Inquisición

The great late Paul Naschy (aka. Jacinto Molina) was doubtlessly one of the most influential figures in European Horror/Exploitation and Cult Cinema, and while the majority of his movies may not be brilliant masterpieces, they all have a very specific charm to them that (for me) is impossible not to love. Naschy is probably best known for playing the Werewolf Waldemar Daninsky in 14 HOMBRE LOBO movies, but his filmography includes many other demented, macabre, often sleazy and sometimes (wonderfully) trashy gems, for which he often also served as writer and director.

INQUISICION (aka. INQUISITION) of 1976 was the first movie for which Naschy is credited as director (he wrote the scripts to some of his earlier films). A typical example for the Hexploitation sub-genre, INQUISICION follows the tradition of films like Michael Reeves's 1968 masterpiece WITCHFINDER GENERAL (starring Horror-deity Vincent Price in his most diabolical role) or the notorious 1970 Exploitation Classic HEXEN BIS AUFS BLUT GEQUÄLT (aka. MARK OF THE DEVIL). While INQUISICION is not nearly as disturbing, impressive, serious or notorious as the aforementioned movies, it once again has the specific charm to it that can only be found in Spanish Horror productions from the time, and in Naschy-flicks in particular. The main difference hereby lies in the fact that INQUISICION focuses on sleaze and female nudity rather than the more serious WITCHFINDER GENERAL and the ultra-brutal MARK OF THE DEVIL which is known for its grisly torture scenes.

Naschy plays Witchfinder Bernard de Fossey who comes to a French village inhabited by somewhat exhibitionist beauties, whom the religious fanatic proceeds to interrogate, torture and burn at the stake... until he falls in love with one particular beauty...

The story is somewhat similar to that in MARK OF THE DEVIL, only cheesier. Still, this is one of the more serious Naschy flicks, and while sometimes cheesy, it is uncompromising as a film about the topic should be. There are some rather grisly torture scenes, the victims being beautiful young women. The burnings mostly happen off-screen, which is probably due to the budget which must have been spent for gory torture effects and actresses willing to engage in the sleaze taking place on camera. Naschy is awesome as always, and the female cast consists of stunning beauties all of which seem to be very keen on taking their clothes off. Overall, INQUISICION is a sleazy yet rather serious period piece, which is brutal and quite suspenseful at times. Recommended to all Eurocult lovers, and not to be missed by my fellow Naschy-fans.

Inquisition (1976)

*** (out of 4)

Paul Naschy made his directorial debut with this WITCHFINDER GENERAL type film that adds in a ton a nudity, gore and all out sleaze. In the film Naschy plays a man who puts many to death as he finds them to be witches but things take a turn when he falls in love with a young woman (Daniela Giordano) without realizing she has a pact with Satan (also played by Naschy). After watching this film you'll be wishing that Mr. Naschy had directed some of his earlier horror pictures and especially those that didn't quite reach the high entertainment level. I was really shocked to see how wonderful his direction was here because he really nailed the atmosphere and setting and in the end he delivered a sleazy but oh so entertaining picture. By 1976 there had already been several films dealing with this subject. Some were classics (WITCHFINDER GENERAL) and others were just trash (MARK OF THE DEVIL). This film here takes the serious elements of that first film and mixes in the sleaze of the second one but it's really Naschy's direction that makes it work so well. You really do believe the period setting and this here helps you buy into the story even more. Even better is that the "love story" isn't just there to pad out the running time and instead the director makes you get involved with both characters. It helps that Naschy and Giordano work so well together as they two of them can bounce the flirtatious moments off one another as well as the more dramatic ones. Even the supporting players are quite good, although there's no question that the main focus are the two leads. Another major plus the film has working for it are the Satanic cult scenes. These are shot incredibly well and the visual look of them are excellent. The thick fog adds to their quality but the sets are all rather amazing and again, there's Naschy bringing it all together. The gore and violence level isn't stomach-turning but it is pretty thick including one scene where a chained up woman gets her ripped torn off! The nudity level is incredibly high as all the torture victims are always naked plus there are other scenes that appeared to have just been thrown in for the chance of more naked bodies. This includes one scene where four beauties are splashing around naked in a lake for no other reason than they're extremely hot. INQUISITION is certainly one of the better films of its type and deserves to be better known.

I believe this is available in English now, but the version I saw was a Spanish language one off a full-screen PAL tape I bought in Buenos Aires. Judging from the rampant nudity, graphic violence, and general depravity it wasn't cut at least. This is Spanish actor Paul Naschy's strangely belated directorial debut. It is another entry into the 1970's "witch-hunter" genre inspired by such films as Michael Reeve's "The Conqueror Worm", Ken Russell's "The Devils", and the godawful but very seminal German film "Mark of Devil". This was a rather extreme genre which allowed for a lot of exploitative scenes of beautiful naked women being tortured, but also permitted filmmakers to at least pretend to criticize the real historical abuses of the Catholic Church. The latter would be especially resonant in Spain where in very recent times the Church had been a big supporter of the repressive Franco regime.

