User reviews

I was going to rate this movie a 5/10 or lower based upon the start. It was so absurd.

Wendell Scott (Richard Pryor) was a moonshiner steadily running from the law. He was so good he would always get away from the local sheriff in Danville, Virginia. He was able to parlay his moonshining into NASCAR racing.

That's not the absurd part. What was absurd was that the police knew who he was, knew he was running liquor, yet, for whatever reason, they had to catch him in the act to arrest him. If they couldn't catch him in his car with the booze then they would have to let him go. It was like watching Dukes of Hazard.

But, because the way the movie wrapped up and, more importantly, because Wendell Scott was a real person--I couldn't give it a bad rating in good faith. Pryor, however ill-suited for the role, represented a real black man that really won in NASCAR in the 60's. That's powerful. So, even if the movie was overly dramatized, I have to respect them bringing Wendell Scott to the public.

Richard Pryor shows his versatility, in this story of a black moonshine runner who forces his way into the white-dominated professional racing circuit. I'm not sure how historically accurate it is, but the film drew me into the story, right off the bat. When they establish Pryor's character as a WWII veteran, that automatically buys some sympathy, and it's not hard to guess how hard it would have been for a black man to make his mark in the white-dominated south, let alone the white-ultra-dominated auto racing field. This particular aspect of racing, I think, still shows today in the incredibly-low percentage of black drivers in the major leagues of auto racing. I know it's not because African-Americans can't build or drive cars - I believe it's still because of the redneck image of pro stock-car racing.

Anyway, off my soapbox. This is a great movie. Pryor is very believable and turns in a fine performance as the protagonist. It's also great to see how the small local drivers started to build up the sport into the massive, ugly organization that is is, today. The film also kept my interest by showing the NASCAR races, year after year, showing their evolution and devolution.

I thoroughly enjoyed this film, front to back - of course, I'm kind of tilted towards car films. But the way the actors played out their characters in this film made them very human. I recommend this to any open-minded NASCAR fan. This'll show you where it came from.

Wendell Scott (Richard Pryor) returns home from WWII. He marries Mary Jones (Pam Grier) and starts a taxi service. Eager for action, he joins Peewee (Cleavon Little) on moonshine runs with the excuse of needing money to buy a garage. They outwit and outpace the bumbling police under Sheriff Cotton (Vincent Gardenia). When he finally gets caught, the local race track owner forces him to race to get out of jail. He becomes popular with the black crowds as the first black racer. Hutch (Beau Bridges) is first a rival driver, then a friendly competitor, and finally his mechanic in NASCAR.

This is a biopic loosely based on his life. I remember something about the race he won but was denied at first. Otherwise, I have nothing to say about the accuracy. There are characters that feel a little stereotypical. Bridges is trying too hard. I like Pryor's performance for the most part but he can never be not Pryor. The racing action is fine but it's not the most thrilling. This is compelling history and it has a great actor stretching his skills.

..seeing as how there aren't that many to begin with.This is one of the best if not thee best! Partly due to the fact that it's based on a true story.The rest is due to the action/racing and the acting.I feel this is one of Richard Pryors best perfomances,by far.I don't think many people remember this movie due to this not by a Pryor type of comedy.It's more of an action/dramodey.

Anyway,this is a must see for the NASCAR fan.You'll get a real glimpse of vintage NASCAR racing from the early 60's to the early 70's.Not to mention Earl Hindman aka "Wilson" of T.V.'s "Home Improvement",minus the fence.There's also a snappy soundtrack/theme song provided by one of the movies stars,Ritchie Havens.I swear you'll be humming or singing this song for a few days after you see this film.

A good movie overall,I believe it was a sleeper in it's original release.Go,Wendell!!Go!!

I had never heard of Wendell Scott before I saw this film. This isn't surprising considering I am not a NASCAR fan nor was Scott all that successful a race car driver. But, he was the first black driver-- and he began racing in an era of extreme overt racism, and for that reason the film clearly deserved to be made...though it does seem to paint a false image of the man when it came to winning races. He was good but he just didn't win very often.

The casting in this movie is odd. After all, Richard Pryor plays Scott and this isn't a comedy. And, Pam Grier plays Scott's wife-- and this isn't an action or exploitation film. But regardless, the acting is fine, the story reasonably interesting and it's a nice little homage to the Jackie Robinson of NASCAR. Worth seeing but not the best or most exciting black American film of the era.

