Greased Lightning

..seeing as how there aren't that many to begin with.This is one of the best if not thee best! Partly due to the fact that it's based on a true story.The rest is due to the action/racing and the acting.I feel this is one of Richard Pryors best perfomances,by far.I don't think many people remember this movie due to this not by a Pryor type of comedy.It's more of an action/dramodey.

Anyway,this is a must see for the NASCAR fan.You'll get a real glimpse of vintage NASCAR racing from the early 60's to the early 70's.Not to mention Earl Hindman aka "Wilson" of T.V.'s "Home Improvement",minus the fence.There's also a snappy soundtrack/theme song provided by one of the movies stars,Ritchie Havens.I swear you'll be humming or singing this song for a few days after you see this film.

A good movie overall,I believe it was a sleeper in it's original release.Go,Wendell!!Go!!

Richard Pryor shows his versatility, in this story of a black moonshine runner who forces his way into the white-dominated professional racing circuit. I'm not sure how historically accurate it is, but the film drew me into the story, right off the bat. When they establish Pryor's character as a WWII veteran, that automatically buys some sympathy, and it's not hard to guess how hard it would have been for a black man to make his mark in the white-dominated south, let alone the white-ultra-dominated auto racing field. This particular aspect of racing, I think, still shows today in the incredibly-low percentage of black drivers in the major leagues of auto racing. I know it's not because African-Americans can't build or drive cars - I believe it's still because of the redneck image of pro stock-car racing.

Anyway, off my soapbox. This is a great movie. Pryor is very believable and turns in a fine performance as the protagonist. It's also great to see how the small local drivers started to build up the sport into the massive, ugly organization that is is, today. The film also kept my interest by showing the NASCAR races, year after year, showing their evolution and devolution.

I thoroughly enjoyed this film, front to back - of course, I'm kind of tilted towards car films. But the way the actors played out their characters in this film made them very human. I recommend this to any open-minded NASCAR fan. This'll show you where it came from.

If you're a race fan, you may not have heard of Wendell Scott. He was one of the most under rated race car drivers of all time, and for all of the wrong reasons. It really makes a person wonder how great he might have been if someone looked beyond the color of his skin.

This movie captures that struggle Wendell must of felt. This movie also shows what a great actor Richard Pryor really could have been if he was cast in more serious rolls, instead of just comedies. Sure there there was some humor in this movie, but nothing like his later movies. Richard and Clevon Little played well off of each other. Maybe this is why this movie is all but forgotten about because this movie is somewhat out of character for Richard. Sure, it is not completely an accurate account of Wendell's life, but it is one best movies Richard Pryor ever made.

So if you see it, don't expect a scream fest. But may I suggest that you see it just to see what a great actor, not comedian Richard Pryor was.

Wendell Scott (Richard Pryor) returns home from WWII. He marries Mary Jones (Pam Grier) and starts a taxi service. Eager for action, he joins Peewee (Cleavon Little) on moonshine runs with the excuse of needing money to buy a garage. They outwit and outpace the bumbling police under Sheriff Cotton (Vincent Gardenia). When he finally gets caught, the local race track owner forces him to race to get out of jail. He becomes popular with the black crowds as the first black racer. Hutch (Beau Bridges) is first a rival driver, then a friendly competitor, and finally his mechanic in NASCAR.

This is a biopic loosely based on his life. I remember something about the race he won but was denied at first. Otherwise, I have nothing to say about the accuracy. There are characters that feel a little stereotypical. Bridges is trying too hard. I like Pryor's performance for the most part but he can never be not Pryor. The racing action is fine but it's not the most thrilling. This is compelling history and it has a great actor stretching his skills.

I was going to rate this movie a 5/10 or lower based upon the start. It was so absurd.

Wendell Scott (Richard Pryor) was a moonshiner steadily running from the law. He was so good he would always get away from the local sheriff in Danville, Virginia. He was able to parlay his moonshining into NASCAR racing.

That's not the absurd part. What was absurd was that the police knew who he was, knew he was running liquor, yet, for whatever reason, they had to catch him in the act to arrest him. If they couldn't catch him in his car with the booze then they would have to let him go. It was like watching Dukes of Hazard.

But, because the way the movie wrapped up and, more importantly, because Wendell Scott was a real person--I couldn't give it a bad rating in good faith. Pryor, however ill-suited for the role, represented a real black man that really won in NASCAR in the 60's. That's powerful. So, even if the movie was overly dramatized, I have to respect them bringing Wendell Scott to the public.