This movie is every bit as depraved and exploitative as any of its British, Italian, or German models, but it was interesting in that its victim (played by Italian actress Daniela Giordano)actually DOES sell her soul to the Devil, but only in order to take a supernatural (and, of course decidedly sexual) revenge on the corrupt witchfinder/inquisitioner played by Paul Naschy. The injection of actual supernatural elements (which was a peculiar characteristic of both the Spanish and Mexican versions of these films)kind of muddies the moral waters (not to mention the perceived historical accuracy) quite a bit.

As always, Naschy makes an interesting protagonist. He has always been one of the few actors brave enough to play characters that are not only despicable but also often pretty pathetic (and he's never been afraid to kill his character off early if it serves the plot), but he always somehow gets the audience on his side, and this movie is no exception--you end feeling sorry for his corrupt and wrongheaded inquisitioner by the end.

One weakness of Naschy movies though has been his leading actresses. He always casts pretty women who are willing to do rampant nude scenes, but they are usually pretty obscure actresses and not always very talented (with the exception of Erica Blanc, Patty Shepherd, and maybe Helga Line). It's good to see that he has a strong co-lead here in Daniela Giordana, a gorgeous former Miss Italy who showed a lot of promise in the Mario Bava sex comedy "Four Times that Night" but was pretty much wasted after that in throwaway parts in second-rate Italian gialli. Good movie. Check it out

In the end of the Sixteenth Century, in France, the cruel witchfinders Bernard de Fossey (Paul Naschy), Nicolas Rodier (Ricardo Merino) and Pierre Burgot (Tony Isbert) arrive at the house of a wealthy man that has two daughters and one stepdaughter. His older daughter, Catherine (Daniela Giordano), is in love with Jean Duprat (Juan Luis Galiardo), who travels to Marseille to ask for permission to his uncle to marry Catherine. However, in the return, he is murdered by thieves on the road and Catherine fall in depression. Bernard, who has put his eyes on Catherine since he met her, hits on her. Meanwhile, the one-eye servant Rénover (Antonio Iranzo) denounces young women that has reject him as if they were witches, and they are tortured and killed. When Catherine has a dream with Jean, she believes that her beloved lover was murdered by men hired to kill him and she becomes obsessed to lean by whom.

"Inquisition" is a good exploitation movie based on the inquisition in the Dark Ages. Paul Naschy is perfect in the role of a cruel and sadistic magistrate that sentences women to be tortured and murdered in the name of the church. The romance is good and the unnecessary torture scenes and naked women was common in Euro movies in the 70's. My vote is seven.

Title (Brazil): "Iinquisição" ("Inquisition")

Euro-horror star Paul Naschy (a.k.a. Jacinto Molina) made a creditable directing debut with this gruesome and exploitative tale, packed with gorgeous women and pervasive Old World atmosphere. He also stars as Bernard de Fossey, magistrate and witch hunter in the 16th century. He and his cohorts arrive in the Peyriac region of France, determined to seek out sinners and transgressors. He meets a stunning young woman, Catherine (Daniela Giordano), who bewitches him. She loves another man, but when that man dies under suspicious circumstances, she's willing to align herself with Satan to see justice done.

"Inquisition" is not for the squeamish, what with its unflinching shots of torture. It doesn't dwell on these scenes any longer than unnecessary to make its point, though. Still, many viewers will wince at the sight of a girls' nipple getting twisted right off her breast. And there are some very fine looking young women here, showing off their birthday suits to great effect. Naschy did know how to please the exploitation loving crowd.

Of course, he also delivers what is considered to be one of his best films (if not THE best). He cannily captures a historical period of great ignorance, superstition, and fear, when innocent people could be persecuted, and confess to acts of witchcraft just to get the torture to stop. At the same time, there is at least one dissenting voice: the local surgeon, who dares to venture the opinion that people like De Fossey may be acting hastily.

Naschy gives one of his finest performances as the tormented De Fossey, and also gets to strut his stuff by playing The Devil and The Grim Reaper as well. Giordano is a stunner, and does a convincing job of portraying righteous indignation. A standout supporting performance comes from Antonio Iranzo as the resentful, one eyed manservant Renover, who gets back at those women who spurn his advances by accusing them of being witches.

Overall, this is a solid film notable for some ambiguity and a lingering, grim nature.

Seven out of 10.