Enigma rosso

Alberto Negrin's "Enigma Rosso" (aka. "Rings Of Fear"/"Virgin Killer") of 1978 is a sleazy and entertaining, but overall not too memorable Giallo effort that was co-written by the great Massimo Dallamano. And the film does indeed bear Dallamano's handwriting as the theme is quite similar to Dallamano's directorial works, "Cosa Avete Fatto A Solange" and "La Polizia Chiede Aiuto", only that this film can not nearly reach the brilliance of the aforementioned films. "Cosa Avete Fatto A Solange" (aka. "What Have You Done To Solange") of 1972 is a masterpiece that easily ranks among the greatest Gialli ever made, and while "La Polizia Chiede Aiuto" (aka. What Have They Done To Our Daughters" of 1974 is not quite as brilliant a film it is nonetheless a great mixture of Giallo and Poliziottesco that no fan of Italian genre cinema could afford to miss. "Enigma Rosso" also follows the 'crazy ripper targets naughty schoolgirls' premise, but with a lot less style and imagination this time. Nonehteless, "Enigma Rosso" is an entertaining film which is recommendable to Giallo-buffs exclusively for its sleaziness.

When the mutilated body of a teenage schoolgirl is found, homicide detective Gianni Di Salvo (Fabio Testi) begins to investigate in the girl's posh boarding school, and finds out there are lots of sleazy things going on... Fabio Testi is well cast as the rough and tough, but overall kind-hearted copper. Testi always delivers solid performances (his doubtlessly greatest film being "Cosa Avete Fatto A Solange") and he fits very well in his role here. Apart from Testi, the cast also includes Christine Kaufmann ("The Last Days Of Pompeii") and Jack Taylor, who is probably best known among my fellow Exploitation buffs as a regular in the films of Jess Franco. Some of the female cast members are very beautiful, and they all tend to get naked on every possible occasion. This, and a range of perversions make the film recommendable to all the lovers of the sleazier Gialli out there. The murders are not as nasty as I thought, they'd be, but not too tame either. There is also a 'funny' (and somewhat silly) subplot about the inspector and his sexy girlfriend (played by beautiful Christine Kaufmann) who happens to be a kleptomaniac. The score by Riz Ortolani is more than decent, but not one of his best, and neither highly memorable for Giallo standards. The photography is very good. Overall, "Enigma Rosso" is recommendable enough to my fellow Giallo-fans, but it is by no means a must-see. The film definitely entertains, but I strongly recommend to see "La Polizia Chiede Aiuto" and especially "Cosa Avete Fatto A Solange" before this one. One more aspect that deserves to be mentioned about this one: "Enigma Rosso" includes the arguably coolest jeans advertisement poster ever seen on film.

This rather obscure giallo is relatively tame in terms of gore, but gets its creepiness from certain plot elements, like the young age of some important characters. The plot has too many suspects to keep track of and is difficult to follow at times, but that's not surprising considering that SIX (!) people worked on the script. Add some high-grade nudity from some VERY beautiful schoolgirls, a bizarre method of interrogation (choking the suspect while on a wild roller-coaster ride!), and a perfectly functional Fabio Testi performance in the lead and you have an uneven but creepy giallo. Too bad I only saw a badly cropped version of it, called "Trauma". (**1/2)

I like giallos a lot, and this one was pretty good, but in some ways it could have been better. I still need to see "What Have They Done To Your Daughters" and "What Have They Done To Solange", as I've heard those two entries are a lot better than this concluding entry, which is also known as "Trauma", "Rings of Fear", and "Virgin Terror". It starts out pretty good, with the mutilated body of a teen girl named Angelo being discovered, and Inspector Di Salvo (Fabio Testi) is assigned to find her killer, before he "carves up someone else". Basically, it goes on with him questioning Angelo's friends and family and finding strange clues, such as a diary, a strange cat sketch, a lot of money, as well as many secrets kept hidden by Angelo's friends, a bunch of slutty schoolgirls named Franca, Paola, and Virginia, who call themselves the inseparables. Di Salvo does more digging and recovers many more strange things. There is a funky groovy score by Riz Ortolani, lots of red herrings, good acting, and a fun first half, but then the second half of the film kind of falls apart. The motives of the killer(s) are confused and come off as kind of laughable. Then, there are a few more strange events that lead up to a conclusion that leaves you uttering one single word: "What?". It is basically confusing. I had to rewind the last fifteen or twenty minutes and watch it again. Overall, if you're a hardcore giallo fan, go for it...but for others, you may just be bored. Hopefully the other entries in the series are better than this one!

Co-written by Massimo Dallamano, this is the third film in the thematic 'schoolgirls in peril' trilogy. The first two films – What Have You Done to Solange and What Have They Done to Your Daughters – were directed by Dallamano himself and are among the upper bracket of the giallo sub-genre as a whole. Trauma, on the other hand, was only co-written by Dallamano, its director was the much less known Alberto Negrin. It would only be fair to say that it's clearly the least essential entry of the three. However, as is the way with most gialli, it's still pretty involving and entertaining.

The story follows a detective who is investigating the rape and murder of a young girl. On the back of this other murders start. This is one of those gialli that is quite heavy on the police procedural side of things, with less emphasis on the various shady characters on the periphery of the story. It more or less gets away with this as Fabio Testi - who plays the cop - is a good presence. The movie overall lacks the sense of style and tight plotting of the first two films but it ramps up the sleaze factor with extended shower scenes and a sex-party that incorporates the use of a somewhat prominent dildo. Of course, the very fact that the young ladies in this are members of a girl school merely adds to the overall shadiness! The murder-mystery is certainly good enough, although admittedly by-the-numbers for this sort of movie. Perhaps surprisingly, the violence has been played down somewhat. Murder scenes are often very important in gialli but in this instance they aren't memorable at all and certainly not graphic in any way. It's more focused on the mystery and this is eventually wrapped up in a slightly unpredictable way it has to be said and for that it does receive plus points. Additionally, Riz Ortolani's soundtrack is once again very good and adds a lot to accentuate the suspense.

I purchased the German DVD released by Eyecatcher Movies. The picture quality is decent (in terms of sharpness, grain, color, etc.) but it is cropped (moreso on 4x3 TVs).

It was released in Germany in 2008 by Eyecatcher Movies and/or New Entertainment as "Orgie des Todes / Enigma Rosso." The disc has German, English and Spanish audio (DD 2.0 - mono/stereo?) and German subtitles. It may be uncut, as the box lists 84 minutes. I don't know many details about PAL/NTSC conversion, but know that PAL running times are slightly longer when played in NTSC.

The case SAYS that it is 2.35:1 anamorphic widescreen. It is not. It is cropped to 1.85:1 or maybe even 1.66:1. You get better compositions and picture info than the mid-80s Wizard Video release, but when you can't read all of the opening titles, you know it is still cropped. But it sure beats a full-screen transfer of a 2.35:1 film, which is all that I had seen until I got this disc.

*My ratings score (5) was for the DVD transfer/quality rather than the film, which I like more than a "5."

*** I was watching it (when I wrote this) on a "regular" TV. The aspect ratio appears closer to 2.35:1 on a widescreen TV, but there IS some cropping which can be seen in the opening credits (words extending beyond screen).***