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On assignment in Bangkok to interview the King of Thailand, photojournalist Emanuelle becomes entangled in political intrigue and sexual encounters with old and new lovers.On assignment in Bangkok to interview the King of Thailand, photojournalist Emanuelle becomes entangled in political intrigue and sexual encounters with old and new lovers.On assignment in Bangkok to interview the King of Thailand, photojournalist Emanuelle becomes entangled in political intrigue and sexual encounters with old and new lovers.
Giuseppe Marrocco
- Restaurant Guest
- (uncredited)
Anna Maria Perego
- Guest at Restaurant
- (uncredited)
Lanfranco Spinola
- Guest at Restaurant
- (uncredited)
Sandra Wolff
- Guest at Restaurant
- (uncredited)
Featured reviews
Emanuelle in Bangkok (1976)
* 1/2 (out of 4)
Joe D'Amato's first stab in the "Black Emanuelle" series with Laura Gemser in her second stint as the character. In this film, Emanuelle travels to Bangkok to get an interview with their King but she spends most of her time screwing any man or woman she can get her hands on. This film doesn't contain the sleaze factor that future D'Amato/Gemser films have but there's still some fairly naughty stuff here including one woman who sticks a golf ball up her vagina and then blows it out. Animal lovers will also want to stay away as there's a disgusting scene with a snake and muskrat fighting it out to the (real) death. As for the rest of the film, it's amazing that D'Amato would make so many softcore and hardcore adult films (this one is soft) and yet never manage to capture anything remotely erotic ala other directors in the field like Franco and Rollin. Gemser is a hot piece of ass but D'Amato does nothing with that beauty and the non-erotic moments is what really kills this thing. The so called story is boring enough and while there's plenty of sex and nudity, this too gets boring after a while. This film was followed by Emanuelle in America, which also features Pedro the horse. Now that film and star get an ultimate yuck.
* 1/2 (out of 4)
Joe D'Amato's first stab in the "Black Emanuelle" series with Laura Gemser in her second stint as the character. In this film, Emanuelle travels to Bangkok to get an interview with their King but she spends most of her time screwing any man or woman she can get her hands on. This film doesn't contain the sleaze factor that future D'Amato/Gemser films have but there's still some fairly naughty stuff here including one woman who sticks a golf ball up her vagina and then blows it out. Animal lovers will also want to stay away as there's a disgusting scene with a snake and muskrat fighting it out to the (real) death. As for the rest of the film, it's amazing that D'Amato would make so many softcore and hardcore adult films (this one is soft) and yet never manage to capture anything remotely erotic ala other directors in the field like Franco and Rollin. Gemser is a hot piece of ass but D'Amato does nothing with that beauty and the non-erotic moments is what really kills this thing. The so called story is boring enough and while there's plenty of sex and nudity, this too gets boring after a while. This film was followed by Emanuelle in America, which also features Pedro the horse. Now that film and star get an ultimate yuck.
Emanuelle in Bangkok is the second entry in the Black Emanuelle series begun by Bitto Albertini then continued on into infamy by Joe D'Amato.
Laura Gemser returns as the intrepid globetrotting reporter Emanuelle who is sent on a mission to Bangkok to interview the King's nephew. She is accompanied to Bangkok by her on-again-off-again lover Roberto (Gemsers real-life husband Gabriele Tinti) who is on his way to begin an archaeology dig in Morocco.
Emanuelle never quite gets her interview as she has her passport & photography equipment stolen then is brutally gang-raped by a group of thugs employed by the government, so she decides to join Roberto in Morocco. Not having a passport isn't a problem, she just f@cks an airport official for a free pass.
Once in Morocco Emanuelle discovers Roberto is now engaged to an English woman, so they all decide to engage in some group sex, which seems to straighten everything out. Soon Emanuelle falls madly in love with the daughter of an American ambassador and spends the rest of her days either involved in some in lesbian bubble bath action or f@cking Roberto and/or any other man who crosses her path.
Being still early in the series, there is less of the sleaze and nastiness that some of the other films are so well known for, basically it's a sexy travelogue piece. Emanuelle is inhibition-free and generous with her body so pretty much every dude she meets gets to have a go.
A couple of notable scenes include: a sequence of 'natural' animal violence where a Shrew-like creature fights a cobra, and wins. The fully-clothed gang-rape where afterwards Emanuelle hangs out and chats cheerfully with her assailants, and a Bangkok stripper performing the notorious ping-pong ball trick.
Ultimately this isn't D'Amato's best Emanuelle film but if you're looking for some mindless (and often dull) softcore fare then check this out, otherwise I'd suggest going for either Emanuelle in America, Emanuelle and the Last Cannibals or Emanuelle Around the World (XXX version).
Laura Gemser returns as the intrepid globetrotting reporter Emanuelle who is sent on a mission to Bangkok to interview the King's nephew. She is accompanied to Bangkok by her on-again-off-again lover Roberto (Gemsers real-life husband Gabriele Tinti) who is on his way to begin an archaeology dig in Morocco.
Emanuelle never quite gets her interview as she has her passport & photography equipment stolen then is brutally gang-raped by a group of thugs employed by the government, so she decides to join Roberto in Morocco. Not having a passport isn't a problem, she just f@cks an airport official for a free pass.
Once in Morocco Emanuelle discovers Roberto is now engaged to an English woman, so they all decide to engage in some group sex, which seems to straighten everything out. Soon Emanuelle falls madly in love with the daughter of an American ambassador and spends the rest of her days either involved in some in lesbian bubble bath action or f@cking Roberto and/or any other man who crosses her path.
Being still early in the series, there is less of the sleaze and nastiness that some of the other films are so well known for, basically it's a sexy travelogue piece. Emanuelle is inhibition-free and generous with her body so pretty much every dude she meets gets to have a go.
