Un autre homme, une autre chance

Became aware of this film a week ago, in a karaoke bar in - of all places - Tombstone, AZ. The movie was up on the widescreen TV, but the sound was turned off. Even so, the visuals had me focusing on the movie more than listening to the live music! First I'm seeing a war in Europe, then I'm seeing the American land races, back and forth, and well-known faces of James Caan, Genevieve Bujold, and dear old Richard Farnsworth. Even without sound, the tenderness of some scenes came through! Had to find out more about this film! So I jotted a few notes and looked it up by actors/together, and now that I have read more good reviews than bad, I will be putting it at the top of our rental list!

Frenchman and his wife come to Old West America circa 1870 in search of new lives for themselves, but he is soon killed and she becomes acquainted with a shy, gentle widower. US-French co-production from writer-director Claude Lelouch, who has keen eyes and stirs up an appropriately dusty, windswept scenario. Unfortunately, the film (in English, French and Spanish) is lumbering and overlong at 130mns. The casting of James Caan and Genevieve Bujold seems promising at the outset, but their characters generate little interest. Fascinatingly detailed, however, with beautiful cinematography by Stanley Cortez and Jacques Lefrançois, but a narrative that might've stood some tightening. ** from ****

James Caan is very believable and does a great job. But could there be any worse cinematography than this? Camera shots taken directly into the sun, then transitioning in and out of shadows-very amateurish.

This was not a stellar film, but life and films aren't always galactic experiences. If you want to go back and spend some light time in the 19th century American West and France this is a nice bit of time travel. I'm confused by the opening scene because it stands all alone and is never resolved. I would have expected a flash of light and a trip though a worm hole and an eventual return to modern times. But that would have been a different story, I suppose. Once back in time the story, ambiance, characters and storytelling style kept my attention nicely. Of course, I'm a fan of James Caan, and the chemistry between him and Geneviève Bujold was very touching and not overdone. In fact, nothing was overdone. It's just a good, understated love story.

Photographer Francis Huster convinces Genevieve Bujold to abandon their native Paris and make a new life in the American west. They get married on the wagon train and settle in a small but growing city; he is shot because of his incessant picture taking. Meanwhile, veterinarian James Caan has a nagging wife, who wants they to move from their ranch. She dies in childbirth.

Director Claude Lelouch is the most unabashedly romantic director since Frank Borzage. As a result, you keep wondering when Caan and Mlle Bujold are going to stop mourning and start living again. There's no sign of the ineluctable workings of fate here, just the chance of a rebirth in the New World, with Caan at his most masculine, and Mlle Bujold indescribably cute.

Veteran cinematographer Stanley Cortez has his last credit here, capturing, along with Jacques Lefrancois, Lelouch's wide-eyed view of the beauties and weirdnesses of the Old West.