Django ! Prépare ton cercueil

One of my favorite Spaghetti westerns is "VIVA DJANGO". Terence Hill plays Django, a man who's wife was murdered by his best friend. Django becomes a hangman, who doesnt kill his victims, he gives them a harness, with a big hook, to wear so they wont be strangled. Django does this so they will help him get revenge on David Berry for murdering his wife. Excellent Spaghetti Western that never gets boring, full of guns and action! Terence Hill does a good job imitating Franco Nero. I think this movie is slightly better than the origanal DJANGO made in 1966. Get a bootleg of this movie off of Ebay, you wont be dissapointed!

Django, you are a gullible one. Haven't you seen all them Spaghetti Westerns starring Horst Frank? He's not a good employer! Django finds this out the hard way when, following a successful election for Frank, Django gets ambushed transporting gold, his wife gets killed, and he gets turned into a vigilante killer! Worse still, he ends up taking a job as the hangman, but with motives! His motives involve not actually hanging folks as they are being framed by Horst Frank and sidekick giant George Eastman. So Django is forming his own little army of not-dead guys to get revenge on Frank and Eastman. Can he trust them? There's a gigantic amount of double crossing in this film which almost threatens to derail the entire film. Some of Django's guy double cross him, and then each other, until you stop caring about what's happening on screen and hope that at some point people will stop double crossing each other and you can just get to the big fight at the end.

George Eastman is good in this one and has a memorable death. Terence Hill in non-comedy mode is pretty good (He's basically Franco Nero with a pointier nose) and I'm watching too many of these films now as Horst Frank seems to be in most of them and it's hard to separate what he does in one film from the other.

This one plays out like an average Spag Western but there are enough quirks in there to make worth watching once. I love the way Arrow DVD have very slyly packaged the film so that unsuspecting folks would be it thinking they've bought Django Unchained!

A gunfighter (Terence Hill) forms a gang of "deceased" execution victims to get revenge on the politician and outlaw who killed his wife.

This film is unique among the plethora of films which capitalized on Corbucci's hit "Django" in that it is not only a semi-official, legitimate follow-up, but was also originally meant to star Franco Nero. Of course, it ultimately involved none of the same cast or crew from the original. But when it comes to spaghetti westerns, this is as close as you're going to get. Personally, my knowledge of spaghetti westerns is limited, so I would not be able to rightfully say whether this is among the best or the worst... but it is certainly an enjoyable film.

What makes the film interesting today (2017) is its role in a relatively recent pop song from Gnarls Barkley. Though the score was probably not praised by many people over the last few decades, when someone hears it now, they are bound to recognize the sounds of "Crazy". It might be interesting to know where the musicians stumbled upon the film's score.

The Blu-ray from Arrow Video is excellent, as always, though not their finest work. The picture is cleaned up very nicely (the 2k transfer was created from a 35mm interpositive), so this is easily the definitive version to own. But the special features are lacking. Other than a very brief (10 minute) run-down of the Django films from author Kevin Grant ("Any Gun Can Play"), there are really no bonus materials. No commentary, no interviews, nothing that really provides insight into this film. So a must for spaghetti western fans, but maybe not a must for the casual film buff.

Really, really good old fashioned Spaghetti Western starring a young Terence Hill as the titular gunslinger.

Gianfranco Reverberi's music is one of those old Western songs that just gets stuck in your head. I haven't seen the film in about four years and still remember the theme song beat-for-beat. Great cast too: with George Eastman, Horst Frank, Guido Lollobrigida, and Luciano Rossi (who dies like he does in every other movie). The dramatics is all melodramatic enough to the point of almost being funny, like with the action sequences where whoever is supposed to win just kicking ass and never getting hit once.

It's also interesting to note that this film has almost the exact same structure as Kurosawa's Yojimbo / Leone's Fistful of Dollars, yet it throws in enough variation (and "Django-ism") to retain its own unique and colorful feel. The best scene is definitely the ending showdown in the cemetery. Much better filmed and more comic book-style than anything in the original DJANGO - plus a lot more fun.

I never really was a big 60's Spaghetti Western fan, but I still liked this movie quite a bit, which definitely says something.

When Django is wounded, presumed dead and his wife is killed he starts working as a hangman while plotting his revenge.

Ferdinando Baldi's offering is a little rough round the edges but it has great Italian Spaghetti Western feel. Thanks to Franco Rossetti's story and setup, Django, Prepare a Coffin comes up trumps. There's vindication, retribution and unlikely relationships. With a twist and some memorable scenes including the fistful of hangings and showdown shootout Baldi delivers a rounded violent piece of entertainment.

Originally intended to star Franco Nero, thankfully, oozing screen presence Terence Hill comfortably slips in to Nero's boots. The supporting cast are solid enough. Actor Horst Frank is notable and refreshingly is not your typical villain. Staple Italian film actor George Eastman also appears. Gianfranco and Giampiero Reverberi's score is great (and decades later was partly sampled by Gnarls Barkley for the hit song 'Crazy').

Overall, it may not reach the heights of Sergio Leone Westerns or debatably Sergio Corbucci's Django, nevertheless to Baldi's credit it has a good time shooting for the stars thanks to Hill's spurring performance.