Pas de roses pour O.S.S. 117

1968's French-Italian "OSS 117 Double Agent" aka "OSS 117 Murder for Sale" (Pas de Roses pour OSS 117 or No Roses for OSS 117) was the 5th entry in the 60s OSS series, director Andre Hunebelle at the helm for the 4th time, location shooting in Rome and Tunisia. The first two actors cast as Hubert Bonisseur de La Bath aka OSS 117, Kerwin Mathews and Frederick Stafford, both played the role twice, the latter unavailable as he was busy filming Alfred Hitchcock's "Topaz." By sheer coincidence, the one chosen to replace Stafford for this lone entry was "Psycho" leading man John Gavin, just good enough to catch the attention of producer Albert Broccoli until Sean Connery returned to the 007 fold for "Diamonds Are Forever." Perhaps the finest cast assembled for any OSS title begins with luscious Luciana Paluzzi, only three years removed from the biggest Bond blockbuster, "Thunderball," Curt Jurgens still a decade away from Roger Moore's "The Spy Who Loved Me," add Margaret Lee as leading lady and a regrettably brief naked cameo from Rosalba Neri for additional eye candy, plus the welcome return of villainous Robert Hossein (from "Shadow of Evil"), and there are the makings of a film almost as good as Stafford's "OSS 117 Mission for a Killer." Hubert impersonates a notorious assassin to infiltrate 'The Organization,' keeping their paid killers in line via a slow acting poison, for without the antidote administered by Hossein's cold hearted Dr. Saadi they are certain to perish. Curt Jurgens is in familiar form as the criminal mastermind known as 'The Major,' George Eastman his main henchman, assisted by beautiful doctor Luciana Paluzzi, who sadly vanishes from the picture after the phony 'vaccine.' Hubert's assignment is to cause a rift between warring tribes eager to sign a peace treaty, foiling the plot by kidnapping the intended victim and replacing his 'corpse' prior to the fatal explosion, Margaret Lee a delightful love interest and damsel in distress (apparently on loan from Harry Alan Towers). The plot tends to move in fits and starts, one impressive early scene with Hubert forced to fight while preserving his unclothed modesty, the climactic rooftop skirmish falling short much like its wicked protagonist (a soft jazzy music score is no help either). This 60s series could not lay claim to be classics but they weren't cheap ripoffs either, just diverting enough to offer solid fare for undiscriminating viewers.

Yet another of those made-in-Europe "spy thrillers" inspired by the success of the James Bond movies, "Murder for Sale" will evaporate from your memory even as you watch it.

John Gavin lacks the roguish charm, cynical edge, and tough-guy assurance needed to bring off this kind of part. He seems, as always, sincere and dutiful and anxious to please and one can't but help feel a bit sorry for him. But, hey, what other actor can claim to have been directed by Douglas Sirk, Alfred Hitchcock, Stanley Kubrick, and Peter Ustinov?

The best scene comes early in the movie when the police come to arrest Gavin who's sleeping in a hotel room. Gavin jumps out of bed and, as music from "Carmen" plays on the soundtrack, fends off the cops by using his bedsheet the way a matador uses his scarlet cape. Gavin apparently sleeps "in the raw" and this scene gives him a chance to show off his bare and oh-so-beautiful chest.

The American Secret Service sends their best agent, OSS 117, to investigate a number of political murders that the police was not able to prevent. Disguised as a ruthless killer, 'William Chandler', OSS 117 will penetrate the terrorist organization just when it is preparing the murder of Heindrich Van Dyck, the UN delegate to the Middle-East peace process. OSS 117 will use a fake killing of Van Dyck, and substitute corpses, trying to dupe the criminal master mind, Dr. Saadi.

Only, the Major is too clever, abducts Aicha, and OSS 117 must fight both for his life (as he must take a daily antidote for a drug he was injected with), Aicha's endangered life, and passing the information of the whereabouts of the terrorists headquarters to the Army before it's too late... Too much for OSS 117?

