Les anges du faubourg

Unlike earlier films featuring Elvis Presley that involve mostly singing, partying, playing the hero, and getting the girl, he actually plays more serious roles here. Nevertheless, this movie is underrated. At the time it was released, the film was probably used as a social-political instrument for change but watching it now refreshingly brings the audience back to a time when people thought things differently and society was going through tumultuous social changes. This film captures the full spirit of its time and really sets the stage for the dawn of the 1970's. It is also a surprise that so many reviewers do not mention much about this side of the film as it probably was the intention of its directors.

Elvis last movie, and one that reflects his maturity, since it was released in 1969, when he was thirty four years of age.His first movie was in 1956, when he was 19. The vast difference is evident. The part he plays is an odd but welcome role for him. He gets to do some serious acting for a change. He is not a bad actor in this movie. The social and racial times are reflected through out the movie. The use of the 'N" word is rather shocking, especially when uttered by a small child. The ignorance about the causes and treatment of children with autism, at that time is apparent in the way it is dealt with. Racial stereotypes are pepper through out this production. Still it is worth a look.

A hip, young Dr. John Carpenter (Elvis Presley) comes to a bad neighborhood slum to manage a clinic. He hires three nurses, unknowing that they are nuns in plain clothes. One of the nurses (Mary Tyler Moore), falls in love with the guitar playing doctor and has to make up her mind to stay with him or go back to the church. This is Presley's last scripted movie and probably never looked better. Four songs make up the soundtrack featuring the million seller "Rubberneckin'". Also in the cast are Jane Elliot, Barbara McNair, Robert Emhart and Ed Asner. Great for repeat viewing.

A sad lament among fans of Elvis Presley is that his handlers (read: Col. Tom Parker) thought so little of him and his talents that they put him in piles of cinematic dung such as "Paradise Hawaiian Style" and turned down movies like "A Star is Born". If you've spent your life watching "Girls Girls Girls" and "Kid Galahad" then seeing a "normal" Elvis sans jumpsuit or guitar or a bevy of bikini-clad babes may jar you.

However, "Change of Habit" is not one of his mindless musicals. It is instead an attempt at a "real" movie, and Elvis fares well. It is odd to see Mary Tyler Moore as his love interest, but it's odd to see her as anything but Laura Petrie to me anyway. A little better script, maybe a different actress as his foil, and "Change of Habit" would have been a better movie. But when you compare it to "Clambake" ....well.....that's not really fair is it?

Believe it or not, this flick starts off with a three nun strip-tease (of sorts). Very provocative.

Some decent Elvis songs, a pretty young MTM, a good performance from the supporting cast, and an amusing and well-acted brief appearance by Ed Asner as a liberal police officer, combine to address (albeit superficially) a number of important socio-economic, racial, sexist, and religious issues, to name but a few.

Even though this movie tackles some serious subjects, it does so in a light and entertaining fashion, infused with some enjoyable songs. I didn't expect to enjoy this movie as much as I did.