Le Bal des vampires

The title "fearless vampire killers" it's not so good as "Dance of the Vampires",outside U.S. this is the original title

I always will remember this film as "Dance of the Vampires" ALSO,CONGRATULATIONS to Mr Polanski for the Palme D' Or, he deserves it(without him just cinema "boring")

I enjoyed poetic scenes such as like moment in Sarah's bath comparing the textures of first soap bubbles, then falling snowflakes, and finally crimson blood. when Alfred(Polanski) carries his master across the castle battlements remind me of Polanski early short films. Krystov Komeda's music has been acclaimed as "the most innovative and haunting score ever devised for a horror movie" by the heavyweight Aurum Film Encyclopedia. Krystof Komeda's wondrous music, with its weird choral effects and little melodies Komeda's score communicates the Kafka-like isolation of the setting and the characters

Polanski chose some of the finest English cinema craft artists to work on the film: cameraman Douglas Slocombe, production designer Wilfrid Shingleton Polanski engaged noted choreographer Tutte Lemkow, who played the actual Fiddler in FIDDLER ON THE ROOF, for the film's climactic Danse Macabre minuet.

Sharon Tate as Sarah was delightful(we should remember her in a good way,as a decent actress and person,her scene with Polanski is really cool ,especially "the bite scene") Jack MacGowran as Professor Abronsius is just great Polanski's films often deal in contrasts of master and servant, the empowered and the powerless. The supposedly benign Abronsius bullies Alfred for his own purposes, just as the vampires consider all of humankind a resource to be harvested.

The character called Shagal got the best lines in the movie,when A woman thrusts a crucifix in his face, only for Shagal - a Jewish rather than a Christian vampire - to go "Oy-yoy! You got the wrong vampire" and bite her anyway Count Von Krolock (Ferdy Mayne, who plays the Count)he looks really as a Nosferatu or a man that needs Transfusion!.

Also funny is Herbert, the openly gay vampire who is interested in Alfred rather than Sara, the sexual deviations implicit in early Hammer films like The Brides of Dracula (1960) and Kiss of the Vampire (1964) are brought out. Hammer would increasingly exploit this in their lesbian

When I think about R.Polanski the first thing coming to my mind is - "the master of fear and horror", and I knew it that "Fearless vampire Killers" is rare example of comedy by this great director. Yeah, I was worried before seeing this movie, not as much about "geting it", but more so about simple thing - could this movie be entertaining for "21st Century Boy".

First thing that striked me was beautiful music by Komeda. I was in total awe. The music was scary, but at the same time so light and funny - just like for a good fair story. And then the beautiful winter scenery that was so fake - almost cartooning. Few minutes into the movie, and I could say "that's what I call movie poetry".

The story is so simple. The old bat researcher, professor Abronsius and his assistant, Alfred, go to a remote Transylvanian village looking for vampires. They stay in house where no one speaks about vampires, but the garlic is hanging everywhere. Simplistic story is so right for this movie, because acting, scenery, music, cinematography are all in top shape here. For composition I think this is one of the best movie done by Polanski, next to "Tenant" for sure.

And this movie is also a rare occasion to see Polanski in comedic role. He and Brach make unforgettable duo. I was totally entertain when in came to comedy in this movie, but the thing that surprise me the most was the action factor. There is one scene that is great example of that - when Polanski character is looking through keyhole and is so scared of what he see that his face is screaming "terror". It's sure funny, but in a way mad-scary too. And when I think about this movie - this scene sums it up for me.

Its very funny, but little outdated movie. For me one a few really cinematic fairy tales, that keeps magic all the way to the end. Its up there with Repulsion, Tenant, and Tess when in comes to greatest work of this director.

And just think about brilliant ending, so funny, so mad. It's a shame Polanski hasn't made another comedy. Don't get me started with Pirates - the most unfunny movie in history. But "Fearless Vampire Killers " is movie magic - pure and simple.

When I first saw this film on TV in the early 70s, I thought it was so cheesy I gave it very little attention. Then in the early 90s it was released on laserdisc in a letterboxed version and I bought it on a lark. After I viewed in the first time I still didn't think much of it and thought maybe I wasted my money. But then, as the years passed, I would look at it every so often and now I love the film. It is an acquired taste. You first have to love vampire films -- the old-fashioned, Gothic kind. Next, you need to appreciate Polanski's style and his understated approach. It's also best to watch this film late at night with the lights off, and especially with a snow storm outside. Give it a chance and this film will creep up on you. Hopefully it will come to DVD soon.

The movie centers upon an old man (Jack McGowran) and a young (Roman Polanski) who go to track down a vampire count (Ferdy Mayne) who has abducted a countrywoman (Sharon Tate) and he hides her into his castle.

The film mingles terror , tongue-in-cheek , rip-roaring , humor , action and a lot of amusement . The runtime motion picture is overlong about two hours and some but isn't boring , but entertaining . Actors interpretation is good , Jack McGowran (being deceased after his playing in ¨The Exorcist¨) is riveting as double of Einstein and Roman Polanski as shy and botcher young is cool . Sharon Tate (marriage to Polanski in real life until Charles Manson massacre) is beautiful and wonderful . Producer Martin Ransohoff discovered Sharon Tate and insisted that director Roman Polanski use her instead of Jill St. John who withdrew shortly before shooting as Polanski had planned .

Originally Roman Polanski wanted to shoot his film on location in and around a castle in Switzerland which he saw during a vacation , but as this was impossible, other locations in the Alps were found, along with studio shoots in England . While on location, Polanski employed dozens of local artisans to make the large numbers of coffins needed in the film . Polanski direction is first-class , Christopher Komeda music (being dead at 31 years after he composed ¨Rosemary's baby¨ music) is fascinating . Douglas Slocombe cinematography is atmospheric and colorful with a Hammer-alike photography . Flick will appeal to Polanski buffs and horror/humor enthusiasts. Rating 7/10 . Above average , well worth watching .

A horror comedy, a parody film about vampire films, with all the clichés of the genre and the scathing humour to boot.

Great art, fresh but claustrophobic, joyful but scary, ending well but maybe not really.

A testament to an era when filmmakers knew how to have fun - and Sharon Tate is a beautiful girl to chew on.

A good moment of cinematographic humour to share in the dark ... but maybe not so dark.