A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.
- Awards
- 1 nomination total
Vladek Sheybal
- Herbert
- (voice)
Roy Evans
- Vampire at Ball
- (uncredited)
Dido Plumb
- Old Man Smoking Pipe at the Inn
- (uncredited)
Winifred Sabine
- Deaf Vampire at Ball
- (uncredited)
Featured reviews
"The Fearless Vampire Killers" (aka "Dance of the Vampires") is a silly but enjoyable parody of vampire films, especially the contemporaneous Hammer series, with which it shares visual style. Director Polanski co-stars as Alfred, the bumbling assistant to dotty vampire-hunter Professor Abronsius (Jack MacGowran), as they infiltrate the decaying castle of dreaded Count von Krolock to rescue a beautiful village girl (played by Sharon Tate) with whom Alfred has become smitten (fiction presaging fact, as Tate later married Polanski). The comedy is generally broad and physical (including some sped up sequences), humorously contrasting with Polanski's and MacGowran's dead-pan delivery of a script that could be straight out of a 'real' horror film. The direction and cinematography is top-notch, especially the classic ball-room scene (itself parodied in 2014's "What We Do in the Shadows" mockumentary). I recently rewatched "The Fearless Vampire Killers" on TCM and, having seen the film as a kid, was surprised when it did not open with a cartoon. The reason for this is discussed elsewhere (e.g. Wikipedia; you can see the incredibly dated animated opening on You-tube). All in all, a goofy but fun film from a talented director that relentlessly spoofs a sometimes pretentious horror genre.
Dance of the Vampires isn't a very typical offering from Roman Polanski. This is his first colour feature film and up until this point his films were decidedly left-field and arty. This one is a considerably more commercial offering. It's effectively a parody of the British Hammer horror films that had been very popular up to this point. So its cultural references were fairly mainstream in the 60's. Set in the 19th century, it's about a professor and his assistant who travel to Eastern Europe seeking vampires. Before long they find themselves at the castle of the mysterious Count von Krolock.
The problem I have with this film is fairly straightforward – I don't find it very funny. The humour is very broad and present throughout. It ranges from the clever (a Jewish vampire who is unafraid of a crucifix) to the low-brow (lots of slapstick). It's occasionally amusing but rarely properly funny. So this is a bit of a problem in a film that is first and foremost a comedy. On the plus side it does look pretty, with nice snowbound landscapes and a Gothic castle to look at. The vampire's ball is also very good. But, for me, the single best aspect of Dance of the Vampires is easily Sharon Tate. She is achingly beautiful and provides a very welcome sensuality to proceedings. Her horrible murder two years later at the hands of the Manson Family clearly robbed the film world of someone quite considerable.
The problem I have with this film is fairly straightforward – I don't find it very funny. The humour is very broad and present throughout. It ranges from the clever (a Jewish vampire who is unafraid of a crucifix) to the low-brow (lots of slapstick). It's occasionally amusing but rarely properly funny. So this is a bit of a problem in a film that is first and foremost a comedy. On the plus side it does look pretty, with nice snowbound landscapes and a Gothic castle to look at. The vampire's ball is also very good. But, for me, the single best aspect of Dance of the Vampires is easily Sharon Tate. She is achingly beautiful and provides a very welcome sensuality to proceedings. Her horrible murder two years later at the hands of the Manson Family clearly robbed the film world of someone quite considerable.
This film by Roman Polanski is a comedy, but it is not a broad comedy, like Mel Brooks' "Young Frankenstein". The characters don't speak in funny voices or camp it up. The action is played fairly straight and the comedy arises from its physical elements and the antics of the two main characters: Professor Abronsius (Jack MacGowran) and his assistant Alfred (Roman Polanski).
Abronsius is an expert on vampires, though he is roundly derided by his colleagues for his theories. He and Alfred arrive at a Transylvania inn, hoping to locate the castle of Count von Krolock (Ferdy Mayne). The locals try to hide the truth from the duo, but the Count reveals his presence and the two are taken to his sanctum.
Watch for Sharon Tate as Sarah Shagal.
It is Polanski, himself, who proves to be the best part of this film, playing an innocent, fearful assistant who falls for the comely Sarah.
The production values are very high. And they more than compensate for the sections of the film that move rather slowly. Polanski's skills as a director are undeniable. He would follow this film with "Rosemary's Baby".
Abronsius is an expert on vampires, though he is roundly derided by his colleagues for his theories. He and Alfred arrive at a Transylvania inn, hoping to locate the castle of Count von Krolock (Ferdy Mayne). The locals try to hide the truth from the duo, but the Count reveals his presence and the two are taken to his sanctum.
Watch for Sharon Tate as Sarah Shagal.
It is Polanski, himself, who proves to be the best part of this film, playing an innocent, fearful assistant who falls for the comely Sarah.
The production values are very high. And they more than compensate for the sections of the film that move rather slowly. Polanski's skills as a director are undeniable. He would follow this film with "Rosemary's Baby".
A horror comedy, a parody film about vampire films, with all the clichés of the genre and the scathing humour to boot.
Great art, fresh but claustrophobic, joyful but scary, ending well but maybe not really.
A testament to an era when filmmakers knew how to have fun - and Sharon Tate is a beautiful girl to chew on.
A good moment of cinematographic humour to share in the dark ... but maybe not so dark.
Great art, fresh but claustrophobic, joyful but scary, ending well but maybe not really.
A testament to an era when filmmakers knew how to have fun - and Sharon Tate is a beautiful girl to chew on.
A good moment of cinematographic humour to share in the dark ... but maybe not so dark.
Brilliant movie - beautifully shot and with Polanski's eye for detail. Very funny/quirky and atmospheric. I loaned it to a work colleague who thought Polanski only made horror films like 'Rosemary's Baby', she was amazed when confronted with this one. She thought it was great. Everyone is always very impressed with the ballroom scene with all the mirrors and the vampires dancing. The colours are fabulous and the outside scenes remind one of s Christmas card. If it's ever on t.v. it's always on around midnight or after, so I had to buy the DVD. Definitely one to watch late at night when you're alone!! It took me years to find it on DVD. I think the one I eventually bought was an import.
Did you know
- TriviaOriginally Roman Polanski wanted to shoot his film on location in and around a castle in Switzerland which he saw during a vacation, but as this was impossible, other locations in the Alps were found, along with studio shoots in England. While on location, Polanski employed dozens of local artisans to make the large numbers of coffins needed in the film. Unfortunately tourists were rather unnerved by the sight of these, and hotels had to erect signs to assure their guests that the area hadn't been struck by plague.
- GoofsWhen the maid at the inn is scrubbing the floor, she is wearing boots; when the camera angle changes, she's suddenly barefoot.
- Quotes
Shagal, the Inn-Keeper: [Magda tries to fend off Shagal, a Jewish Vampire, with a cross] Oy yoy! Have you got the wrong vampire!
- Crazy creditsIn the opening credits the MGM-lion transforms into a vampire.
- Alternate versionsFor the original UK cinema release heavy cuts were made by the BBFC to the scene of Von Krolock attacking Sarah in her bath in order for the film to receive an 'A' certificate. Later video and DVD releases restored the cuts and were upgraded to '15'.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
Details
- Release date
- Countries of origin
- Language
- Also known as
- Le bal des vampires
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Runtime
- 1h 48m(108 min)
- Aspect ratio
- 2.35 : 1
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