Sherlock Holmes in New York

This movie created an interesting side to Sherlock Holmes - a more "human" side that I haven't seen before. Although the character of Dr. Watson was a bit weak, I truly liked Roger Moore as Holmes!! A bit more "appeal" then some of the old actors that have portrayed this character.

Agreeable and charming Holmes film with continuous suspense and intrigue . The motion picture sparkles with polish and wit and the ending results to be as exciting as moving and being decently directed by Boris Sagal . This is a nice tribute to Sir Arthur Conan Doyle , it is a stylish original Sherlock movie that has the sleuth rushing to America after the villainous scoundrel executes a twisted plot . It stars in Victoria Docks , London , on the 19th of March 1901 , where the uniquitous professor James Moriarty (John Huston was cast as Professor Moriarty after Oliver Reed passed on the role) , ruler of England's underworld and veritable emperor of international crime maintains his secret and impenetrable headquarter , there he meets Holmes with threats each other . After that , 221 B, Baker Street , London , on the 22nd of March 1901 , where Mr Sherlock (Roger Moore) , the world's first consulting detective and his companion and chronicler , John Watson (Patrick McNee) , M.D. maintain modest lodgings . Later on , 1901 , the 31st of March , in New York where the rest of this adventure takes place , there Moriarty has carried out the ultimate bank robbery , as he has imperiled the world's gold supply . Meanwhile, calculating Holmes enjoys a blossoming romance with Irene Adler (Charlotte Rampling) , his old flame . Then Adler becomes the target of a kidnap and Moriarty is threatening Holmes's long time love . Sherlock sets out in pursuit Moriarty and he goes to help his old flame from long time ago .

Another film about Sherlock filled with intrigues , suspense and action but this time is added a new ingredient : romanticism . In this mystery we find the famous calculator sleuth confronting his arch-enemy Moriarty and he pursues him to New York . Holmes excursion brings the famed Victorian sleuth towards N.Y. , as Holmes along Watson will solve unanswered mysteries and Sherlock undergoes some risked experiences to resolve the cases using even his habitual disguise . This is a nice Holmes film with gripping London and N.Y.C. setting . A genuine ripping yarn and very intriguing . The movie blends suspense , thriller , detective action , cloak and dagger , mystery and being enough interesting . It packs an exciting amount of surprises with great lots of entertainment . This is a classy and effective romp with a strong cast . Roger Moore as whimsical detective is passable , he's in cracking form . He makes an unique perspective on his life , revealing a complex personality . He's finely matched in battle of wits with Moriarty/John Huston . Although Basil Rathbone will be forever identified as Holmes ; however , here Roger Moore/Holmes is also played as an intelligent , cunning , broody and impetuous pipesmoking sleuth but addicted to cocaine , his interpretation is likeness to Christopher Plummer (Murder by decree) , Nicol Williamson (Elemental Dr. Freud) or Peter Cushing and Jeremy Brett in television . While Dr. Watson isn't a bumbling and botcher pal generally represented by Nigel Bruce , but a clever and astute partner well incarnated by Patrick McNee of ¨The avengers¨ . In fact , this is first of three feature film collaborations of actors Roger Moore and Patrick Macnee . The movies include Sea wolves (1980), A view to kill (1985), and Sherlock Holmes in New York (1976), with the latter of the three the only one being made for television . Furthermore , the support cast is pretty well such as : David Huddleston as Inspector Lafferty NYPD , Signe Hasso as Fraulein Reichenbach , Gig Young as Mortimer McGrew , Leon Ames , John Abbott and the former child prodigy , Jackie Coogan .

Atmospheric soundtrack , being first American television production scored by music composer Richard Rodney Bennett . Evocative cinematography by Michael Margulies . The motion picture was professionally directed by Boris Sagal , though with no originality . Sagal was a good craftsman who usually worked in TV , such as : ¨Ike: the war years¨ , ¨Masada¨, ¨Night Gallery¨ and occasionally made films as the successful Sci-Fi : ¨Omega man¨ .

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.

Furthermore, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations of any Sherlock Holmes stories as possible sparked my interest in seeing 'Sherlock Holmes in New York', as well as it having a talented cast and seeing how Roger Moore would fare.

'Sherlock Holmes in New York' is not terrible. It's not all that great either. Mediocre is more like it.

As said by me many times, there are better Sherlock Holmes-related films/adaptations certainly than 'Sherlock Holmes in New York', the best of the Jeremy Brett adaptations and films of Basil Rathone fit under this category. It's to me towards the bottom of Sherlock Holmes films, it is marginally better than all the Matt Frewer films (particularly 'The Sign of Four') and also much better than the abominable Peter Cook 'The Hound of the Baskervilles' (then again almost anything is better than that).

There are good things. The sets and costumes are handsome enough and there is evidence of atmospheric photography. The music also has atmosphere.

