Les Déportées de la section spéciale SS

As I've seen this film, and no-one else has written anything about it I thought I'd say a few words, not that it is particularly remarkable. If you're even looking at this page you're probably a fan of Italian Exploitation (god help you) and this film is certainly that. It's about women in a Nazi prison, featuring such classic situations as the odd lesbian encounter, sadistic guards, and a lengthy bit of pubic hair shaving.

The plot is handled decently, I guess, being a rare film of this sort that actually provides some interest in the individual characters. This may come from the ridiculously over the top acting (especially from the camp commandant), but at least there is an air of some competence in the production.

In terms of deranged innovation, this film features an eye-opening razor-blade-in-a cork-up-the-vagina manoeuvre to thwart the amorous commandant. That scene, amongst others, contributing to the fact that it was apparently rejected for even Cinema exhibition in Britain. Tragically it occurs quite far into the film, and is not particularly gory or amusing or otherwise of interest. The fact that it is banned probably means more people will seek it out than otherwise would (I know I did).

There are a few scenes like the above, catapulting this film from a routine exploitation movie into something that leaves a bit of a nasty taste in the mouth. Moving from the sort of obviously fake nonsense most films of this kind have, to a seeming attempt to present degrading experiences realistically, for no reason other than whatever kicks viewers can get out of that. Not very many for most people I would expect.

Nonetheless worth seeing if you like the genre I imagine, especially the scene where, in an effort to impress the heroine, the commandant makes two women give him a blow-job (interesting seduction technique, certainly, but then the guy is a Nazi); his facial expression is great. However there's really nothing here that is particularly original, and (as above) will probably leave most feeling a little dirty. Still, no particular reason for it to be banned.

NOW we're scraping the bottom of the barrel, as the Nazisploitation genre kicks into gear with a film that's both offensive and snooze inducing, featuring a career low from John Steiner. His terrible acting in fact is the only thing that will keep you awake.

A bunch of women are taken to a special camp to join Ian Curtis and Peter Hook in Joy Division. There's the usual bunch of aggressive lesbians who all want a piece of this and that and aren't averse to having a cat fight in order to find out who is the top carpet muncher on camp. Meanwhile (and I'm struggling here as the plot just sort of ties all the usual exploitation crap together) John Steiner is the guy and charge and he's delighted to find that his ex-girlfriend is one of the prisoners. That's not so lucky for her mind you, ending up in a Nazi camp with an irate ex in charge. Revenge porn kind of pales in comparison.

The relentless barrage of crap in this film involves Steiner trying to get his ex to fall in love with him which invariably leads to her getting beaten and tortured, being forced to witness sex acts (YOU WILL VIEW MY SPECTACLE - Steiner screams), gets it on with a camp guard to make Steiner jealous (whom he bums in the funniest scene in the film), while the other inmates are beaten, showered, glowered at, ogled, tortured and murdered, all done in a rather cheap fashion which causes the viewer to start nodding off.

What was Steiner thinking? Things come to a head when Big John ends up getting little John torn to shreds with a fanny/razor blade combo. What a pile of crap. I'm only watching it because when I set out to watch all these films I figured I'd see how low things got in the Italian film industry. The answer is: very low. Who was this film aimed at? All those escaped Nazis in South America?

And there you have it: My review of The Departed: US Special Edition

After seeing countless 'Nazisploitation' movies, I lost hope that anything from this genre could actually qualify as "good cinema." But "Deported Women of the SS" has all the trappings of a good film; competent, sometimes beautiful cinematography, haunting and romantic orchestral score, and characters that are developed enough that you can actually care about their fate. Not to mention very authentic looking military/SS uniforms, and hairstyles correct to the 1940's. Best of all, we have John Steiner, as SS Captain Herr Erner. what a great, sinister villain he makes here. He played a similar role in Tinto Brass' "Salon Kitty," and I cannot imagine anyone looking more believable in those gorgeous black SS uniforms. In "Deported Women" we learn that Herr Erner had a passionate affair with an attractive young woman,and is reunited with her years later, when she arrives at the concentration camp..as a prisoner. His obsession for her grows to the point that it could be his downfall.

For WWII enthusiasts, this is a must-see film. As far as the exploitation elements go, this movie doesn't go overboard. You get a lesbian rape scene, that winds up not being very enjoyable, as we are made to care about the victim. This is so rare with this genre of film. The actors are attractive and the high production values prevent this from looking seedy. This is certainly the best film of it's genre. I also recommend another nazisploitation film called "Nazi Love Camp," as it has good production values, and a good story. Try to find a good copy.

As with all these Nazi exploitation films, this is not for everyone. However, for those who do enjoy the genre, this will probably be perceived as a less engaging sample when compared to "The Beast In Heat," "Gestapo's Last Orgy" or the deliciously erotic "SS Experiment Love Camp."

The story here is extremely thin; women arrive at a POW camp where they engage in frequent lesbianism and a tedious plot to escape. The SWV crowd may respond to the grossness of the girl/girl scenes, but other audiences will find these a massive turnoff. Male/female sex is almost completely absent and is of the very tame "huggy-kissy" variety, rather than softcore humping.

John Steiner easily steals the show as the most charismatic performer. He also gets to do something quite interesting when he forces his manservant to submit to him sexually - revenge sex for the manservant's tryst with Steiner's old girlfriend. As so often happens with these films, the producers go out of their way to make the male coupling grotesque by casting a fat, bald, old and ugly actor as the object of Steiner's lust. Notice they did not cast someone hot and youthful, like Cesare Barro, for the role!

All in all this is a rainy day time-waster, okay if you're in the mood but not as juicy and exciting as some of its contemporaries.

When one watches exploitation films of this genre, one really wants to see things taken more absurd, but this one takes things too seriously. The train cars having a light bulb in them was a startling puzzle. But then, things got more routine. Severe looking woman guards shouting to make sure there was no talking, and the requisite nudity. The Commandant, Herr Erner/Enner clearly was a monster, as some said, but he didn't act like that. His uniform showed attention to detail and he had an obese aide. They threw in some unnecessary liaisons, and that really interrupted the flow of the movie. Herr Enner had a past history with one of the captives, and had a scenario in mind with her that was all too predictable. I felt that everyone was taking the movie too seriously. If one thinks of some memorable movies of this genre, like in the Ilsa series, or even Love Camp 7, they knew what they wanted to be. I am not sure what this movie wanted to be.