A prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by havi... Read allA prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tr... Read allA prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tries to "cure" homosexual men by having nude women dance for them. This is only some of the... Read all
- Jewish Prisoner
- (as Marina D'Aunia)
- Kapo
- (as Gotha Koppert)
- Maria Black
- (as Lorraine De Salle)
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Italian leading lady Lorraine De Selle co-stars as the captive medical doctor forced to collaborate on the inhumane experiments, all the while trying to avoid the threat of the crematorium and the unwanted attentions of crazy Kurt (Attansio) a giggling, slobbering apparently brain-damaged servant used to sexually abuse the captives (and who also likes to indulge on the side, for which he's notorious).
Staccioli leads the cast playing a stern, malicious and especially sadistic commandant unwavering in his commitment to the perverse experiments even as it becomes clear that the Russian front will be overcome. Unlike his nazisploitation contemporaries, Staccioli's character is a lot less sympathetic even by their collectively low standards, and so whilst abhorrent, his character is consistent and believable.
The experiments are outrageous as intended, the overall film rather grim, Mattei exploits most of the typical genre themes from lesbian officers and girl-on-girl fights, to S&M and growling mutts (in this case German Shepherds) as he creates a vaguely watchable entry with better plot structure than most of its ilk, and a fitting conclusion that shouldn't disappoint. Definitely one of the better exponents of the genre.
The version available from Fortune 5 DVD is grainy, and even though it is in English, it has (what appear to be) Dutch subtitles. This could obviously be improved: cleaner picture, and the original language spoken with English subtitles would be nice.
The film is written and directed by Bruno Mattei, who is probably best known for his zombie films ("Virus") and mediocre efforts in horror and sci-fi. This is not horror or sci-fi, but it could easily be called mediocre.
There are plenty of nude women showering and/or being molested to exploitatively feast your eyes on, if only the film was not so fuzzy. Also a few sex scenes with threesomes, under the guise of an experiment on heat transfer.
In one scene, actual film of concentration camp victims is shown, adding to the realism, but again in an exploitive and indecent manner.
* (out of 4)
Naziploitation from Italian director Bruno Mattai has the familiar story of the mean Nazis taking women hostage and doing all sorts of experiments on them, both physical ones as well as sexual ones. Mattai worked as a producer, editor, director, actor, writer and various other things during his career but it's clear he never learned how to cut an exploitation movie down. This film runs 100-minutes, which is at least thirty minutes too long as the film grows very tiresome very quickly. There's plenty of lesbian sex, torture and nudity but all of this grows boring after the first fifteen times. As is to be expected, the performances are all rather weak but Mattai does bring a few decent touching in the visual look of the film. Apparently this film was based on real characters as we're told what happened to them since the time of these events including one who lived in America up to the time this film was released.
This is his second attempt at Nazi camp films, and it is poorly made. The lighting is absolutely atrocious and that is better than the acting.
The effects are non-existent, so the experimentation they were doing has no effect. It is just an interesting look at the sickness the Nazi's were working on, like transplanting a uterus, or reviving frozen pilots with women's bodies, or poison bullets to make people suffer more.
Naturally, since this is an exploitation film, you see a whole lot of full frontal nudity, degenerate monsters who rape, and some really creepy Nazi commandants and wardens.
It is funny in that I have seen a lot of girl fights in movies, but in this film, they always manage to get totally naked when they fight.
Did you know
- ConnectionsReferenced in L'Éventreur de New York (1982)
- How long is Women's Camp 119?Powered by Alexa
Details
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.85 : 1