Snowbeast

Good looking actors like Mimieux and Svenson and pretty scenery can only do so much to save a poorly written story. Snow Beast is a typical 1970s monster horror film and plays out like an over-long ancestral episode of the X-Files without any of the subplots that made that show tolerable. Of course it's about a yeti terrorizing a ski resort. But since the yeti itself (also a pretty good looking creature) only appears in the film for about 2 minutes scattered over the entire 86 minutes of the film, the resort is mostly inhabited by bad actors. Frankly, only Mimieux gives a performance worthy of recording, though Svenson seemed to at least be enjoying himself.

Svenson and Mimieux's characters are married, though seemingly becoming estranged because of Svenson deepening depression. Bob Logan plays a good friend of the couple who appears to be interested in Mimieux for reasons that go beyond friendship. Svenson's problem is that he regrets having given up skiing after winning five gold medals and becoming a champion. This sets up a subplot which is used to justify about 30 minutes of Corman-esquire scenes of people skiing. Svenson is a pretty poor skier for an ex-champion. The hunt for the yeti, which really couldn't justify more skiing scenes, instead explains why most of the last 15 minutes of the film consists of the principle cast riding around on snow mobiles. And lest I forget, Clint Walker shows up, playing himself in a County Sheriff's uniform and leads the snow-mobile brigade.

Like many "shockers" of the 70s, Snow Beast avoids an adequate special effects budget and an R rating (it's a TV movie) by not allowing the audience to see the beast itself or really, any of the horror scenes. You only see the beast when the actors do. And when they see it, they die, while you are only likely to experience narcolepsy.

It took me four nights to get through this one. I have read through some of the more enthusiastic reviews, and all I can say about them is that I am glad that diversity thrives here on IMDb.

SNOWBEAST is about the Rill Ski Lodge, its 50th anniversary celebration, and the huge, hairy monster that wrecks it all.

The wanton slaughter starts right away, leaving unwary skiers slumped on the slopes. Of course, lodge owner, Carrie Rill (Sylvia Sidney) won't entertain the idea of closing the place down. After all, what are a few deaths, when a winter carnival is at stake?

Enter Gar and Ellen Seberg (Bo Svenson and Yvette Mimieux). He's an 8 foot tall man in need of a job and a confidence boost, and she's his long-suffering wife. Can they put their soap opera marriage on hold long enough for Gar to help track the creature? When 9 foot tall Sheriff Paraday (Clint Walker) gets involved, it takes a while to convince him, and then the hunt is on.

As made-for-TV, killer Bigfoot movies go, this one's not too bad. It's also fairly talky, and has several lengthy shots of people just skiing along, like they're in a travelogue.

THE BEST PARTS ARE: #1- When the beast attacks the lodge, ruining the night for the winter carnival queen! #2- The monster's assault on the sheriff's camper! The yowling yeti unleashes an avalanche of -conveniently placed- logs that defy physics and all logic, by hopping into the camper sideways!

A frigid feast of furry fun!...

I loved Snowbeast when I first saw it. It could never be accused of being a great film but it is very good.

Some Sasquatch type creature is butchering people staying at a ski resort and no-one seems to be able to locate it or kill it. Throughout the movie it kills people and causes some carnage.

You don't actually get many glimpses of the monster. You will see a claw here or there but if memory serves me right, you actually only get split second glimpses of it's face at the end when it is cornered by the good guys. Of course, this doesn't spoil the movie; on the contrary, I think it helps that you don't see the monster every five minutes, it makes the whole thing more authentic. It's much better to hear a few growls here and there and to see the victims reactions.

I recommend Snowbeast to anyone. If you notice it on the TV, make sure you record it.

For a low budget, made-for-TV movie from 1977, this one packs quite a wallop. Sure, we never really get to see the monster and there is an abundance of non-professional extras on hand, but the lead performances (Bo Svenson, Yvette Mimieux and Clint Walker) are just fine. There are two very strong qualities which take this film into the recommendable range. One is the excellent location photography. Sure, the Colorado mountains are gorgeous, but the stedicam work around the slopes really add to the tension. Second is the musical score. It is just excellent, so far about the norm for a TV movie of the era. I don't have the composer credit at hand, but it's my guess that there was a connection between him and Joseph Stefano, who wrote the film and was a veteran of Outer Limits, also noted for its engaging musical score. Anyway, between the music and the swooping camera work, this film is often genuinely creepy, almost from the first few minutes. And bless her sweet soul, isn't Yvette gorgeous? She sure grew from the Time Machine into a beautiful woman. Final word: it's hard not to notice the plot similarity between this feature and Jaws. Made two years after the Spielberg classic, we're still dealing with a monster on the loose and a town that doesn't want to admit it for fear of losing tourist dollars. Maybe Jaws on the Slopes would be a good subtitle here.

As you have read Snowbeast is an awful yet endearing "Yeti" film with an all-(ex)star cast. The shockingly familiar "JAWSesque" plotline is quite at home on the slopes of Crested Butte complete with a washed-up Biathlete (that's the ski and shoot type not...you know), a doubting sheriff, a nervous ski-lodge operator, and the usual cadre of hapless and nameless victims... Oh, and a big guy in a fur suit with scary hands to play Bigfoot.

Other reviewers have mentioned the unintentional humor which abounds here. The script was written by Outer Limits' Joseph Stephano with Roger Patterson as consultant. Patterson is eminently qualified as he was responsible for that now famous shaky film of Sasquatch marching through the woods we've all seen too many times. Since Patterson's Bigfoot looks a lot more convincing than the one in Snowbeast he maybe should have been consulting with the make-up department. He seems to know a thing or two about dressing actors up as manbeasts. Stephano is a great TV writer in most cases. He pulled this off in a couple of days I would think.

While some B-movies are for the aficionados only this one is for everybody. Anyone of any age watching this will appreciate it's lack of merit and it's almost purposeful lack of sophistication. It's silly but fun and might make your next trip to a lonely ski slope a little tingly, if you could find a lonely ski slope anywhere in the country. If you want to see what they used to look like check out "Snowbeast."