Black Emanuelle

The main reason to check this one out is to watch Laura Gemser in all her glory.

That's reason enough for me.

She heads to Africa as guests of another rich guy that seems to be all over these films. Huge mansion near the jungle. Hunters staying around for parties when they aren't out hunting zebras. And said parties becoming drunken orgies.

All the high society types in the Emanuelle films seem to have out of control fetishes. And Emanuelle beds most of them.

Joe D'Amato did NOT direct this one. He just ripped it off and used the same cast(s). And did anyone notice the 'subliminal' sexual images at the gas station? And why did most of the men stay dressed during the sex scenes?

Coherence? Hardly any. BUT GODDESS GEMSER IS BEAUTIFUL.

Some folks say this is the best Emmanuelle movie while others say it sucks. Well, I think they're both right. All the Emmanuelle (French)and Emanuelle (Italian) movies have laughable dubbed dialogue, idiotic libertine philosophizing, a heavy dose of European art houses pretensions, and of course mildly erotic if increasingly tedious omni sexual sex scenes. The Italian movies added a borderline-racist fascination with interracial coupling, and Joe D'Amato took the series into some irredeemably sleazy territory involving cannibals and snuff films. Still all these movies were shot on film, they all had some breath-takingly beautiful natural scenery (and I don't just mean the women), and they were, if only by default, interesting exotic travelogues. "Black Emanuelle" typifies both the best and worst aspects of the series.

Unfortunately, after once talented director Walerian Borozyx for some reason cast America b-Movie bimbo Monique Gabrielle (who makes Laura Gemser look like Meryl Streep)in "Emmanuelle 5", and "Emmanuelle 6" with Natalie Uher (actually the best of the legitimate French movies) and a French TV series hosted by original Emmanuelle, Sylvia Kristel, didn't take, Emmanuelle would go Hollywood. Film became porno-gloss video. Exotic African and Asian locations became left over "Star Trek" sets. And the most beautiful naked women God could create (Laura Gemser, Natalie Uher, Nieves Navarro) were replaced by the most beautiful naked women Beverly Hills plastic surgeons could create (Krista Allen, Holly Sampson). Stupid but exotic became stupid and boring. There is only one reason to watch a modern Emmanuelle movie, but that only takes your average dateless wonder about ten minutes. The original "Black Emanuelle" is awful, but it will at least hold your interest until the end, making it--by default--the best of the bunch. (However, when I can get a cheap copy or learn to speak Italian, I'd like to see the very first Emmanuelle--"Io, Emmanuelle" with Erika Blanc)

Laura Gemser is breathtaking! She is beautiful beyond words. Even now in her senior years she is still stunning. She is a natural beauty in every way. This fact must be understood when watching Black Emanuelle.

Whether it intended to be or not, This movie is at it's core, a love letter to both Laura Gemser and South Africa as a whole. The cinematography is breathtaking, as is the sight of Laura Gemser. And we get plenty of both in spades.

The plot is little more than a vehicle to transition from one sex scene to the other. Which is fine, as all of the scenes have Gemser either participating or present. So no complaints here.

Well actually, I only have two complaints. The two male leads in the movie, Look almost identical, And sadly if you are following the story it makes figuring out who's who a nightmare. My second complaint is the Gang-bang scene on the train, It was shoe horned in and feels like it, as it makes no sense at all even be porn standards.

In the end, It's worth checking out. If nothing else but for the amazing view of Laura Gemser

This "Black Emmanuelle" is a typical Italian cinema product of the 70's. Whenever there was a new & popular trend at the movies, whether it was in horror, Sci-Fi or drama, Italian cinema would immediately cash in on it by rapidly creating their own equivalent. The story basics would be pretty much identical to the original product, but the Italian version would distinguish itself with either more gore, more violence or (much) more sleaze. Following the immense success of the French film "Emmanuelle" starring Sylvia Kristel (bearing in mind that, for once, that film already is a rip-off itself), Italy came up with its own insatiable sex nymph who ends every line she says by taking her top of. The gorgeously stunning Laura Gemser plays a photographer called Emanuelle (notice how there's only one "m" in her name to avoid legal difficulties) who travels to Africa for...no particular reason, actually! No reason other than to have random sex with a bunch of rich males and females that do nothing all day but throw parties and lay down by the pool. The film itself is quite dull, with the exception of several beautiful shots of the African wildlife, but Gemser is pure candy to look at and the original music by Nico Fidenco is among the best I've ever heard. This first film in a series of 8 starring Gemser strangely also is the least eccentric and most common one! The directing would later be taken over by the infamous Joe D'Amato who transformed Black Emanuelle into a trashy sex-guru that shows her sexual skills in all the corners of the world, from Asia to America and even among cannibal tribes and inside female prisons! In this first film, Emanuelle still is a sensitive and emotional girl whereas she's be a dominating shrew in the later films. No extreme sleaze-stuff happening here, like horse-masturbating for example (check "Emanuelle in America") which is probably why my national TV-station programmed it on Saturday night. However, if you happen to have an original copy, you should treasure it, as this is an extremely rare and hard to find movie!

Would it be splitting hairs to point out that the Emanuelle in question is not "black" but Indonesian? I suppose it's no more silly or abstract than LL Cool J being Robin Williams' full-blood brother ("Toys"). Sumptuous cinematography, creative carnality, and the gorgeous (Laura) Gemser, pre-empt all political incorrectness. Pedophiliac permutations "pop up" (when a 12-year-old native boy eagerly presents Emanuelle with a phallic "good luck" icon and says "I give it to you!") and are "purged" and pacified when, a short time later, she drinks a strange potion at a ceremony, copulates on the ground with an anonymous, young tribal dancer (in full view of villagers and friends), and realizes she has had meaningless sex (well, duh!). Whatever happened to Laura Gemser's brief foray into straight cinema when she starred with Michael Landon in a 1983 made-for-tv movie? I give this sex-seared safari seven sharp spears, six shrunken skulls, five fat ferrets, and a porn queen in a pear tree!