This documentary captures performances, interviews, and conversations from the 1963-1966 Newport Folk Festivals.This documentary captures performances, interviews, and conversations from the 1963-1966 Newport Folk Festivals.This documentary captures performances, interviews, and conversations from the 1963-1966 Newport Folk Festivals.
- Nominated for 1 Oscar
- 1 win & 2 nominations total
Richard Farina
- Self
- (as Dick Farina)
The Freedom Singers
- Themselves
- (as Freedom Singers)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Fortunately, "Festival" is now available on DVD which I recently purchased. The performances (though incomplete), the interviews, and crowd shots make it a worthwhile 95 minutes of viewing. For me, it wasn't enough. I was yearning for more, more, and more. Here's why: There simply isn't much history available about the Newport Folk Festival and the folk music revival of the 60s except for excerpts here and there but never in complete document form. Many of the artists who appear in this film are long deceased, and with their departure, so is their body of work which in large part, is out of print and rare. The best known performers in the film (Bob Dylan, Joan Baez, and Peter, Paul, and Mary) are still active to this day yet it's fascinating and at times, amusing, to see them frolicking in some (until now) rare footage. I recommend it as a companion to the recent Bob Dylan "No Direction Home" DVD set just released this past summer.
Sometimes Stunning Encapsulation of the Newport Jazz Festivals of 1963-1966.
The Opening Scene is a Cultural Cornerstone.
It's a Fixed Camera with Hordes of Young and Old Folks Entering the Festival Grounds and is a "Snapshot" in Time that would be Imitated in the Pop-Culture Movements of "Monterey Pop" (1967) and then "Woodstock" (1969).
And Virtually Every Documentary Featuring a Music or Concert "Festival".
It is a Bona-Fide Classic.
Considering the Film and Audio Available at the Time, the Images and the Sound are Impressive.
Also Impressive is the way Murray Lerner Cross-Cuts between Performances and Patrons to Create a Unique and Unforgettable "You-Are-There" Experience.
You get to See a Young and Relatively "New" Bob Dylan and Joan Baez in a Fair Amount of Footage.
The Infamous Dylan "Plugging-In" to Electric sent Shock Waves through the Folk Movement as He Delivers a Searing Rendition of "Maggie's Farm".
If one was to Fault the Film...There is a Mysterious and Lengthy Amount of Peter, Paul, and Mary and Judy Collins Footage.
Some other Performers such as Johnny Cash, Barely Registers 3 minutes.
But Overall it is a Good Cross-Section of Acts that Stretch to Include Mike Bloomfield, Son House, Gospel Singers, Folk-Dancing and More.
A Must See Event that is Essential for Music Lovers and Pop-Culture Historians.
It's the One that Started it All and Did So in Fantastic Fashion.
The Opening Scene is a Cultural Cornerstone.
It's a Fixed Camera with Hordes of Young and Old Folks Entering the Festival Grounds and is a "Snapshot" in Time that would be Imitated in the Pop-Culture Movements of "Monterey Pop" (1967) and then "Woodstock" (1969).
And Virtually Every Documentary Featuring a Music or Concert "Festival".
It is a Bona-Fide Classic.
Considering the Film and Audio Available at the Time, the Images and the Sound are Impressive.
Also Impressive is the way Murray Lerner Cross-Cuts between Performances and Patrons to Create a Unique and Unforgettable "You-Are-There" Experience.
You get to See a Young and Relatively "New" Bob Dylan and Joan Baez in a Fair Amount of Footage.
The Infamous Dylan "Plugging-In" to Electric sent Shock Waves through the Folk Movement as He Delivers a Searing Rendition of "Maggie's Farm".
If one was to Fault the Film...There is a Mysterious and Lengthy Amount of Peter, Paul, and Mary and Judy Collins Footage.
Some other Performers such as Johnny Cash, Barely Registers 3 minutes.
But Overall it is a Good Cross-Section of Acts that Stretch to Include Mike Bloomfield, Son House, Gospel Singers, Folk-Dancing and More.
A Must See Event that is Essential for Music Lovers and Pop-Culture Historians.
It's the One that Started it All and Did So in Fantastic Fashion.
9444
I had never seen this til I got a hold of this copy and love it... There are so many good artists here, who knew? The interviews are often hilarious and a few are pretty interesting. The bit with Joan Baez signing autographs and talking in a car shows that she was more than just another folk star, talking about "alternative" music and culture back in... 1964? The Odetta clip makes me want to dig up her records, the music is so compelling. Even Peter/Paul/Mary sound pretty damn good. I originally tracked this down just to see Dylan's electric performance, which turned out to be more electric than I expected - the guitarist churns out some pretty bitchen' licks - for 1965 this was hardcore! If you liked "Don't Look Back" you'd probably enjoy this. I hope this comes out on DVD with tons of extra footage sometime soon while I'm still alive! apple-o
I spoke with Mr. Lerner in 74 and he said that as a Black & White movie, people wouldn't want to see it. At that time vcr's were not very popular and kcet was the only venue. He offered to let me see it at a showing but we hung up with out my giving him my number. I saw segments of festival on the peter, paul and mary documentary the other night. It reminded me how much I would love to see Festival at Newport 1967. I wonder if it is for sale, these days. This was a very valuble documentary with extrodinary montage effects. It was truly neat to see and I hope it makes a return one way or another.
Paul H. Borisoff
Paul H. Borisoff
Filmmaker Murray Lerner documents the Newport Folk Festival from 1963 to 1966. It's in black and white. In addition to the performers, he interviews some of the audiences. The performers include Peter, Paul and Mary, Joan Baez, and Bob Dylan. Joan Baez has a good size section which includes her interacting with fans. The most interesting is a small scene with Dylan performing with an electric guitar. There is cheering after his set. I'm not sure if that's the 1965 festival when he first returned to electric. All in all, it's a great time capsule of old performances and artists long gone. It is music history.
Did you know
- TriviaFirst of the theatrical documentaries on counter-culture music festivals, preceding Monterey Pop (1968) and Woodstock (1970).
- Crazy creditsThe end credits appear during the festival's grand finale where Pete Seeger leads an all-star performance of "Down by the Riverside".
- ConnectionsFeatured in American Masters: No Direction Home: Bob Dylan (2005)
- How long is Festival?Powered by Alexa
Details
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content