Hopeless American expatriates inhabit a small Spanish village where residents are mysteriously dying after the arrival of a religious cult.Hopeless American expatriates inhabit a small Spanish village where residents are mysteriously dying after the arrival of a religious cult.Hopeless American expatriates inhabit a small Spanish village where residents are mysteriously dying after the arrival of a religious cult.
Alibe Parsons
- Susannah
- (as Alibe)
Featured reviews
A bunch of burned-out, washed-up ex-pats live out their existence in a Spanish Coastal town, ignoring the natives and bitterly waiting for better days that never come. The locals practise weird rites and old crones walk the streets. Kids are found drowned or worse. Strange hippies descend on the town to seduce the ex-pats. There's barely and plot and the ending just raises more questions.
Dennis Hopper plays Chicken, a burned out drug addict with the manic personality of Dennis Hopper. Chicken keeps seeing his mother everywhere and has all sorts of crazy crap going on in his head. Carroll Baker plays a washed-up actress whom we first see having a pee into the sea after a drunken night out. She keeps waiting for a call to go back to Hollywood. Some other guy plays an ex-RAF officer waiting out his days getting drunk with his wife. Oh, and then there's the middle-aged gay guy firing out snide remarks left right and centre.
We get to see this lot living some sort of budget-level Fellini type lifestyle almost independent of the locals. The hippies seems to spark of some sort of killing spree by someone, but don't be fooled into thinking you're going to get any resolution from this one because while there are a few bloody murders, we never really get to find out who did them. Or why, for that matter. It's all very arty and surreal.
What makes it watchable is Dennis Hopper being insane and Carroll Baker trying to outdo him by being the same. In fact, I've never seen Baker more animated. She even lets out a blood curdling scream at a dinner table when she isn't the centre of attention. Her character is continually on the move while reminiscing about past times (she even relates an encounter which sounds exactly like something Harvey Weinstein would do!) while getting progressively more drunk and depressed.
What's it all about though? No idea. There's some gory deaths here (including a kid being crushed and a nasty impalement up the jacksy for one character) but...can't help with any explanations.
Dennis Hopper plays Chicken, a burned out drug addict with the manic personality of Dennis Hopper. Chicken keeps seeing his mother everywhere and has all sorts of crazy crap going on in his head. Carroll Baker plays a washed-up actress whom we first see having a pee into the sea after a drunken night out. She keeps waiting for a call to go back to Hollywood. Some other guy plays an ex-RAF officer waiting out his days getting drunk with his wife. Oh, and then there's the middle-aged gay guy firing out snide remarks left right and centre.
We get to see this lot living some sort of budget-level Fellini type lifestyle almost independent of the locals. The hippies seems to spark of some sort of killing spree by someone, but don't be fooled into thinking you're going to get any resolution from this one because while there are a few bloody murders, we never really get to find out who did them. Or why, for that matter. It's all very arty and surreal.
What makes it watchable is Dennis Hopper being insane and Carroll Baker trying to outdo him by being the same. In fact, I've never seen Baker more animated. She even lets out a blood curdling scream at a dinner table when she isn't the centre of attention. Her character is continually on the move while reminiscing about past times (she even relates an encounter which sounds exactly like something Harvey Weinstein would do!) while getting progressively more drunk and depressed.
What's it all about though? No idea. There's some gory deaths here (including a kid being crushed and a nasty impalement up the jacksy for one character) but...can't help with any explanations.
This bizarro cult thriller has a bunch of languid American expatriates dwelling in a dreary Spanish village on the sea. Among them are a hippie junkie with mommy issues (Dennis Hopper), a has-been Hollywood glamour queen (Carroll Baker), and a jaded gay man (Win Wells). The presence of a religious cult infiltrating the community has dire consequences as the American outcasts meet their individual demons.
"Bloodbath," also known as "The Sky is Falling" and "The Flowers of Vice," is, in a word, obscure— it's been rarely seen in North America, and is often quietly shuffled in with all of the really odd career choices Dennis Hopper made in the late seventies/early eighties in a substance abuse stupor. While this is a fair categorization, what's not fair is that this film deserves an audience that has no reasonable access to it.