To get Bond villain Stromberg and Bond bad girl Fiona Volpe (Curd Jorgensen and Lucianna Palluzzi) in one film is quite a feat, and the Bond connection doesn't stop there - John Gavin, who was James Bond for a short time and was meant to be in Diamonds are Forever, plays the hero, acquits himself quite well; he's athletic, thinks on his feet, has a smoothness, especially with the ladies, and has a sense of humour. There's some good one liners.

OSS 117: murder for Sale is a decent Eurospy film which moves quite leisurely, the plot has some sort of drive, the production values are good - it's not a spy spoof, though, but there's some gadgets like the canister linked to a helicopter spewing sleeping gas, a lie detector device, the rooms in the château which are inescapable ( well, not for our hero), and a lethal injection contain slow acting poison- the hero is injected with this and has to have an antidote at certain times. This is done so he would comply and do the assassination and not run off- nice idea, a neat hook. Nice looking girls, scenic Tunisian location. The music can be annoying, though. Remember seeing this on LWT in 1991 ( UK TV)

This is one of the later entries in the Eurospy, and more specifically in the OSS 117, cycle, and it's probably one of the better ones as well. The two main reasons for that are: 1) The cast. John Gavin is one of the most capable "pseudo-Bonds" of the era, with a good comic flair; you can see why he actually came very close to being the REAL Bond once, in 1971, before Sean Connery changed his mind and came back for "Diamonds Are Forever", Margaret Lee is playfully attractive, Curt Jurgens makes a suitable villain (just like he would a decade later in "The Spy Who Loved Me"), Robert Hossein plays another soft-spoken evil doctor (just like he did in "OSS 117: Panic In Bangkok"), and even the luscious Luciana Paluzzi of "Thunderball" fame is around, though only for about 10 minutes and then she vanishes. 2) Unlike many Eurospy films, this one is not driven by fight scenes at every opportunity. There are some fights, to be sure, and they're pretty good, but most of the time the film is just trying to tell a story. Admittedly the climactic fall of the criminal "Organization" should have been more spectacular - maybe the producers ran out of budget by that point? **1/2 out of 4.

The "French James Bond" OSS 117 and his fifth mission - this time with John Gavin

In the EuroSpy film series about OSS 117 released by the French mini-major GAUMONT, the main actors took the lead. After Kerwin Mathews and Frederick Stafford, Hollywood smartie John Gavin (Psycho) was already the third OSS 117. The Golden Globe winner (Time to Live, Time to Die) did so well that he was seriously considered James Bond -The successor to George Lazenby, who left the company, was traded. The attractive John Gavin would also have cut a good figure as 007. Under the direction of experienced director Andre Hunebelle, filming took place in Rome (gorgeous images of the Eternal City) and Tunisia.

This time OSS 117 has to deal with a gang that hires out hitmen and is called "The Organization". To get in there, the super agent with a freshly operated face (that's how the change in actors is explained in the film) pretends to be a bad bank robber who likes to shoot tons of people. This brings him to the attention of the organization and quickly frees him from the clutches of the police, who were able to arrest him after an hour with the lovely dancer Conchita Esteban (Rosalba Neri). He is prepared for his work in a strange villa. The beautiful doctor Maud (Bond villain Luciana Paluzzi) is responsible for his physical needs, including in bed, of course! There (in the villa, not in bed!) he also gets to know the boss of the gang, called the Major (strangely slippery: Curd Jürgens), and his tall assistant Karas (George Eastman). Soon we're off to the Orient for our first job, which is fraught with all sorts of complications. Love is once again not neglected (Margaret Lee as Aicha), but there is also a really nasty colleague (Robert Hossein as Dr. Saadi) of the cuddly Maud. Will OSS 117 succeed in preventing the planned assassination attempt on the scientist van Dyck? Will the Major's gang of criminals be defeated?

Beautiful ladies who tie the attractive hero to the bed in rows, lively fistfights (including with George Eastman), beautiful pictures and a humorous plot - you can't expect more from a EuroSpy classic. 316,000 tickets were still sold in West German cinemas; the heyday for this type of film was certainly over. This film is still fun to watch in the home theater today.