some story development and good characters, and mostly there was neither. Even in my eyes the almighty Chen Kuan Tai is plain and hammy in the role of evil master Dao Tian Du. The sympathetic heroes do their best for what is given to them, which is not a lot, script-wise. And instead of a good story, we have a script that just routinely moves from set-piece to other, culminating in the final, mandatory and satisfactory revenge, and that's it, folks.

Then, after all the complaining and bashing, the good things. And of course, there's the acrobatic skills of the cast, being dizzying at best. There's also something compelling about the brashness of the film's most cartoonish fantasy elements, mainly the iron prosthetics that have unusual kill skills and hidden secrets. These add spice to otherwise routine script. And like mentioned earlier, the main cast do their best, especially Philip Kwok in the role of a blinded man, in my eyes definitely the best performance in the film.

Somehow I feel this movie owes it's status to the nostalgics who have seen it first time dubbed in English in the 70's in some grind-house or Chinatown theater. And I can't blame them for that, being a nostalgic in some matters myself. In my books, however, this is more of run-of-the-mill "Another Shaw production" as they called their flicks themself, with some unique spices added on. Entertaining, yes, but doesn't cut the custard like it's reputation lets you think it would.

This is my truth. What is yours?

"All in color, for a dime" - that's what comic books were said to offer in their "Golden Days", action and adventure impossible to perform in "real life", presented in a colorful, but inexpensive, format. Of course nowadays, comic books cost as much as movies, and actually more than "bargain basement" video, such as this re-release of the Shaw Bros. classic "Crippled Avengers".

As I write this, "The Fantastic Four" is going into national release; it is hard to believe that Marvel Comics publisher Stan Lee spent some 30 years trying to get that film made; and it will have cost millions of dollars; and it involves tons of computer-graphic effects; and it is being hyped "4 wall", as the ad-men say, i.e., in every possible media, as if it were the new "Gone With the Wind"; when, after all, it is only a childhood fantasy, however entertaining.

Fortunately, by the time he began making the "Venom" ensemble pictures, famed Hong Kong director Chang Cheh had learned to stop taking such films all that seriously. While the production values of this film are quite good for their day, Chang Cheh is not intent on making a classic here. He merely wants to make a colorful comic book of a movie suggested by Chinese folk legends, allowing the Venom actors (most of whom had actually trained in dance and acrobatics) a chance to show off their athletic talents. And just to be on the safe side, he placed at the center of the film Chen Tai Kwan, a classically trained martial artist who had also developed considerable skill as an actor. His presence adds credibility to what, after all, is itself a childhood fantasy.

For its kind, for its day, this is an exceptional bit of genre fluff; and one has to mention the creative charge brought to this film by a performance ensemble in its prime, and in which everyone is clearly having a great time providing their audience with a great time. This film is just dam' fun to watch, and more than once! One loves these characters, despite the occasional bit of ham, and I repeatedly find myself in awe at the acrobatics of the concluding fight sequence, even though I have seen similar, & more spectacular, feats performed live (i.e., w/o the aid of editing) at a circus. I suppose that's partly because the actors rely as little on the editing as possible, and the director insists on getting as much on film in single takes as possible, and wisely shoots the fights in full-shot, so we can watch these bodies move with as much grace as the actors can conjure. But it's also because all involved are asking their audience to set aside adult judgments on their performance and simply enjoy a well-rehearsed and directed bit of old-fashioned Chinese-style showmanship.

When people say "they don't make them like they used to", this is the kind of film they're talking about. A genre-defining moment in the history of "old-school" kung fu films, this film was frequently imitated, and never bettered.

From a completely martial arts stand point this movie rocks! The fight scenes are very very well done! The Chinese opera performers really did themselves credit.

As for the plot, well it is a typical kung fu theater movie, with the heroes battling incredible odds and adversity culminating in a good but rather short final battle

A must see for kung fu fans

The films of Chang Cheh form the archetype of the seventies-Kung-fu-flick experience. This film is often titled as "Return of the Five Deadly Venoms" but it's not really a sequel. The five actors who PLAYED the venoms return to work with Chang Cheh for this film. Although as a whole I think this film is inferior to the earlier "Venoms", the acrobatic kung-fu skills (especially the scenes where Philip Kwok and Chiang Sheng work together) are incredible. You can really see their chinese acrobatic training. Overall, the level of artistry in the fight choreography make this one of the classics of the Shaw Brothers Kung-fu genre.