For fans of bizarre, surrealist thrillers and horror films from the bygone acid era of the sixties and seventies, "Bloodbath" is quite an experience. Narrative cohesion here takes a backseat, while the individual stories of these characters weave in and out of fantasy and consciousness. While on one hand we have a sort of surrealist thriller, or even a giallo, we also very much have a tragedy, and that's one of the more interesting things about the film. Remnants of American culture are tormented by their own failures, and their successes. The fluid unspooling of the narrative framed in the context of the religious cult festival is strangely sublime.
Dennis Hopper plays up his role as the drugged-out hippie tormented by his upbringing; Carroll Baker, who oddly enough co-starred with Hopper in 1956's "Giant" alongside Hollywood royalty Elizabeth Taylor, Rock Hudson, and James Dean, arguably outshines him, and is fantastic in the role of a forgotten Hollywood starlet; the role is half-truth for Baker herself, and she uses this to her advantage. The fact that these two wound up together in such a production so many years later, both ostracized from the industry, would be a weird twist of fate in any other film, but it's almost an inverse normalcy here.
Overall, "Bloodbath" is a strangely eerie and thoroughly bizarre endeavor. It is a film that admittedly has a limited audience, but it is a pleasantly befuddling ninety minutes, and is prime viewing for anyone who has an affinity for some of the seventies' weirdest offerings, complete with child sacrifice, drugs, and tragic beauty queens. Definitely an "out there" flick, but for fans of bizarro thrillers, it's definitely worth seeking out. 7/10.
"Bloodbath," also known as "The Sky is Falling" and "The Flowers of Vice," is, in a word, obscure— it's been rarely seen in North America, and is often quietly shuffled in with all of the really odd career choices Dennis Hopper made in the late seventies/early eighties in a substance abuse stupor. While this is a fair categorization, what's not fair is that this film deserves an audience that has no reasonable access to it.
For fans of bizarre, surrealist thrillers and horror films from the bygone acid era of the sixties and seventies, "Bloodbath" is quite an experience. Narrative cohesion here takes a backseat, while the individual stories of these characters weave in and out of fantasy and consciousness. While on one hand we have a sort of surrealist thriller, or even a giallo, we also very much have a tragedy, and that's one of the more interesting things about the film. Remnants of American culture are tormented by their own failures, and their successes. The fluid unspooling of the narrative framed in the context of the religious cult festival is strangely sublime.
Dennis Hopper plays up his role as the drugged-out hippie tormented by his upbringing; Carroll Baker, who oddly enough co-starred with Hopper in 1956's "Giant" alongside Hollywood royalty Elizabeth Taylor, Rock Hudson, and James Dean, arguably outshines him, and is fantastic in the role of a forgotten Hollywood starlet; the role is half-truth for Baker herself, and she uses this to her advantage. The fact that these two wound up together in such a production so many years later, both ostracized from the industry, would be a weird twist of fate in any other film, but it's almost an inverse normalcy here.
Overall, "Bloodbath" is a strangely eerie and thoroughly bizarre endeavor. It is a film that admittedly has a limited audience, but it is a pleasantly befuddling ninety minutes, and is prime viewing for anyone who has an affinity for some of the seventies' weirdest offerings, complete with child sacrifice, drugs, and tragic beauty queens. Definitely an "out there" flick, but for fans of bizarro thrillers, it's definitely worth seeking out. 7/10.
I was in Spain when this was filmed with my family. The film was shot in the town of Mojacar in the early 1970's. I met most of the actors and knew Silvio Narizzano and his partner Winn Wells personally since they lived down the street from our home. My parents owned a bar/restaurant called El Saloon and all the actors spent a great deal of time in their establishment during filming. My brother was cast as the mentally challenged child who was stomped to death in the plaza as a woman looked on from a balcony.
