Elvira Madigan
- 1967
- Tous publics
- 1h 31m
IMDb RATING
7.0/10
3.5K
YOUR RATING
The Danish tightrope dancer Elvira Madigan meets Lieutenant Sixten Sparre, a Swedish officer who is married and has two children. They both decide to run away.The Danish tightrope dancer Elvira Madigan meets Lieutenant Sixten Sparre, a Swedish officer who is married and has two children. They both decide to run away.The Danish tightrope dancer Elvira Madigan meets Lieutenant Sixten Sparre, a Swedish officer who is married and has two children. They both decide to run away.
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- Nominated for 2 BAFTA Awards
- 3 wins & 5 nominations total
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Finally I saw this film on a college campus viewing in 1969 and tried to have a discussion about it with a stranger....big mistake. This is no light-weight film.
Yes there is the storyline fact that he left his wife and children. Also the way they solved their problem is revolting to our western sensibilities who like to find living solutions to problems (with notable exceptions).
But consider the pace of the film, each second of life was dear and sweet, the music gave focus to the sunlight. She was beautiful in youth (the worshiped idol of the 60's and on). He was caught in his love for her, a grasp at life as with the one you love, trapped in the amber of film, forever.
The young couple were living without a plan for the future, not unusual when you're young. Their natural vitality gave a calm pleasure to each segment of dialog free film. A snippet of life savored. One wonders: Is old age our souls' goal?
Yes the audience is practical, steal a chicken, flee the country, do something. And if so how is their love and beauty made to stand before us? Tragedy is necessary.
Now, I'm much older, but still, once every so often I will see an Elvira walk by, I hold my breath and marvel and am pleased that the world still has room for more such Elviras. Grace and beauty.
Since that time, with the perspective from the artists' work I can see a world that would have been only guessed by me, perhaps in a dream; thanks to Elvira Madigan.
Yes there is the storyline fact that he left his wife and children. Also the way they solved their problem is revolting to our western sensibilities who like to find living solutions to problems (with notable exceptions).
But consider the pace of the film, each second of life was dear and sweet, the music gave focus to the sunlight. She was beautiful in youth (the worshiped idol of the 60's and on). He was caught in his love for her, a grasp at life as with the one you love, trapped in the amber of film, forever.
The young couple were living without a plan for the future, not unusual when you're young. Their natural vitality gave a calm pleasure to each segment of dialog free film. A snippet of life savored. One wonders: Is old age our souls' goal?
Yes the audience is practical, steal a chicken, flee the country, do something. And if so how is their love and beauty made to stand before us? Tragedy is necessary.
Now, I'm much older, but still, once every so often I will see an Elvira walk by, I hold my breath and marvel and am pleased that the world still has room for more such Elviras. Grace and beauty.
Since that time, with the perspective from the artists' work I can see a world that would have been only guessed by me, perhaps in a dream; thanks to Elvira Madigan.
10kathik
I saw this film when it came out in the 1960's. It is loosely based on a true story of two lovers, a beautiful tightrope dancer and a married Army Lieutenant, who run away together in the late 1800's. I was blown away by the sheer beauty of this film. There are no car chases or explosions. Instead, it brings you close to nature with the sights and sounds of the fields and trees, the wind, sumptuous berries, bird songs and crickets. Their love plays out within some of the most beautiful scenery I have ever seen. It runs almost in real time, quietly moving their story along. This film left a lasting impression on me for decades. I loved it.
10civanyi
I had the pleasure, and good fortune to see this film on the big screen. It exemplifies classic beauty, one is reminded of Renoir paintings. The film uses landscape to reveal inner emotions, a rarity these days. The structure reveals the final outcome in the beginning, leaving us with is an examination of a process so lovingly portrayed by Widerberg, a process so perfectly focused -- a delicate, lyrical love story -- quite an achievement.
Remarkable sometimes impressionistic photo and some scenes are just so beautiful! Oh I wish I was in his place out on that meadow... After Goyokin this is the most beautiful film I've seen. The story is perhaps a little weak, especially in the need. Very few dialogues. The music is of course good since it's Mozart. 4 out of 5.
My fiance and I just watched Elvira Madigan on FLIX. It's up there with the best of love stories...Love Story, Forever Young & Romeo & Juliet. It's a great movie, and if you're in the mood for a good movie about true love, watch the 1967 Swedish version (with English subtitles) of Elvira Madigan.
One last thing, for those who didn't like this movie, just simply lost touch with what true love means to them.
One last thing, for those who didn't like this movie, just simply lost touch with what true love means to them.
Did you know
- TriviaTo accentuate Elvira Madigan's mixed descent her Swedish voice was dubbed by Danish actress Yvonne Ingdal, while Swedish actress Pia Degermark who acted the role dubbed the few scenes where she spoke Danish. This meant she always spoke with an accent.
- Quotes
Elvira Madigan, alias Hedvig Jensen: Don't you understand what we have to do, Sixten?
Sixten Sparre: Don't say it.
Elvira Madigan, alias Hedvig Jensen: We must. We don't have any choice.
- ConnectionsFeatured in Bo Widerberg (1977)
- SoundtracksPiano Concerto No. 21 in C major, K. 467 (second movement: Andante)
Music by Wolfgang Amadeus Mozart (as Mozart)
Performed by Géza Anda (piano)
Courtesy of Deutsche Grammophon
Main theme
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- Das Ende einer großen Liebe
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