Comment séduire un play-boy

I had to give this a high rating. I ran the 16mm theater while stationed at Cape Romanzof Alaska. We were in the bottom of a volcano on the Bering Sea. My previous duty assignment was at North Truro AFS on Cape Cod. The scenes showing Provincetown, MA. made me feel so great! Not quite like being home again, but it sure was nice to see.

So much for the sexual revolution. This movie insults women, races and even gays. It doesn't mean to, it just comes naturally.

I found this on YouTube because I am a Yvette Mimeux fan but kept watching because of Christopher Jones' fabulous and beaudacious buuttocks. All four stars are for that.

It would seem to be a real shame most of those involved, from writer

Stephen Yada to Christopher Jones, never really got to do much else.

Because this uneven, smart, well acted satire is way ahead of it's time;

and still surprises. The title gimmick, which was used to advertise the movie, is really one

of the weaker sections of the film, which looks at the battle of the

sexes in a way that really does mirror it's time, while treating it's

characters with humor and affection. If you can get a copy, it's well

worth going out of your way to see. Only the mediocre pop score does not

hold up well.

It is a shame that older small movies (low budget, small box office, "B" movies) rarely climb out of the "attic" and back into availability as VHS or DVD selections.

This was a classic "teen flick" cheaply produced to maximize profit, but it was a bit of a surprise hit. It even produced a sequel.

The music by Chad Stuart show his startling creativity and promise of a career that never materialized.

I only wish it were readily available.

Just watched a true rarity that I'd been wanting to see for some time: "Three in the Attic," from 1968. In this one, Christopher Jones, star of that same year's "Wild in the Streets," stars as Paxton Quigley, the self-styled "first casualty of the Sexual Revolution"; a good-looking lothario at a Vermont college, whose claim to fame is that he has bedded no less than 50 women before his sophomore year. He soon becomes very involved with three more: a beautiful blonde WASPy type (Yvette Mimieux); a pretty, black soul sister (Judy Pace); and a Jewish hippie (Maggie Thrett, who most viewers will remember best as Ruth from the classic "Star Trek" episode "Mudd's Women"). Trouble arises when the three gals realize that Paxton has been sleeping with all of them, and in revenge, bring the young stud up to the titular attic, hold him prisoner, and drain all his manly energies from him by feeding him nothing but meat and having nonstop sex with him. Ultimately, poor Quigley is on the point of death from being so depleted, in this pretty funny sex comedy. The film has loads of clever dialogue, is well directed by Richard Wilson, offers up many catchy tunes (by Chad and Jeremy), and in all is a lot better than I had been expecting; not as good as but on a par with "The Graduate," "Goodbye, Columbus" and other films of the era dealing with sexual liberation. My favorite line in the film comes from that hippie chick: "Do you think it's possible for a woman to be both Jewish and psychedelic at the same time?" Love it!