A group of teenagers hanging around a cemetery get involved with a satanic priest who calls up a demon from hell.A group of teenagers hanging around a cemetery get involved with a satanic priest who calls up a demon from hell.A group of teenagers hanging around a cemetery get involved with a satanic priest who calls up a demon from hell.
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Ron Hiveley
- Paul Foster
- (as Ron Hively)
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Satanist Laval Blessing (Christmas Robbins, looking like James Hetfield circa 1990, after he's eaten a whole load of pies) holds a party for his coven, but when he insists on them all getting naked to participate in an orgiastic ritual, they decide to leave. Miffed, Laval (and the one woman willing to strip for the occasion) summons a demon to take revenge on his disloyal followers.
This low-budget independent horror features atrocious acting, a terrible script, dreadful photography, and a hilariously bad demon (big horns, big fangs, and big red eyes), but it is thanks to its ineptness in all departments that it proves to be quite watchable. Films this bad are what fans of z-grade horror live for, and this one doesn't disappoint, delivering such delights as a totally pointless karate training session in which Laval gets kicked in the goolies, a poorly choreographed bar brawl, three girls having a play-fight with canned cream, and Frank Zappa being shot in the crotch with a crossbow.
Director Donald G. Jackson (Hell Comes To Frogtown) blissfully ignores the fact that no-one in his film can act (even Gunnar Hansen, in a brief cameo, ain't great), giving us numerous bloody but unconvincing death scenes guaranteed to have viewers in stitches. Not a great film by any stretch of the imagination, but for those with a particular mind-set, it'll prove a fun way to waste seventy or so minutes.
4.5/10, rounded up to 5 for IMDb.
This low-budget independent horror features atrocious acting, a terrible script, dreadful photography, and a hilariously bad demon (big horns, big fangs, and big red eyes), but it is thanks to its ineptness in all departments that it proves to be quite watchable. Films this bad are what fans of z-grade horror live for, and this one doesn't disappoint, delivering such delights as a totally pointless karate training session in which Laval gets kicked in the goolies, a poorly choreographed bar brawl, three girls having a play-fight with canned cream, and Frank Zappa being shot in the crotch with a crossbow.
Director Donald G. Jackson (Hell Comes To Frogtown) blissfully ignores the fact that no-one in his film can act (even Gunnar Hansen, in a brief cameo, ain't great), giving us numerous bloody but unconvincing death scenes guaranteed to have viewers in stitches. Not a great film by any stretch of the imagination, but for those with a particular mind-set, it'll prove a fun way to waste seventy or so minutes.
4.5/10, rounded up to 5 for IMDb.
Try as they might, no-budget filmmakers working on DV just can't seem to capture this level of sordid, inept fun! THE DEMON LOVER has it all: Bad acting, lousy writing, murky camera work, a ridiculous-looking rubber monster, a little skin (not much), a little blood (not much), characters named after comic-book professionals, and a surprisingly accurate look at what a lot of fringe-type folks were like in the late 1970s. Yep, tasteless and stupid as the movie is, and awful as the people in it act and look, you really could've met people like the cultists in THE DEMON LOVER at the time! They might not have been devil worshippers who ended up facing their lord and master in person, but they still existed (and they're still out there with their, uh, lifestyles). BTW, the final confrontation between the ex-cultists and their blowhard former master is priceless: Watch for the crossbow bolt! And don't miss the big karate demo in the middle; it's truly the stuff of '70s I'm-so-cool wanking. A cruddy drive-in flashback par excellence.
Under-the-barrel raunch involving the usual wild-for-kicks teens...this time around they're a strange mottle resembling old-school Black Sabbath fans, and their audacious dabblings in black magic parenthetically unharness a bloodthirsty demon which the group leader dispatches for a series of random killings.
This financially underprivileged drive-in dreck is a showboat of laughably deficient capacities...not for one meteoric instant is DEMON LOVER indicative of professional contribution to any aspect of its production. Even by the casual standards of 70s era drive-in trash, it's a wondrous botch...and a veritable Faberge Egg for the elite brotherhood of schlock-mongers.
Interestingly, the dubious "mountain in labor" origins of this celluloid poopstain would become the focus of DEMON LOVER DIARY, a coarse but otherwise spectacular film-document which is cardinal viewing for anyone interested in the bizarre universe of zot-budget regional film-making. 3.5/10
This financially underprivileged drive-in dreck is a showboat of laughably deficient capacities...not for one meteoric instant is DEMON LOVER indicative of professional contribution to any aspect of its production. Even by the casual standards of 70s era drive-in trash, it's a wondrous botch...and a veritable Faberge Egg for the elite brotherhood of schlock-mongers.