By the way, since the film was made in the 1970s and is about (mostly) the 1950s, you'll hear a ton of politically incorrect language. I appreciate that, as racism is ugly and I don't want to see it sanitized in the least!

Hey, Richard Pryor and Pam Grier, I'm in. I also loved the idea of a biopic on Wendell Scott, who broke the racial barrier in the sport of NASCAR in the South in the 1950's, a considerable feat given how conservative the racing world is generally, and the pervasive racism at the time. The film gets some elements of that struggle right - the brutal use of the N-word, the deliberate attempts to wipe him off the road, and race officials failing to announce him as the winner - but even so, it feels a little soft. The abrupt turnaround of racist-turned-bosom buddy (Beau Bridges) didn't seem authentic, among other things.

The film is also not helped by the lengthy preamble in which Scott runs moonshine past cartoon cops ala Smoky and the Bandit. I loved Pryor in a serious role, but it felt like filmmakers wanted to appeal to a wider audience by putting these silly elements in instead of his usual humor, which I think was a mistake. Pryor and Grier had great chemistry early on - you could sense real passion in those kisses in the front seat of the car - but Grier's character quickly gets relegated to the background, which was also unfortunate. It's only 96 minutes long but felt longer, because of how predictable and safe it all felt. However, despite my criticisms, for the film even being made, the visibility it gave this pioneer, and Pryor and Grier at this stage of their careers, it's worth seeing, and I rounded my review score up a bit.

If you're a race fan, you may not have heard of Wendell Scott. He was one of the most under rated race car drivers of all time, and for all of the wrong reasons. It really makes a person wonder how great he might have been if someone looked beyond the color of his skin.

This movie captures that struggle Wendell must of felt. This movie also shows what a great actor Richard Pryor really could have been if he was cast in more serious rolls, instead of just comedies. Sure there there was some humor in this movie, but nothing like his later movies. Richard and Clevon Little played well off of each other. Maybe this is why this movie is all but forgotten about because this movie is somewhat out of character for Richard. Sure, it is not completely an accurate account of Wendell's life, but it is one best movies Richard Pryor ever made.

So if you see it, don't expect a scream fest. But may I suggest that you see it just to see what a great actor, not comedian Richard Pryor was.

A little different sort of comedy for Pryor; not as raucous and vulgar. In fact, the last half was more of a drama than a comedy. Pretty much run of the mill biography of some racer I've never heard of; lots of fun car racing scenes - many of them the real thing. When the film ended I had to wonder if every southern racecar driver is a redneck racist idiot or if the picture overdid it just a tad.

This one has been a favorite of mine ever since I first watched it on cable in the late 70's. Richard Pryor is just perfect as Wendell Scott, the first black stock-car racing champion. The rest of the cast is great as well, all perfect in their roles. This is definitely a perfectly cast film!

The film itself is very decent but does have a few problems, most notably that once Wendell starts racing there seems to be too many large gaps in time, as if a lot of footage that has been left on the cutting room floor. But the script does move along well even with that problem.

I would think Pryor fans especially would pick this up on DVD if it ever got a proper release, in widescreen, some commentary, and with those obviously deleted scenes left behind. Hopefully this will be on DVD before some Hollywood clown remakes this with tons of computer effects crap and ruins the whole thing.

This movie showed the life of one mans adversity in a sport that he loved but not always loved him back. I had the great pleasure of meeting Wendell Scott at a car show in the 80's. He was a very kind hearted man that loved to meet and greet people. I have this movie on tape so that I can show my son when he grows up. It is a great story that every man of any race should see.

I was young when I first saw this movie , but since grown up with it . Everything about this Movie is great from Start to Finish . I recommend watching this movie .Especially if you are racing fan ..I would like to add one thing . One location of the filming was not listed in the credits. From the trailer of the movie , and into 1:42 seconds of the trailer their is a race scene. This was actually filmed in a little town in Byron Georgia at track Called Middle Georgia Speedway. I went to the abandoned track the other day , you can still see the props from were is was filmed. All the Actors worked so well together in this movie .And you could tell Time and patience was essential.

