Megavixens

With no expectations of what to expect but being roughly familiar with the type of work from director Russ Meyers and knowing the type of artwork. It is relatively a silly over the top overly sexual comedy of sorts. The plot is quite bizarre and muddled with somewhat different subplots but the main theme seems to be random. Lead by Raven De La Croix showcasing as what we would expect with the other supporting women shedding as well.

Yet to further narrate, with keeping track of the plot, we have the Greek Chorus (Kitten Natividad fully nude). As well as a twist somewhat where near the end of the movie, Croix discovers who the murderer is. However, that's not as important as one would think, since this movie is not murder mystery and we have already forgotten. The film is simply a showcase for the women to undress with brief subtle far distant camera shots of explicit scenes.

Russ Meyer makes his films, when they're at their best or most brilliantly deranged, like the dream of some sexually charged sixteen year old who's seen his share of pornos and 70's era exploitation films. They're crazy visions of women with (usually) nothing lower than 36-C cups, men with third legs (wink wink, nudge nudge, say no more), and enough fornication to blow the head gasket of any puritan viewer. That being said, Meyer isn't exactly a real porno director. He makes sex films in the same way that Robert Rodriguez makes wild action or horror or kids films: as a do-it-yourself-auteur (i.e. writes, directs, produces, edits, DP's, even camera operates), he's all about getting a pulpy sensibility of what would otherwise be typical trashy material. Meyer also is gifted with a wonderfully cringe-worthy sense of humor. To give just a brief example- and maybe as one of the quintessential scenes in any exploitation flick- the scene where two completely naked women, one Eva Braun Jr with a knife and screaming maniacally about the fall of Nazism and the plight of his 'father', run after one another trying to kill each other in the woods.

So Up! is in another in a whole body of works where Meyer turns the conventions of the usual in movie-making, like a kooky member of National Lampoon, but at the same time I'm not sure it's one of his very best. It's a little scatter-shot in the story, if there is one closely to even follow with the Greek Chrous (Kitten Navidad) where in every time whatever semblance of a story is taking shape we're led off by this narrator and Meyers's editing which takes us into a strange loop of sequencing of events and images (which in and of themselves are good, but distracting). But when Up! does click, it works very well. Mostly this involves the early scenes with Adolph Schwartz (ho-ho), who gets masochistic sex from a dominatrix and a man with a huge thing, and then gets killed mysteriously in his bathtub. Then we're thrust into some backwoods group, including a shifty but well-intentioned sheriff (Monty Bane), a big, uproarious homunculus in Rafe (Bob Schott), and of course Meyer's 'harem' of girls.

It's fun, in all basic intentions, to see these girls have fun and go into exuberant glee doing their scenes, as opposed to the more degrading XXX features that get pretty boring after a while. This is where the dream facet comes in, where everything is just so surreal (the frolicking sex out in the open, wherever it is, the Nazi stuff right out of a typical exploitation flick from Europe, the double-climax that combines sex AND violence), that you just have to go along for the ride and laugh with all the craziness. What helps is Meyer's great cinematic eye- yes, great- as he shoots and edits as though every image has to be just next to perfect. While the actual content is sometimes all over the place, like with Rafe's rape scenes, where he turns into a true drunken gorilla, the actual quality of the film-making is nearly flawless. Which is to Meyers's credit, as what is in Up! could be the makings of a much more lewd and crude effort.

Hard to find (had to look deep on line) and not without little dips in real strength in the comedy, Up! demonstrates some great Meyers' product: beautiful, voluptuous, and mostly funny women (loved the one woman who's voice sounded out of femme fatale noir), total horn-dogs and beasts in men, and a bit of vicious satire to boot. More beer!

Never before has a porn movie made sex seem so ridiculous. Up!'s over-the-top irony cuts so deep that it does not merely satirize itself nor does it stop at its genre: Up! makes sex itself seem so absurd that, after seeing this movie, one wonders why anyone's interested in it at all. The many positive sex scenes in the movie are not shot as porn so much as parodies of the notion of sex as bliss (note the quick cut aways and the scene changes (mostly in beautiful natural spots), creating a sense of hours of lapsed time while preventing any build-up of erotic aura). The many negative sex scenes in the movie never grant any empathy to the rapists, never provide any glimpse of pleasure in the rapists, and always include the victimized avenging themselves, thereby rejecting pornographic rape fantasies and demanding that the viewer do so as well (if s/he hasn't done that already) (note: this actually makes the rape scenes easier viewing than, say, the one in Boy's Don't Cry, which - ironically - is probably more exploitative).

Obviously, the movie is not easy to take. Watching it, I was full of wonder but can't say that it was enjoyable or even consistently funny. Compared to Beyond The Valley of the Dolls, this is much more sex-centered and much less of a movie. Once again, though sex-centered, the movie is not really porn in that it makes no attempt to be sexy, instead portraying sex and the culture surrounding it (porn, sexual politics, and Moral Majority-style opposition) as possibly the greatest farce of contemporary Western culture. Highly recommended for people with extremely open minds who are interested in seeing a destruction of auratic sex. For people interested in a good laugh or a good movie, you probably would want to check out something else. For people with any no-go areas, you should probably forget about this movie altogether.

Up! (1976)

*** (out of 4)

Insane Russ Meyer flick written by Roger Ebert. A dictator (a Hitler spoof) is assassinated but who did it? That's pretty much the storyline for this film because the other 79-minutes are nothing but sex, big boobs, lumberjacks, more sex, lesbians, a fake penis and more wild and kinky sex. Pretty much everything that could possibly happen sex wise is thrown into this thing including three different rapes, which makes me wonder why Ebert went out of his way to try and get certain films banned due to their "treatment of women". The lack of plot really helps matters because in the end this is a very fun film full of laughs but it's mostly the outrageous sex scenes that make it so memorable.

I love Russ Meyer movies! It's really difficult to explain the appeal of them to those that are unfamiliar with his work. Best thing is to watch one yourself, and Up! is as good a starting place as any.

Prepare to enter a world like no other! Full of women - good ones, "bad" ones, powerful ones. Women who are IN CONTROL. The plot here doesn't really matter. It's a kinda murder mystery involving the death of a pervert who may or may not be Hitler. That's really just an excuse for a slew of scenes like none you've ever seen, and dialogue (co-written by Roger Ebert!) that continually astounds.

Kitten Natividad makes her mark as "the Greek Chorus" but the real star here is Raven De La Croix (as Margo Winchester) who is the most stunning women to ever grace a Meyer flick. You've got to see her to believe her! Raven (according to her web site "psychic counselor to individual members of the Hells Angels Worldwide") energizes the movie everytime she is on screen, but is especially unforgettable in a water fight sequence with Janet Wood which surely must be one of the high points of exploitation cinema!

So, sit back, relax, and prepare to be astonished by Up! Your world will never be the same again!