A couple of notable scenes include: a sequence of 'natural' animal violence where a Shrew-like creature fights a cobra, and wins. The fully-clothed gang-rape where afterwards Emanuelle hangs out and chats cheerfully with her assailants, and a Bangkok stripper performing the notorious ping-pong ball trick.
Ultimately this isn't D'Amato's best Emanuelle film but if you're looking for some mindless (and often dull) softcore fare then check this out, otherwise I'd suggest going for either Emanuelle in America, Emanuelle and the Last Cannibals or Emanuelle Around the World (XXX version).
The exotic locale gave this a bit more to work with.
The obvious titillation scenes seemed to be the main point here. (Loved the massage scene.) Then big Joe just found ways to connect them. That's what he did best.
Gabriel Tinti, (Goddess Gemser's real life, and late, husband) makes an appearance as her paramour here. As he did in many of these films. He was a decent actor actually. I like seeing him as the straight man in her life.
I liked seeing Ivan Rassimov as the prince. He really played a great authority type. It's strange that he and Gemser didn't star in more films together seeing as they did a lot of similar work.
Call this a soft x film pretending to be a documentary.
The obvious titillation scenes seemed to be the main point here. (Loved the massage scene.) Then big Joe just found ways to connect them. That's what he did best.
Gabriel Tinti, (Goddess Gemser's real life, and late, husband) makes an appearance as her paramour here. As he did in many of these films. He was a decent actor actually. I like seeing him as the straight man in her life.
I liked seeing Ivan Rassimov as the prince. He really played a great authority type. It's strange that he and Gemser didn't star in more films together seeing as they did a lot of similar work.
Call this a soft x film pretending to be a documentary.
This is a suprisingly good film. The photography is good, it seems to have some decent production values, the score is excellent, and the editing is slick. It outclasses many of D'Amato's hardcore films and the erotic scenes are more hot than anything you can see late night on cinemax. An overlooked D'Amato/Gemser classic I say.
In the summer of 1995, Showtime aired this movie almost every night, after "Red Shoe Diaries" and usually around 1 AM. I thought then this was the strangest soft-core thing I've ever seen. Over the years, I've seen far more bizarre, but this one still remains memorable to me after all these years.
First off, the music. Bad '70s porno music meets Asian karaoke. Seriously. There are really only 2 songs here, and I don't know the names of them, so I'll give them names: "Like A Sailing Ship," which has a ship horn in its chorus ("TOOOOOOOOOOOOOOOOT!"), and "I Wander Safe At Night," which is played most prominently during the big group drug/orgasm scene, perhaps the standout scene in this film: a bunch of people smoke pot (or some mind-altering drug), then get horny and get freaky. All to the strains of a bad guitar solo. This should be a requirement for all soft-core porn.
Laura Gemser is pretty hot, she could easily still stand out even today. Come to think of it, all the women here are not bad-looking at all. If you can stand the fact that a lot of George W.'s last name is in full force here (personal grooming wasn't in in 1976, kids), you might like the ladies.
"Emanuelle in Bangkok," a standout film from my lonely teenager years. I don't even remember the plot, and I don't care. Seeing this now brings back memories of me with Cool Ranch Doritos and a bottle of Pepsi, keeping the volume low so my parents wouldn't hear it, settling back to Showtime's late-night lineup, which included this film and "Red Shoe Diaries." Those were the days...
First off, the music. Bad '70s porno music meets Asian karaoke. Seriously. There are really only 2 songs here, and I don't know the names of them, so I'll give them names: "Like A Sailing Ship," which has a ship horn in its chorus ("TOOOOOOOOOOOOOOOOT!"), and "I Wander Safe At Night," which is played most prominently during the big group drug/orgasm scene, perhaps the standout scene in this film: a bunch of people smoke pot (or some mind-altering drug), then get horny and get freaky. All to the strains of a bad guitar solo. This should be a requirement for all soft-core porn.
Laura Gemser is pretty hot, she could easily still stand out even today. Come to think of it, all the women here are not bad-looking at all. If you can stand the fact that a lot of George W.'s last name is in full force here (personal grooming wasn't in in 1976, kids), you might like the ladies.
"Emanuelle in Bangkok," a standout film from my lonely teenager years. I don't even remember the plot, and I don't care. Seeing this now brings back memories of me with Cool Ranch Doritos and a bottle of Pepsi, keeping the volume low so my parents wouldn't hear it, settling back to Showtime's late-night lineup, which included this film and "Red Shoe Diaries." Those were the days...
Did you know
- TriviaWhen Black Emanuelle (1975) was a smash hit, Laura Gemser signed a contract with director Joe D'Amato (aka Aristide Massaccesi) for five more Emanuelle films. Gemser said years later that being nude and filming sex scenes for Black Emanuelle were awkward for her because she was very shy, but they got much worse working for D'Amato. He was an infamous director of sleazy exploitation films in 1970s Italy, and churned out hundreds of low budget films that left audiences in awe of how perverse and depraved they were. He ended up having Gemser filming every possible sex (straight and lesbian) and nude scene he could think of and filmed her from every possible angle,
- GoofsIn the English print opening credits, Venantino Venantini's surname is misspelled 'Venantim'.
- Alternate versionsThe version distributed by City Nights Films (which is the version most often shown on US cable television) replaces the title and end credit sequences of Laura Gemser wandering around various locales with a sequence of titles on a black background. The love scenes are also majorly (and quite sloppily) cut, as are some more violent sequences.
- ConnectionsFeatured in Joe Bob's Drive-In Theater: Episode dated 2 July 1994 (1994)
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- La possédée du vice
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- See more company credits at IMDbPro
- Runtime
- 1h 32m(92 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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