It's not often I get to see a movie that isn't 1) unbelievably complicated in psychological meaning OR 2) unbelievably complicated in futuristic technology SO

I found it GREAT ENTERTAINMENT, REFRESHING, POSITIVE, AND most of all CLEAN, HEALTHY FUN!

This is the best I've seen Richard Pryor star in, and the real life Horatio Alger story is a real force for success motivation, even though I am a WASP.

Only the jaded and/or mean spirited would turn this one down.

This movie showed that. Nothing can hold you down. Not even color. Wendell Scott showed what a person can do. When the backs and prejudiced are up against the wall. I'm so proud of him I dont know what to do. I can view this movie over and over again.

Greased Lightning (1977) is a movie I recently watched on HBOMAX. The storyline for this picture surrounds a moonshine driver in the 30s in southwest Virginia who is observed for his talents and recommended to join the local race tracks. He becomes one of the first ever local drivers to win a championship and then gets an invite to NASCAR where he becomes the first ever black NASCAR champ. He uses his success to better his family and neighborhood which surprises everyone due to his race...

This movie is directed by Michael Schultz (Cooley High) and stars Richard Pryor (Harlem Nights), Pam Grier (Coffy), Beau Bridges (The Fabulous Baker Boys), Cleavon Little (Vanishing Point), Bill Cobbs (Demolition Man) and Noble Willingham (The Howling).

This cast is absolutely awesome, Pryor and Grier were outstanding. The car race scenes and moon shine runs were very well done and Pryor's dialogue and comedy made me smile the entire film. I also loved the steak ordering sequence at the restaurant. Beau Bridges was a nice addition to the cast also. The triumphant nature of the main character's success was inspirational.

Overall this is a worthwhile movie that is an absolute must see. I would score this a very strong 7.5/10 and strongly recommend watching this once.

Whenever you think about influencial people in African-American sports history, you mostly think of Jackie Robinson, but during the Civil Rights movement of the late 1950's and early 1960's, a young racer from Danville, VA quietly broke NASCAR's color barrier and that was Wendell Scott. I think Richard Pryor did an excellent job of portraying Wendell Scott in this film and showed what is was like to race in the South at that time (1950's-1960's). This film shows that anyone can do anything, regardless of their ethnic background. The real Wendell Scott's racing career was cut short due to a serious accident during a race in Talladega, Alabama in 1973. Where would some of today's African-American racing drivers be if Wendell Scott did not open the door? A must-see for racing fans in general.

I knew nothing about the real life race car driver Wendell Scott before watching this film, so I was really interested to see what this movie would teach me about him. After watching it, I have to say the movie is very uneven. On the positive side, the movie does give the audience a good taste of the various struggles Scott must have gone through with his ambition to be the first black race car driver - we see racism both casual and more intense. As Scott, Richard Pryor does at first seem a little uneasy in a role that's more serious and less comic than usual, but he eventually finds his groove and for the rest of the movie delivers a pretty good performance, from showing joy to showing frustration.

On the other hand, the movie sometimes seems aimed at a more yahoo crowd than one that would more appreciate a dead serious examination of the legend, such as the treatment of Scott's time in the moonshine trade (plenty of yuk yuk comedy and car chases.) The screenplay also awkwardly and suddenly jumps ahead in time a number of years a few times, which leads to some unanswered questions. Supporting characters, such as those played by Pam Grier and Beau Bridges, don't get that much to do.

Despite flaws such as those, the movie is worth a look. While uneven, it's never a slog to sit through. And though you can tell Scott's real story was in many ways a lot different than what this movie claims, as I said it does give you a good taste of some of what Scott went through.

The true autobiographical story of Wendell Scott (Richard Pryor), the first African-American race car driver in the 1960s, struggles through with a strange production that just never really feels right for some reason. This is meant to be a drama and Pryor just does not feel right playing an important part like this. Pryor's rival/friend Beau Bridges and Pryor's wife Pam Grier also seem out-of-place in this strained picture that seems to be suffering an identity crisis. A lot of rough drama mixes with ho-hum race sequences and waning attempts at romance and comedy that end up being more detrimental than beneficial to the overall cohesiveness and effectiveness of the film. Fair, but really no flair. 2.5 out of 5 stars.