Grizzly, le monstre de la forêt

Due to the year in which it was released, 1976's "Grizzly" seems to get summed up as a land-locked "Jaws" wanna-be, but people tend to forget that even before "Jaws," drive-ins were well stocked throughout the 1970s with a near endless series of killer animal/"nature takes revenge" flicks (i.e. "Squirm," "Frogs," "Night of the Lepus," etc.). So if anything "Grizzly" can merely be accused of having excellent timing, as it rode the coat-tails of "Jaws" to the tune of $39 million in box office and briefly held the title of most profitable independent movie (till it was unseated by the original "Halloween").

As for the movie itself, it's a fairly typical killer animal flick. A rogue Grizzly bear has suddenly begun tromping around a national park, munching on campers and back-packers, and the park's bad-ass head ranger (Christopher George) has to hunt it down and kill it, assisted by his two best friends, a naturalist (Richard Jaeckel) and a redneck chopper pilot. Due to its low budget nature, we don't see much of the actual bear till the film is three-quarters of the way finished, till then "attack" scenes are shown from the bear's eye view so all you see is a hairy paw reach from off camera and lots of growling on the soundtrack. Those attack scenes are still fairly brutal and gory (particularly when the bear goes after a young boy and his mother, and we see the poor kid thrown to the ground with his leg bitten off!), and when we finally do get to see the Grizzly in all his glory, he's a fearsome looking S.O.B. indeed. I won't reveal whether or not Ranger Smith (haha) manages to defeat Yogi Bear in their climactic battle, but I will say that it's the best scene in the movie, due to the total overkill weapon used by George's character.

Director William Girdler keeps the suspense level up and Christopher George is a suitable tough-guy hero, making "Grizzly" a decent night of schlocky-but-fun creature-feature entertainment, 1970s style.

Grizzly was a good film the bear was pretty big and very violent too. Grizzly features big stars such as Christopher George, Andrew Prine and Richard Jackel. Most people in the mid-70's think Grizzly is a rip off of Jaws but I don't think it is that much. Grizzly has a lot of gore and blood and Robert O. Ragland's music make's the killings a lot more errier. I have seen Grizzly more than 6 times it is very good, but they DO NOT have grizzly on VHS,only DVD at the time. Director William Girdler also made Abby, and Project kill before he was killed in a crash while making a film in the Philipheens

Generally after a movie comes out is when people , critics or whoever, begin making comparisons between it and other films.

If there happen to be any similarities at all then the film is labeled a rip-off and then sent off to the wonderful land of the back room shelf. This is one that I am glad stayed off the back room shelf, if anything, for nostalgic reasons.

Most film makers would tell you they were inspired by something whether it was "Spider Man" or "Black Narcissus" when they were a kid. It doesn't mean they directly ripped it off.

The story for "Grizzly" was written before "Jaws" came out, the writers didn't know each other, and though one might be able to draw parallels as far as the story goes it is not a "Jaws" rip-off. It's just that you have blood, guts and gore and so did Jaws which came out, theatrically, a year earlier.

One is on land and one is in the ocean...How exactly is that the same? No. The real rip-off movie of "Jaws" is the Italian movie "The Last Shark".

"Grizzly" came out in our nation's Bi-Centennial year. "Jaws" kept me out of the water and "Grizzly" kept me out of the woods for a LONG time. Even now though,31 years later, the film is still worth a look and it has some very interesting ideas represented and some very interesting camera shots and a couple of good scares.

Does it have a cheese factor? Of course, but overall it a pretty good low-budget flick which makes me think of guerrilla film-making and it makes the effort at trying to tell a good story..

I put it right in the middle of the scale and worth checking out depending on your own personal perception of what a monster movie should be .

Rip-off of "Jaws". A giant grizzly bear is (inexplicably) attacking humans in a forest. It's up to Christopher George and friends to track him down.

I saw this in a theatre when I was 14 and never forgot it. At the time it (sort of) scared me. The bear itself I thought looked kind of cuddly--even when it was growling and showing its fangs. The attacks were (for a PG movie) pretty bloody and had me actually cringing in my seat! The show stoppers were when a little boy is attacked (we don't actually SEE it, but we do see half his leg torn off) and when, with a swipe of its claw, the grizzly decapitates a horse! Silly...but effective! Also there's some really beautiful scenery here (if you see it letterboxed) and a really great score.

So, this is a good gross-out movie for kids--there is a lot of blood but you don't take it seriously. As for the rest of it--the acting and characterizations are strictly by the numbers but I thought George and Andrew Prine were lots of fun. Also the dialogue is terrible and I got a good laugh out of the guy who doesn't want close the park despite the fact that people are being killed! Talk about ripping off "Jaws"! Good example of a 1970s exploitation film.

To say that "Grizzly" is a rip-off of "Jaws" is only going part way to describing the genesis of the film. It has also taken a page from "The Towering Inferno" with opening credits that are so similar in their presentation that it's laughable. (There's even a lodge owner with the same type of glasses William Holden wore in "Inferno".) The film follows the basic formula (which would be copied in dozens of films thereafter) of "Jaws" with innocent people being mauled and devoured by an unseen enemy. Like Bruce the shark, Grizzly doesn't make his full appearance right away. Rather, the audience is treated to perspective shots of branches and foliage being shoved away as he approaches the next morsel...er...camper. (This approach was also utilized in the 1976 "King Kong", so the derivation continues.) George plays something akin to Head Ranger of the forest in question. When he isn't head-butting with the park supervisor (Dorsey), he's calling upon buddies Jaeckel (a naturist who prowls around with pelts on his back to better study the animal kingdom) and Prine (a helicopter-piloting Vietnam veteran) to help him track down this man-killing beast. Meanwhile, the body count rises and rises as victims fail to notice a 15 foot, 2000-lb grizzly bear coming up to them from nowhere! Finally, just when the cast is dwindling to that of a one man show, the climactic showdown between man and beast occurs with the bear getting a similar comeuppance as Bruce the shark did in "Jaws". Some of the scenery in the film is nice, though apart from the credit sequence, it is hardly ever exploited to its full potential. The three lead males do an okay job with Jaeckel scoring the most points with his quirky portrayal. It's a little sad to see George literally chain-smoking through the film when he would be dead of a heart attack in just 6 years at age 54. Prine affects a spotty cornpone accent that does little to bring his sketchy character to life. By far the worst presence in the film is that of McCall as George's love interest. Not only does her character have nothing to do with the plot or the title beast at all, but the actress is so annoying that one keeps hoping she will be next in line for the human buffet. Looking like a less-surgically-enhanced Katie Couric and with a voice twice as grating, she is a big debit to the film. WHERE was Lynda Day George?? Though the formula of "See camper, See camper die" gets more than a little tiresome, there are a couple of memorable moments. One is when the bear wants one victim so badly, he levels a towering ranger station! Among the sillier moments is one in which a female ranger says she is going to soak her feet in the stream, yet proceeds to strip down to bra and panties and let her hair out of its ponytail! There are campy bits like heads, arms and so forth being yanked off (mostly suggested rather than explicitly shown) and plenty of fake blood spewing here and there. There are worse "Animals on the rampage" flicks, but this is hardly a strong piece of movie-making. In a useless aside, both Prine and George posed for nude photos of themselves in the 70's, but here nary even a chest is in sight.