I clearly remember the shot, however I have never seen the movie as I was quite young at the time. I would like to obtain the movie (dvd, video). If anyway can tell me where to purchase that would be great.
Thank you.
I clearly remember the shot, however I have never seen the movie as I was quite young at the time. I would like to obtain the movie (dvd, video). If anyway can tell me where to purchase that would be great.
Thank you.
A junky (Dennis Hopper), a retired Hollywood actress (Carroll Baker) and several other misfits live in a run down Spanish village. Suddenly they begin turning up dead! A strange and violent film, almost like an Italian "giallo" as if it were directed by Andy Warhol! I dug it!
A bunch of jaded Anglo-Americans are hanging around a dusty, seaside rural Spanish village for some reason. There is a religious festival going on, but the self-absorbed characters are oblivious (and equally oblivious to the daily tragedies happening around them like a child in a well or a retarded youth being trampled during a parade). Each of these tourists hooks up with a local object of sexual attraction. The washed-up expatriate American glamour actress (well played by washed-up, expatriate American glamour actress Carroll Baker) goes off with a young white "muscle man". Her camp gay friend finds an African-American stud. A British WWII vet ditches his drunken, embittered wife for a young Asian-looking girl. And a junkie played by Dennis Hopper gets together with a young blonde Spanish girl (Inma DeSantis).
This Spanish-Italian co-production could be considered a giallo I guess as the characters all meet their comeuppance in what (sometimes) appears to be foul play, but who is killing them or why is kind of beside the point. It's kind of just instant karma or the "flowers of vice" (as this is called in Spanish) coming to fruit. This movie kind of reminded me of Alberto Cavallone's deranged surrealistic masterpiece "Man, Woman, and Beast" (which was also set during a rural religious festival) or one of those late 60's/early 70's drugged-out "head" movies like Dennis Hopper's own "The Last Movie" where the people behind the camera were no doubt consuming more pharmaceuticals than the people on screen.
Carroll Baker is surprisingly good (even if her role here is obviously not much of a stretch) and Dennis Hopper could always do this kind of stuff pretty well no matter what substance was in his bloodstream. It's also nice to see the ethereally pretty Spanish actress Inma DeSantis, even if she got rewarded for her presence here by getting to do a long, nude sex scene with a VERY sweaty, pre-detox Hopper (who French kisses a cough drop out of her mouth in a scene that is either very erotic or very disgusting, I'm not quite sure). This is a very strange movie, but I actually kinda liked it
This Spanish-Italian co-production could be considered a giallo I guess as the characters all meet their comeuppance in what (sometimes) appears to be foul play, but who is killing them or why is kind of beside the point. It's kind of just instant karma or the "flowers of vice" (as this is called in Spanish) coming to fruit. This movie kind of reminded me of Alberto Cavallone's deranged surrealistic masterpiece "Man, Woman, and Beast" (which was also set during a rural religious festival) or one of those late 60's/early 70's drugged-out "head" movies like Dennis Hopper's own "The Last Movie" where the people behind the camera were no doubt consuming more pharmaceuticals than the people on screen.
Carroll Baker is surprisingly good (even if her role here is obviously not much of a stretch) and Dennis Hopper could always do this kind of stuff pretty well no matter what substance was in his bloodstream. It's also nice to see the ethereally pretty Spanish actress Inma DeSantis, even if she got rewarded for her presence here by getting to do a long, nude sex scene with a VERY sweaty, pre-detox Hopper (who French kisses a cough drop out of her mouth in a scene that is either very erotic or very disgusting, I'm not quite sure). This is a very strange movie, but I actually kinda liked it
Did you know
- Crazy creditsIntroductory epigram, immediately following opening titles: But I do nothing upon myself...and yet I am mine own Executioner--John Donne
- ConnectionsFeatured in Cruel, Usual, Necessary: The Passion of Silvio Narizzano (2024)
- SoundtracksNatural Me
by Georgann Rea and Marian Montgomery
- How long is Bloodbath?Powered by Alexa
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