Moore is an agreeable, if far from definitive, Holmes with a charming twinkle in his eyes, while Charlotte Rampling has elegance and class. Parts of the mystery does intrigue and engage quite a bit and likewise with some of the script.

For all those good things, there are numerous major debits. It does feel too often pedestrian and stagy. Tension and suspense isn't enough and too much of the case is too simple, especially a denouement that makes the viewer feel annoyed at themselves at how they didn't solve it before very early on. How it's solved is all too easy and doesn't do Holmes' masterly deductions justice.

A good deal of 'Sherlock Holmes in New York' is on the cheap side and too much of it is flatly directed and too wordy. The more romantic angle agreed felt out of place.

Patrick MacNee has little to do as Watson and the buffoonish way he characterises can't help me think it was a directing issue or unfamiliarity with how Watson should be portrayed. He played opposite Christopher Lee later and that was a much better pairing and more subtle in interpretation. For me, there has never been a more hammy Moriaty than John Huston and that is not in a good way, there is nothing sinister about him and the dreadful over-the-top-ness takes one out of the film, even in the more forced moments of the script and story and there is also a fair bit of that going on.

To conclude, mediocre but not unwatchable. 4/10 Bethany Cox

Having captured the gang of Professor Moriarty and foiled his plan of assassination, Sherlock Holmes finds himself at a loss. Moriarty has escaped capture and vowed to show up Holmes no end. Actress Irene Adler is an acquaintance of Holmes and has sent him tickets for each of her opening nights for over 9 years - she is opening in New York and Holmes awaits her tickets. When they arrive ripped up, Holmes and Watson set out for New York immediately to find that nothing is obviously wrong. However when Adler doesn't show up for the play, Holmes finds himself drawn into a plot that involves kidnapping and an incredible theft of gold from the International Gold Exchange.

Despite the fact that this is a Roger Moore film I decided to give it a stab on the basis that I quite enjoy the character of Sherlock Holmes. From the very start the weaknesses of the film are as clear as day but the basics of the film are enjoyable enough to make this worth watching. The plot is passable and is delivered with a good sense of pace that makes it enjoyable - however it must be said that the plot is hardly worthy of Moriarty, whom we are told is a master criminal. Holmes solves it all far too easily and it is to the film's detriment, although the number of steps required to get to the end is impressive they are all too simple - it would have been better to have had fewer deductions from Holmes but a more complex plot. As it is it works well enough for the material and is far from the weakest part of the film.

The film's low values are clear from the start - Holmes' absurd sideburns look like they have crawled onto his face without him noticing for example. The lighting, shot-framing and cinematography all make the film feel rather dated (to the 70's rather than the turn of century). These really hurt the film and it never looks like a great deal of money was spent on it. The cast are a mixed bag. It would be easy to dismiss Moore as Holmes and, in fairness, I feared the worst but was reasonably happy with his performance. While he doesn't compare to the best of them, Moore's Holmes is strong in his display as a human rather than a perfect crime fighter. Moore is a little hammy at times (his disguises are absurd) but generally he does quite well. Macnee is given little to do and has lifted his Watson directly from the Nigel Bruce School of Acting - making Watson a bit of a buffoon; hardly original but still quite enjoyable. Of course the worst performance comes from Huston who plays his Moriarty with an Irish brogue at times and not once comes across as a match for Holmes, rather he comes over as a basic thug in charge of a poor gang and I can honestly say I have never seen the character portrayed with less ability than this. Rampling is another famous face but is given nothing to do but be part of a romantic subplot that is out of place and doesn't work. The acting is generally bad but to give him his dues, Moore is not including in my list of bad performances in this movie.

Overall this is not a great movie and doesn't compare to the Rathbone series of Holmes' films (for my money anyway). The basic plot is passable but is too simply solved and includes a redundant romantic subplot. The character of Holmes is more interesting than usual and is delivered quite well by Moore (nobody's first choice for Holmes but still OK). The film is full of weaknesses but is still worth a watch for fans - however I doubt anyone will fail to be shocked by the sheer awfulness of both the character of Moriarty and the performance of John Huston in portraying him.

Roger Moore and Patrick Macnee are clearly having a laugh together as Messrs. "Holmes" & "Watson". This time our team of sleuths are in the Big Apple hot on the trail of their nemesis "Prof. Moriarty" (a rather underwhelming John Huston) who has just carried out a fairly spectacular bank robbery. Unlike in virtually every other "Holmes" adventure, here he has himself a lady friend - "Irene Adler" (Charlotte Rampling) and soon she and her young son "Scott" are pawns in this perilous game of cat and mouse. The chemistry between the top two keeps this going well enough, but the story is pretty thin and Huston features only but sparingly as the adventure sort of crawls along. The last ten minutes are pretty lively, though and fans of the characters and of the genre ought to enjoy this colourful, well made and scored drama. Not the best, but still just about worth a watch.