Micmac au Montana

Any film with Katy Jurado is worth seeing and she's on screen for about twenty minutes here. This is better than Pat Garrett and Billy the Kid where she's on-screen for two minutes and even makes that film worth seeing.

This is a silly comedy, with a few effective gags and lots of slapstick. I think the movie is hated because 1)many of the Native American characters are played in brown make-up by Euro-American actors and they seem to childishly enjoy getting drunk and getting into fights. 2)Presley has a bed scene with Quentin Dean (who won a Golden Globe the year before for "In the Heat of the Night"). Dean is supposed to be a Lolita type nymphet. Her age isn't mentioned, but she appears to be about 16 years old, at most.

If you can get over these two offensive points, the movie is fun in a three stooges type of way. Presley seems to be enjoying himself and his performance is pretty smooth and easy going. This was one of his last films and he seems totally comfortable playing rodeo rider Joe Lightcloud.

It is always nice to see Joan Blondell. She had become a big star again in 1968 with her role on the hit television show,"Here Comes the Brides." Still, her role is pretty pedestrian as the bootlegger mother of Quentin Dean, who first tries to keep Elvis away from her, but then decides to use a gun to make him marry her.

Still, its Katy Jurado's delightful small performance that made the film worth watching for me. We even get to see her taking a bath. That is worth two of the six stars I gave the film.

After such smellaroos like "Clambake", "Kissin' Cousins" and "Paradise Hawaiian Style" this movie is a breath of fresh air. At this juncture of his movie career, his films didn't engender much confidence. With the exception of "Speeedway" which was actually filmed before this one, his films were at least decent again. Elvis plays a half breed named Joe Lightclould who is always getting himself in trouble. Strong supporting cast, with the late Burgess Merideth who was one of many. And the music was a big improvement over what he had been doing lately. Perhaps being married gave him back his drive, perhaps being a father gave him back his drive. And perhaps he just got fed up with the crap the he had been given and demanded better rolls. I give this movie three and a half stars.

A squashy slapstick mess posing as a comedy. Elvis Presley plays an Indian bull-riding champ who leaves the rodeo for a stay at home on his folks' desert-spread in Arizona, where government suits have just invested in the family's herd of cattle (which is in dire need of a stud). What director Peter Tewksbury is in dire need of is some narrative skills, though what he lacks in assessment he makes up for in sloppy comedic montages (his social commentary isn't exactly pointed, but Tewksbury does have a satiric bend to his outlandishness and there are some funny scenes). Despite colorful supporting turns by Katy Jurado and Joan Blondell, the general wackiness gets way out of hand, and there's too much hoopin' and hollerin' to sustain much interest. As for Elvis, he's loose and frisky throughout--and while it's nice to see him having fun on-screen, one has to wonder if he had just given up on movies at this point. This shambles of a picture has a distinct what-the-hell feel to it, and though spirits are high, the returns are mostly low. *1/2 from ****

Elvis Presley plays a "half-breed" Native American ("Indian") who has to defend his reservation from nasty business tycoons. Everyone likes to get drunk, fight, and make children. Fighting, wrestling, and "punching out" each other replace the stereotypical hand-raised expression "How"?

Although he does have make-up on, it's obvious Elvis is healthier than he appeared in prior films; possibly, he was getting ready for his famous "comeback". It couldn't have been because this movie's script was anything to get excited about. Joan Blondell trying to seduce Elvis, and Burgess Meredith in "war paint", should be ashamed.

The best song is "Stay Away" (actually, "Green Sleeves" with different lyrics). The most embarrassing song is Elvis' love song to the bull "Dominic". There are some surreal scenes, but it never becomes trippy enough to succeed in that genre; though, "Stay Away, Joe" might provide some laughs if you're in the right "mood".

Otherwise, stay away.

** Stay Away, Joe (3/8/68) Peter Tewksbury ~ Elvis Presley, Burgess Meredith, Joan Blondell

I have to disagree with a previous comment that this is Elvis' worst film. OK, it's not a comedy classic but surely, at least in my opinion, "Harum Scarum", "Paradise, Hawaiian Style" and "Easy Come, Easy Go" are much more inferior to this rather enjoyable yarn. I for one always enjoy watching it whenever it's screened on Cable TV and it's a pity it has not been released on DVD yet. Besides a very good-looking Elvis, the supporting cast Burgess Meredith, Katy Jurado & the wise-cracking Thomas Gomez (as grandpa) are a joy to watch. And the opening title sequence with the camera flying over the Grand Canyon while the lovely "Stay Away" (a re-working of "Greensleeves") plays on the soundtrack must rank as one of the most beautiful openings in all of Elvis' movies.