Interestingly, the dubious "mountain in labor" origins of this celluloid poopstain would become the focus of DEMON LOVER DIARY, a coarse but otherwise spectacular film-document which is cardinal viewing for anyone interested in the bizarre universe of zot-budget regional film-making. 3.5/10
Don't you hate it when you purposely lower your expectations in order to avoid disappointment, and come to find out, it's all been for nothing? As a desensitized lover of B-horror of the 70's, Master Of Evil actually sounded decent enough. Decent enough for the guy who enjoyed The Chooper, at least. Yes, Master Of Evil is cheesy, and yes it's low-budget, and yes, it would technically be in that "so bad it's good" category, but no, I did not enjoy Master Of Evil. I can overlook a lot, but non-stop boring is a lot to ask. These guys offer us nothing but conversations, arguments, some little satanist-mascot guy, and very little story to speak of. Concerning a group of Satanists who party often, in a castle owned by their leader, Laval Blessing, a smug, yet confident young fellow, with hair that's way too long, and way too curly for his own good. Blessing unsuccessfully tries to set up satanic orgies, but you got to, at least admire the guy's ambition. Eventually, Laval upsets everyone, making them split, with his deep satanic knowledge and whatnot. Later on, Blessing conjures up an incredibly fake-looking devil thing, which possesses a few unfortunates, and kills a few more. An epic, indeed. Oh yeah, our pal. Gunnar Hansen shows up, as if it matters. For something with a similar vibe, with (a little) more life, check out Werewolves On Wheels. Ultimately, Master Of Evil screams dead acting, incoherent dialog, characters with seemingly no purpose, a grainy, murky look to everything, a typically unfitting score, and of course, a ridiculously outlandish devil monster, with glowing red eyes (usually)... well, now that I put it like that, it sounds pretty damn good. Maybe I spoke too harshly earlier, Master Of Evil ain't bad, check it out! 5/10
DEMON LOVER is an ultra-low budget horror film featuring a long-haired sorcerer named Laval, who bears a striking resemblance to the Cowardly Lion of Oz. He seeks ultimate power through occult means. When his "occult study group" (!) walks out on him, he decides to go it alone, performing a ritual on some naked woman in the basement.
After actually conjuring a demon, Laval's ex-followers begin dying in grisly ways.
The mega-cheeeze piles up fast, with a supporting cast of what can only be described as animatronic mannequins and a soundtrack recorded in a public toilet. Thankfully, it's all presented so seriously that one can only howl in approval. This is funny stuff! Just wait until you see the demon!
BEST SCENES: #1- A girl in a car having the world's most hilarious seizure! #2- The apocalyptic shaving cream battle sequence!
Fans of Gunnar Hansen had better not blink. He stars as Professor Peckinpah for about 30 seconds...
After actually conjuring a demon, Laval's ex-followers begin dying in grisly ways.
The mega-cheeeze piles up fast, with a supporting cast of what can only be described as animatronic mannequins and a soundtrack recorded in a public toilet. Thankfully, it's all presented so seriously that one can only howl in approval. This is funny stuff! Just wait until you see the demon!
BEST SCENES: #1- A girl in a car having the world's most hilarious seizure! #2- The apocalyptic shaving cream battle sequence!
Fans of Gunnar Hansen had better not blink. He stars as Professor Peckinpah for about 30 seconds...
Did you know
- TriviaDamian Kaluta, one of the protagonists of the film, is played by Val Mayerik, who is also one of the creators of Howard the Duck. I'd assume that's his art on the poster as well. The name of his character Kaluta comes from 1970's comic book artist Michael W. Kaluta and many of the names in the film are also derived from comic and horror icons of that era, like Detective Tom Frazetta (painter Frank Frazetta, who designed most of Fire and Ice), Officer Lester Gould (Chester Gould, creator of Dick Tracy perhaps?), Elaine Ormsby (Alan Ormsby of Children Shouldn't Play With Dead Things), Alex Redondo (Filipino Swamp Thing artist Nestor Redondo), Susan Ackerman (Forest Ackerman, of course), Charles Wrightson (Berni Wrightson, who drew the comic for Creepshow), Jane Corben (Richard Corben, who created Den from the Heavy Metal magazine and movie, as well as the painter of the poster for Spookies), Garrett Adams (Neal Adams), Janis Romero (George Romero) and Pamela Kirby (Jack Kirby).
- Alternate versionsVideo version entitled Devil Master said to be the most complete video.
- ConnectionsFeatured in Demon Lover Diary (1980)
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