Quand la panthère rose s'emmêle

Oh my lord...I never laughed as hard as I did when I first saw this one....What a scream. A terrifically funny flick indeed. Where do you begin? The plunger arrow on Lom's forehead-'Kill! Kill! Kill!', the fast and furious fight with Kato, complete with floating Hunchback of Notre Dame sequence and air-hose escape scene...oh my God....Love the laughing gas scene with Clouseau and Lom...oh that one is priceless.

Lesley Anne Down as a fur coat and little else garbed Russian Spy is worth a watch too. I liked her then, I do now.

Essentially you can't go wrong with this one; it's the best in the series and makes me laugh very, very hard.

And yeah, 'Ford and Kissinger' are great too..

***1/2 outta **** oh this one is a scream

This Pink Panther film ranks as one of the best there ever was... The plot was simple, Chief Inspector Dreyfuss (who is becoming a psycho since A Shot in The Dark), escapes from the mental institute and plan to kill Inspector Clouseau (which is by far one of the best comedy characters of all time). He then kidnaps a professor of high rank and builds a Doomsday device to kill off the world so that Clouseau is gone. Peter Sellers is at his best still as the bumbling Inspector Clouseau, getting into and out of trouble with hilarious concepts and quotes. Dreyfuss is very funny and shows his psychotic personality when he becomes an even more psychotic person. Best scene is when Clouseau and his manservant Kato, wreck Clouseau's apartment as they usually do. THIS is comedy at it's finest along with A Shot in The Dark.

After making life intolerable for clumsy Inspector Closeau (Peter Sellers) , former Chief Inspector Charles Dreyfuss (overacting Herbert Lom) goes nutty and is interned in asylum . One time escaped from the mental asylum , the mentally ill Dreyfuss tries to destroy the world by means of a ray-laser . Besides , he hires a group of hit men to kill Jacques Closeau who's gone to England to investigate the abduction an eminent scientific forced to build a fantastic machine and being helped by British policemen (Colin Blakely , Leonard Rossiter).

This release is the fourth part of Closeau series and an enjoyable comedy starred by the great Peter Sellers as the inept and bungler Inspector of the French Surete . The movie gets entertaining and hilarious moments here and there . This slapstick contains funny scenes and never slowdown . Herbert Lom parodying his ¨Phantom of opera¨ personage is excellent . There appear as secondaries the usual series , such as Burt Kwouk as Cato , Grahame Stark and a gorgeous Lesley Anne Down who replaced Maud Adams . Omar Sharif , who had just played with director Blake Edwards on " The Tamarind Seed " has a brief cameo as an eastern murderer . Lively and atmospheric music by habitual Henry Mancini and magnificent opening and ending cartoon titles by Richard Williams . Colorful cinematography Harry Waxman , being mostly shot in Europe : Paris , France , Bavaria , Germany , Ireland and Shepperton Studios , Surrey , England . The film was well penned and directed , as always , by Blake Edwards . Several chuckles and gags , the result of which is one of the funniest from series along with ¨A shot in dark¨ , ¨Return of pink panther¨, and ¨Revenge of pink panther¨. The flick will appeal to pink panther series and Peter Sellers fans . This is arguably one of the best pink panther . Two thumbs up.

The inimitable Peter Sellers strikes again as Chief Inspector Jacques Clouseau, in this fourth installment of the classic `Pink Panther' series, `The Pink Panther Strikes Again,' directed by Blake Edwards. Given the fact that the assessment of comedy is intrinsically subjective, this film is arguably laugh for laugh and sight gag for sight gag the funniest of the five (followed closely by the second of the series, the hilarious farce, `A Shot In The Dark). In this one, former Chief Inspector Dreyfus (Herbert Lom) is about to be released from the mental hospital-- in which he has resided since being driven crazy by Clouseau-- when on the very afternoon of his hearing he is visited by none other than Clouseau himself, who has come to speak on behalf of his former boss. Suffice to say that by the time Clouseau is through `helping,' he is driven from the premises by the relapsed, raving madman, Dreyfus. And it's only the beginning of the inept French Inspector's antics that, before it is over, will include a trip to the Ocktoberfest, encounters with a dozen hit-men from around the world, a beautiful Russian spy named Olga (Lesley-Anne Down), a surprise Egyptian spy (who will remain nameless) and a one-man assault on a castle. As Laurel and Hardy proved so many times before, for every action there is a reaction; a theorem of which proof is unequivocally provided here by the relationship between Sellers and Lom. This was the film in which Edwards and his stars not only further devised, but honed to perfection, their foolproof formula for laughs: After the `first wave' of hilarity provided by Sellers, it is followed up-- in just enough instances to be totally effective-- by Lom's reaction to 1.) Sellers directly (as in the first, classic scene at the mental hospital), or 2.) Lom's reaction to Seller's antics as they are related to him by a third party. It's a one-two punch that never fails and which, in effect, derives twice the fun from a single gag. And it's brilliant. But at the end of the day, it must be noted that there is one element above all else that accounts for the success of this film, and that, of course, is the Man himself, Peter Sellers. Sellers must be regarded as-- if not `the,' then at least one of the-- funniest actors ever to grace the silver screen. There was no end to the ways he could make you laugh; from the subtlest expression-- an eye averted or perhaps the slight raising of an eyebrow-- to the broadest slapstick, it was all within his personal domain, and he was the Master. Physically, practically all he had to do to get a laugh was show up; consider the scene in which he arrives at the hospital to visit Dreyfus: As he saunters across the lawn of the vast grounds surrounding the buildings, a croquet mallet and ball lying to one side catches his eye; there is just the slightest hesitation in his step, the subtlest change of expression in his eyes and the merest inclination of the head. And there, in that briefest of moments upon the screen, you know-- beyond the shadow of a doubt-- what is about to transpire. And you're right; a moment later Clouseau has the mallet in his hand and his foot on the ball, and even as it's happening-- just as you knew it would in that split second before it did-- he has you on the floor laughing. That was the gift-- and the genius-- of Peter Sellers. Was every film he made a classic? A great film? Of course not; but you would be hard put to find a single performance of his, even in a bad film (Like 1970's `There's A Girl In My Soup'), that did not embody that unique spark that defined him. It was certainly alive in his portrayal of Clouseau (possibly the definitive Seller's character), and in retrospect, what a shame it seems that there were only five `Panther' movies ever made. But so it is, and shall ever be. The supporting cast includes Burt Kwouk (as the ever faithful and attacking manservant, Cato), Andre Maranne (Francois), Colin Blakely (Alec Drummond), Leonard Rossiter (Inspector Quinlan), Richard Vernon (Dr. Fassbender), Briony McRoberts (Margo) and Michael Robbins (Jarvis). A funny movie that showcases one of Cinema's truly unique and funny actors, `The Pink Panther Strikes Again' is a side-splitting, fun movie you can watch over and over and never grow tired of. The best of the series, it stands as a glowing tribute to the comedic genius of Peter Sellers. I rate this one 10/10.

The Pink Panther Strikes Again **** / *****

Dir: Blake Edwards; Starring: Peter Sellers

Funny gazillionth sequel (not literally!) sees Chief Inspector Clouseau (Sellers in his iconic role) being chased down by an escaped madman with nervous ticks. Fun from start to finish, and I actually prefer it to the original "Pink Panther" film. It's zanier, fresher, and seems more like a wild spoof in the vein of "Austin Powers" rather than an outdated, unfunny bore like (I find) the first film.

Highlight: Clouseau trying out the "Hunchback" costume and inflating himself into the air. This was used again in one of the worst films of 2002, "The Master of Disguise," but this is inarguably much better.

**** / *****